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The Dain Curse Paperback – Jul 17 1989


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Product Details

  • Paperback: 240 pages
  • Publisher: Vintage; Vintage Books ed edition (July 17 1989)
  • Language: English
  • ISBN-10: 0679722602
  • ISBN-13: 978-0679722601
  • Product Dimensions: 13 x 1.4 x 20.3 cm
  • Shipping Weight: 181 g
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Bestsellers Rank: #455,155 in Books (See Top 100 in Books)

Product Description

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Everything about the Leggett diamond heist indicated to the Continental Op that it was an inside job. From the stray diamond found in the yard to the eyewitness accounts of a "strange man" casing the house, everything was just too pat. Gabrielle Dain-Leggett has enough secrets to fill a closet, and when she disappears shortly after the robbery, she becomes the Op's prime suspect. But her father, Edgar Leggett, keeps some strange company himself and has a dark side the moon would envy. Before he can solve the riddle of the diamond theft, the Continental Op must first solve the mystery of this strange family.

About the Author

Dashiell Samuel Hammett was born in St. Mary’s County. He grew up in Philadelphia and Baltimore. Hammett left school at the age of fourteen and held several kinds of jobs thereafter—messenger boy, newsboy, clerk, operator, and stevedore, finally becoming an operative for Pinkerton’s Detective Agency. Sleuthing suited young Hammett, but World War I intervened, interrupting his work and injuring his health. When Sergeant Hammett was discharged from the last of several hospitals, he resumed detective work. He soon turned to writing, and in the late 1920s Hammett became the unquestioned master of detective-story fiction in America. In The Maltese Falcon (1930) he first introduced his famous private eye, Sam Spade. The Thin Man (1932) offered another immortal sleuth, Nick Charles. Red Harvest (1929), The Dain Curse (1929), and The Glass Key (1931) are among his most successful novels. During World War II, Hammett again served as sergeant in the Army, this time for more than two years, most of which he spent in the Aleutians. Hammett’s later life was marked in part by ill health, alcoholism, a period of imprisonment related to his alleged membership in the Communist Party, and by his long-time companion, the author Lillian Hellman, with whom he had a very volatile relationship. His attempt at autobiographical fiction survives in the story “Tulip,” which is contained in the posthumous collection The Big Knockover (1966, edited by Lillian Hellman). Another volume of his stories, The Continental Op (1974, edited by Stephen Marcus), introduced the final Hammett character: the “Op,” a nameless detective (or “operative”) who displays little of his personality, making him a classic tough guy in the hard-boiled mold—a bit like Hammett himself.

