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Most helpful customer reviews
4.0 out of 5 stars
A must have for the Frida fan,
By
This review is from: The Diary of Frida Kahlo: An Intimate Self-Portrait (Hardcover)
A glimpse into the tortured mind and body of Frida Khalo. Her writing is As Poetic and surreal as her paintings. Wish it was longer.
4.0 out of 5 stars
If unique is what you seek,
By Enrique Torres "Rico" (San Diegotitlan, Califas) - See all my reviews
This review is from: Diary of Frida Kahlo (Hardcover)
I was put off by this book for a few years before I got around to reading it because of the odd nature of Frida's drawings and doodlings, inks spillls morfing into "art" and in general the seemingly difficult text to follow. All this changed upon a recent trip to Mexico, amongst the tranquil backdrop of Mismaloya and unforgetable sunsets in this tropical paradise I was able to whip through this book. The serenity of the place helped me get through Frida's chaos. After reading her own insights and feelings about life I wanted more. Her bizarre life, filled with more theatre and characters than a Fellini film, more physical and mental agony than most humans can endure is one that deserves her own thoughts, although at times they are convoluted. Whether she was under the influence(many of her last years she was doped to mask the pain) or not is irrevelant because the text is spellbinding with illustrations that captivate the imagination, taking the reader along a surrealistic journey as only Frida can. It is a grotesquely beautiful book, rich in imagery , both literally as well as illustrated in the unique style of Frida Kahlo, reflective of the pain and suffering she lived, both self inflicted and her own fate. It is quite simply, Frida in her own words. The book is a handsome collection of thoughts and drawings by one of the greatest Latin American artists of the twentieth century. The author takes the liberty of interpreting each page, giving her perspective concerning the thoughts of Frida in a very helpful manner. The first part of the book is the diary, in writting and print and as colorful and bold as Frida was, whereas the second part is the type written text of the Frida's hallucianatory ramblings and drawings. This proves to a beneficail companion to reading each page, first by Frida followed by the clearer typed "translation" in thesecond part of the book. Without the type written text some sections are nearly impossible to decipher. The various sketches are shown in their embyonic stages and would later become part of her major works are truly amazing. If you are a lover of the works of Frida Kahlo this is a fine book to add to your collection of Kahlo memorabilia. This book is a perfect companion to Hayden Herrera's definitive biography. Incidently, my desire for more of Frida in her own words (this one is in Spanish mostly)was quenched recently by finding a book entitled "Escritura" by Frida Kahlo that is series of poems, letters and notes selected by Raquel Tibol. I highly suggest reading both if you are a Kahlophile.
4.0 out of 5 stars
Intimate and hallucinatory,
By F. Lennox Campello "f. lennox campello" (Potomac, MD United States) - See all my reviews
This review is from: Diary of Frida Kahlo (Hardcover)
This very intimate book accomplishes what no bio can: show us inside Kahlo, via her own ramblings and disorganization and odd illustartions and ink spills and lines, and drawings, etc. It is a weird highway to the inner mind of the goddess of 20th century art.With a movie in the works ..., Kahlo is sure to solidify her position as the top-of-the-art-food-chain Latin American artist of the century (Georgia O'Keefe considered her the best female artist of the 20th century) and make her iconic face even more famous. Kahlo deserves this position because she painted honestly and brutally. She painted her memorable Jewish-Austrian-Spanish-Mexican face, single eyebrow and slim moustache in stark honesty; she had many lovers of both sexes (when such a course of sex exploits was practically unknown); she grabbed her Mexicanity with a fierce pride and ferocity that would not be in vogue until decades after her death (Kahlo was born in 1907 and died in 1954) and yet during her life she was just the wife of a very famous Mexican muralist and a champagne Communist who partied with the Fords and Rockefellers while marching with the workers down the wide avenues of Mexico City. It is thus ironic that it is Kahlo, whose astonishing life and unique paintings are now the subject of lawsuits between governments and collectors, has taken the limelight from her talented womanizer husband and is rightfully considered one of the best artists of the 20th century, period. This is a nice addition and a must read for Kahlophiles.
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