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Lucille Ball has a change of pace role as the loyal secretary of a private eye in this brooding film noir about a man being set up for a murder rap. Framed by his partner years ago, hard-boiled detective Bradford Galt (Mark Stevens) served a two year stretch for manslaughter. Now trying to start over, he spends his time serving his clients and romancing his new secretary, Kathleen (Lucille Ball). But everything changes with the appearance of a sinister man in a whit suit (William Bendix) who's apparently working for Galt's ex-partner, Tony Jardine. When Jardine is killed, the police blame Galt. It's another frame, but if Galt can't prove he's innocent, this time he's headed for death row.
The Dark Corner can't seriously be proposed as a great film noir, but it's one that people cherish. For one thing, it's unique in having Lucille Ball--who has absolutely no "splainin'" to do--as the smart, resourceful, devoted secretary of beleaguered private eye Mark Stevens. Lucy actually rates top billing, with Clifton up-to-his-old-Laura-tricks Webb and William vicious-brute-in-a-white-suit Bendix also getting their names above that of the hero in the credits. In this, there's a certain justice; they all deliver the goods, whereas Stevens seems a tad lightweight as the hardnose, Phil Marlowe type cracking wise and punching his way through the mean streets. His character comes burdened with more backstory than usual for movie detectives; this time, the case the private eye has to solve is his own. The intriguingly convoluted screenplay (by Jay Dratler, who co-wrote Laura, and Bernard Schoenfeld, from a story by Leo Rosten) takes hold like a vise and sustains the tension even though, by rights, its credibility should be shrinking with each passing reel. Henry Hathaway's direction is crisp, and the cinematography by Joe MacDonald (who would next shoot John Ford's My Darling Clementine) is both pungent and gorgeous. With Cathy Downs, Kurt Kreuger, and Reed Hadley, who plays a police detective here but more often supplied the voiceover on Fox's semidocumentary thrillers and Anthony Mann's T-Men. --Richard T. Jameson
Love this one a very different role for Lucille Ball she is really very good. And what a plot!Published 11 months ago by diana smith
I first saw this years ago on The Women's Television Network, every Sunday afternoon they used to air excellent old movies that starred incredible leading ladies, I think they... Read morePublished 15 months ago by Joeen Melchiorre
Well before Lucy was stereotyped as a Comedienne of extraordinary depth , she was an actress first. Here she is in a
dramatic role as the secretary/angel of a tough guy... Read more
Bought this movie on speculation as I had never seen Lucile Ball in a sensible role. Excellent story and always good to see Clifton Webb and William Bendix.Published 21 months ago by Fred Isenor
I enjoyed the twists and turns of the plot.
A "real sleuth" might have solved it earlier than I did. Read more
According to Lucille Ball's autobiography, "Love, Lucy," Lucy had a mild nervous breakdown during the filming of this movie, due to outside personal problems. Read morePublished on Feb. 6 2001
I've seen this classic a dozen times now and I won't say I never tire of it at times, but this is a great example of 40's film noir. Read morePublished on Aug. 25 2000