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1 of 1 people found the following review helpful By Thomas Stamper on July 19 2003
Format: Paperback
The Dain Curse begins with a routine insurance investigation. Some moderately valuable diamonds were stolen and the Continental Op is put on the case to find the culprit. Not soon after, the Op learns that something larger is going on. The family he is investigating has some deep secrets and maybe even a curse follows them. The story takes place in three parts with three different mysteries, but they culminate to solve the Dain Curse, which is at the center of all the action.
I was introduced to the Continental Op a few years ago in short story form and loved the character quite a bit. I've been saving the novels for a few years and it was worth the wait. Hammett became famous for Sam Spade and the Thin man, but the Continental Op is deserving of more attention. He's not typically handsome and he's even short and fat, but he has enough brains an no how to get the job done.
A shame that Hammett got sucked into revolutionary politics and spent the last 30 years of his life writing nothing of value, because his early stuff is nothing less than Great American Literature.
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Format: Paperback
"The Dain Curse" originally appeared as 4 serials in "Black Mask" magazine, 1928-1929, and was reworked and published as a novel shortly thereafter. The novel impresses me more strongly as a soap opera in three acts than a detective story. Yes, there is a detective, the always nameless Continental Op. And there is certainly a mystery. There are a lot of mysteries, in fact. But "The Dain Curse" is the most far-fetched of Dashiell Hammett's works that I've read, and the least cynical of his novels. I wouldn't call this book well-written, but it's a page-turner. The plot is so convoluted that the reader is even more anxious than usual to read to the end in order to find out what our detective will make of it. And that's the heart of the novel's problems: We keep reading because we are curious to know how the Op will unravel this messy, incomprehensible case. We don't keep reading because we are interested in the characters, the story, or the language. Those elements are far less intriguing than I have come to expect from Hammett. Perhaps it's because Hammett strayed from the world of gangsters and thugs that he knew best, but "The Dain Curse"'s conglomeration of religious cults, drug addiction, melodrama, and bourgeois murder just isn't credible on any level. The central female character in the book, Gabrielle, is more of a damsel in distress than a femme fatale, and she is rather unattractive, physically and intellectually. There's nothing wrong with these things, in themselves, but they typify "The Dain Curse"'s departure from Dashiell Hammett's traditional themes and style. Unfortunately, if this novel was an experiment, it wasn't a very successful one. But I don't deny that it's entertaining on a certain level.Read more ›
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By E. A Solinas HALL OF FAMETOP 10 REVIEWER on March 14 2004
Format: Paperback
Dashiell Hammett brought the noir detective into the limelight with "Maltese Falcon," but it wasn't the first or only novel he wrote about hard-edged, hard-boiled detectives. Among his early works was the Continental Op in "The Dain Curse," a scattered but interesting three-tier mystery.
Diamonds have been stolen, and the Continental Op has been called in to find out what has happened. But he finds that the whole story that is given to him has a "wrong" feeling to it -- mysterious men, a diamond he finds on the ground. When the Op digs further, he finds a web of murder, jealousy and hate that spreads back over young Gabrielle Leggett's life.
After the trauma of her father's murder, the Op takes Gabrielle to the Temple of the Holy Grail, a San Francisco cult. At first it seems like a slightly goofy but harmless little pseudo-religion -- until a hideous specter in the Op's room, and a murder that seems to have been committed by Gabrielle, shows that something sinister is lurking there. And finally, the "Dain curse" seemingly strikes again when Gabrielle's young husband is found dead...
Before anyone knew about Sam Spade, Hammett was churning out pulp fiction about the Continental Op in his trademark spare, sharp prose. "The Dain Curse" feels like three loosely connected short stories -- only Gabrielle Leggett ties them together, and the idea of the "Dain curse" (which is never fully dealt with -- though it makes an enticing title) which supposedly kills everyone around Gabrielle.
Hammett's writing is as dry and spare as always. However, the stories sometimes seem too short, especially the second one, which ends on a hurried note (we're only told of Gabrielle's marriage as a sort of postscript).
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Format: Paperback
Today, of course, Dashiell Hammett's reputation rests largely on the legendary novel THE MALTESE FALCON, but this does not mean that his other work isn't worth a look, and THE DAIN CURSE is a case in point: tightly written in a merciless tone, Hammett's second novel clearly sets the stage for much that was to follow.
Hammett first made his reputation as a pulp magazine author, churning out a series of short stories in a lean, mean prose that drew numerous fans and built critical attention. One of the most popular characters of his short story work was known as "the Continental Op"--an insurance detective ("Op" being short for "operative") whose various adventures would ultimately form the basis for this, Hammett's second novel-length effort.
Although some will disagree, I personally consider THE DAIN CURSE an noticeable improvement over Hammett's first novel, RED HARVEST. Like most of Hammett's work, both works are noteable for their hard-hitting prose, both offer convoluted plots, and both provide us with archetypical characterizations--but where I find RED HARVEST a strangely flat and slightly up-hill read, THE DAIN CURSE hooks you with the first few pages and holds your attention with ease throughout the entire course of the novel.
The story is, as previously stated, convoluted. The Op is called in to investigate stolen diamonds--but strangely enough, these diamonds are not really precious: they are imperfect stones loaned by a jeweler to scientist/artist Leggett, who experiments with them in an effort to improve their quality.
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