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The Dark Arena
 
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The Dark Arena [Mass Market Paperback]

Mario Puzo
4.2 out of 5 stars  See all reviews (6 customer reviews)
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Product Description

Review

"Fierce, intense, compelling."
-The Boston Globe

"ONE OF THE FINEST WORKS OF FICTION TO COME OUT OF THIS COUNTRY’S OCCUPATION OF GERMANY."
-The Nation

"PUZO TELLS HIS STORY BRUTALLY, VIOLENTLY, AND UNDOUBTEDLY VERY MUCH AS IT ALL MIGHT HAVE BEEN."
-San Francisco Chronicle

Book Description

Mario Puzo won international acclaim for The Godfather and his other Mafia novels. But before creating those masterpieces, Puzo wrote his first acclaimed novel The Dark Arena–an astounding story of a war-scarred young American in a battle against corruption and betrayal. . . .

After coming home at the end of World War II, Walter Mosca finds himself too restless for his civilian role in America. So he returns to Germany to find the woman he had once loved–and to start some kind of life in a vanquished country. But ahead of Walter stretches a dark landscape of defeat and intrigue, as he succumbs to the corrupting influences of a malevolent time. Now he enters a different kind of war, one in which he must make a fateful decision–between love and ambition, passion and greed, life and death. . . .

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Customer Reviews

6 Reviews
5 star:
 (3)
4 star:
 (1)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (6 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
3.0 out of 5 stars Pretty good for a young writer!, Mar 8 2003
By 
G. Shkodra (Montreal, Canada) - See all my reviews
(REAL NAME)   
This review is from: The Dark Arena (Mass Market Paperback)
This is the very first novel the young Mario Puzo wrote during the fifties and he certainly pulled it off. It's not so difficult to notice already the strokes of the unknown, aspiring writer who'd later become undoubtfully one of the best of his generation.
There are many similarities between this novel and some of those of the lost generation writers, the most similar to it being, of course, "A farewell to arms" by Ernest Hemingway. The 20-th century best american writer used to write about people and events taking place during the war, whether it was WW1 or WW2, while Puzo's work is more about war's aftermath and how it affected and changed people's life.
The novel's main character is not as sympathetic or attracting as, let's say, Hemingway's Frederic Henry or Remarque's Gottfried Lenz. I found it somewhat difficult to sympathize with Mosca's slovenly attitude, his lack of feelings or interest in anything or anyone surrounding him, but I understand him, or at least I try to: he slowly understands that his persona has changed, and not for the better, and that he has become the enemy, as he puts it towards the end of the novel; he loves someone (in his own way), but he doesn't know it; his loved one first loses his first child and later gives birth to his second one, but he doesn't seem to care. I think it's interesting to compare Puzo's work to some of Hemingway's novels: while hell to Hemingway was war itself, to Puzo "hell is the suffering of being unable to love!", as the great Dostoyevski puts it in "The brothers Karamazov". And Mosca is unable to love and care about someone or something.
While Hemingway would go on and write mostly about war, fatalism and despair, Puzo would later change his subjects and describe the american corrupt worlds of politics, underworld, the casinos and the movie industry. Later on, his main motto would be to prove that "the secret of a big fortune with no apparent cause is a forgotten crime".
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3.0 out of 5 stars Pretty good for a young writer!, Mar 8 2003
By 
G. Shkodra (Montreal, Canada) - See all my reviews
(REAL NAME)   
This review is from: The Dark Arena (Mass Market Paperback)
This is the very first novel the young Mario Puzo wrote during the fifties and he certainly pulled it off. It's not so difficult to notice already the strokes of the unknown, aspiring writer who'd later become undoubtfully one of the best of his generation.
There are many similarities between this novel and some of those of the lost generation writers, the most similar to it being, of course, "A farewell to arms" by Ernest Hemingway. The 20-th century best american writer used to write about people and events taking place during the war, whether it was WW1 or WW2, while Puzo's work is more about war's aftermath and how it affected and changed people's life.
The novel's main character is not as sympathetic or attracting as, let's say, Hemingway's Frederic Henry or Remarque's Gottfried Lenz. I found it somewhat difficult to sympathize with Mosca's slovenly attitude, his lack of feelings or interest in anything or anyone surrounding him, but I understand him, or at least I try to: he slowly understands that his persona has changed, and not for the better, and that he has become the enemy, as he puts it towards the end of the novel; he loves someone (in his own way), but he doesn't know it; his loved one first loses his first child and later gives birth to his second one, but he doesn't seem to care. I think it's interesting to compare Puzo's work to some of Hemingway's novels: while hell to Hemingway was war itself, to Puzo "hell is the suffering of being unable to love!", as the great Dostoyevski puts it in "The brothers Karamazov". And Mosca is unable to love and care about someone or something.
While Hemingway would go on and write mostly about war, fatalism and despair, Puzo would later change his subjects and describe the american corrupt worlds of politics, underworld, the casinos and the movie industry. Later on, his main motto would be to prove that "the secret of a big fortune with no apparent cause is a forgotten crime".
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5.0 out of 5 stars A great book with an interesting setting, Dec 2 2002
By 
Ben De Bono (Ramsey, MN) - See all my reviews
(REAL NAME)   
This review is from: The Dark Arena (Mass Market Paperback)
This is the second Mario Puzo book I've read, the first being the Godfather. I loved that book as wwll as all three Godfather films. The Dark Areana isn't quite on the level of the Godfather but I still loved it all the same. It is a wonderful book with teriffic charechters and dialougue, two things that are seldomn found in modern fiction. Perhaps the most interseting thing about this novel to me was it's setting. No book I've ever read has focused on the culture of post World War Two Germany the way this novel does. Puzo brings the world to life in a way that few authors can. This book is absolutly terrific. I reccomend it to anyone in search of a great read.
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