Wizard and Glass
, the fourth episode in King's white-hot Dark Tower series, is a sci-fi/fantasy novel that contains a post-apocalyptic Western love story twice as long. It begins with the series' star, world-weary Roland, and his world-hopping posse (an ex-junkie, a child, a plucky woman in a wheelchair, and a talking dog-like pet named Oy the Bumbler) trapped aboard a runaway train. The train is a psychotic multiple personality that intends to commit suicide with them at 800 m.p.h.--unless Roland and pals can outwit it in a riddling contest.
It's a great race, for the mind and pulse. Movies should be this good. Then comes a 567-page flashback about Roland at age 14. It's a well-marbled but meaty tale. Roland and two teen homies must rescue his first love from the dirty old drooling mayor of a post-apocalyptic cowboy town, thwart a civil war by blowing up oil tanks, and seize an all-seeing crystal ball from Rhea, a vampire witch. The love scenes are startlingly prominent and earthier than most romance novels (they kiss until blood trickles from her lip).
After an epic battle ending in a box canyon to end all box canyons, we're back with grizzled, grown-up Roland and the train-wreck survivors in a parallel world: Kansas in 1986, after a plague. The finale is a weird fantasy takeoff on The Wizard of Oz Some readers will feel that the latest novel in King's most ambitious series has too many pages--almost 800--but few will deny it's a page-turner.
From Library Journal
Frank Muller's reading of King's fourth book in a projected seven-part series (e.g., The Waste Lands: The Dark Tower, Bk. 3, Audio Reviews LJ 2/15/92) is effective in creating a suspenseful and fearful atmosphere. We find Roland, the knight errant/gunslinger, continuing his quest to attain the Dark Tower, the source of destructive forces in his Mid-World. A major portion of this work is a recounting by Roland of his ill-fated love affair with Susan Delgado. The writing is expectedly imaginative, the story line engrossing, and the characters vivid. The listener is carried along through alternating Western, urban, and futuristic settings. The work stands on its own, incorporating a summary of Books 1-3, but will be better appreciated if listened to as part of the whole. Recommended for sf/fantasy collections and Stephen King fans.?Catherine Swenson, Norwich Univ. Lib., Northfield, Vt.
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