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The film is set in an exclusive beach community on Long Island, where children's book author and artist Ted Cole (Jeff Bridges) lives with his wife Marion (Kim Basinger) and their young daughter Ruth (Elle Fanning), who usually is supervised by her nanny Alice. Their home is filled with photographs of the couple's teenaged sons, who were killed in an automobile accident; the tragedy left Marion deeply depressed and her marriage in shambles. The one shared experience that holds the family together is a ritualistic daily viewing of a home gallery of family photographs of the deceased sons.
Ted and Marion temporarily separate, each alternately living in the house and in a rented apartment in town. Ted hires Eddie O'Hare (Jon Foster) to work as his summer assistant and driver, since his own license was suspended for drunk driving. An aspiring writer, Eddie admires Ted, but he soon discovers the older man is a self-absorbed womanizer with an erratic work schedule that leaves the young assistant to fill his time as best he can. Eddie and Marion soon engage in a sexual relationship, which seems not to bother Ted, who is enjoying trysts of his own with local resident Evelyn Vaughn (Mimi Rogers) during sketching sessions at which she serves as his model. When Ruth walks into the room while Eddie and her mother are making love, Ted becomes upset with his wife and advises Eddie he may have to testify about the incident if Ted decides to fight for full custody of the child.
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Customer Reviews
Most helpful customer reviews
2 of 2 people found the following review helpful
This couple took grieving to a whole different level
July 2 2007
Format:DVD
This is another fantastic movie that had slip through the cracks of greatness due to uncomfortable content. A few recent films have treated the dysfunction attendant upon the death of a child to a loving couple. A movie or two has also touched on the sexual relationship between an older woman and a younger man. `Door in the Floor,' based on John Irving's novel `Widow for a Year,' combines both subjects in a sometimes disturbing, always absorbing screenplay that has a superlative performance by Jeff Bridges and an excellent turn by Kim Basinger.
Since `The Graduate,' the possibility in films of a younger man/older woman theme has become as acceptable as the traditional reverse. In writer/director Tod Williams' (`The Adventures of Sebastian Cole') `Door in the Floor,' the young 16-year-old Eddie is played by Jon Foster (`Life as a House') with an annoying lack of charisma and animation. However, Kim Basinger as his love interest, Marion, a mother who has lost 2 sons about his age in an auto accident, for which she feels some responsibility, appropriately lacks animation because of her trauma, a kind of `Stepford' mother exorcising her demon by sleeping with a son's surrogate. That acting is believable even if her `method' may be thinking of her combat with a notorious Baldwin boy. If you are sensitive to such things, the movie deserves its R rating. There is male nudity, from the rear, and full frontal female nudity. The language is about what one would expect from an R rated movie.
`The Door In the Floor' is memorable for two big reasons. 1). Jeff Bridges due to his performance and 2).The very last scene, you will realize the full import of Ted Cole's world-view, and you'll see the treatment of his character in the movie in a completely new light. The laughs are thrown in at just the right moments, and the ending is as true as it gets. Sometimes, movies don't get hard-to-face endings right this film delivers it just fine.
Since `The Graduate,' the possibility in films of a younger man/older woman theme has become as acceptable as the traditional reverse. In writer/director Tod Williams' (`The Adventures of Sebastian Cole') `Door in the Floor,' the young 16-year-old Eddie is played by Jon Foster (`Life as a House') with an annoying lack of charisma and animation. However, Kim Basinger as his love interest, Marion, a mother who has lost 2 sons about his age in an auto accident, for which she feels some responsibility, appropriately lacks animation because of her trauma, a kind of `Stepford' mother exorcising her demon by sleeping with a son's surrogate. That acting is believable even if her `method' may be thinking of her combat with a notorious Baldwin boy. If you are sensitive to such things, the movie deserves its R rating. There is male nudity, from the rear, and full frontal female nudity. The language is about what one would expect from an R rated movie.
`The Door In the Floor' is memorable for two big reasons. 1). Jeff Bridges due to his performance and 2).The very last scene, you will realize the full import of Ted Cole's world-view, and you'll see the treatment of his character in the movie in a completely new light. The laughs are thrown in at just the right moments, and the ending is as true as it gets. Sometimes, movies don't get hard-to-face endings right this film delivers it just fine.
Most Helpful Customer Reviews on Amazon.com (beta)
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72 of 81 people found the following review helpful
The first third of John Irving's "A Widow for One Year"
Dec 20 2004
Format:DVD
John Irving's "A Prayer for Owen Meany" is my favorite contemporary novel, and it was clear when I read the book that it would never be made into a movie because the title character could never survive the transition. Indeed, all writer-director Mark Steven Johnson could do was be inspired to turn the first chapter of the novel into the film "Simon Birch." Irving himself did the screenplay for "The Cider Holes Rules" and had to condense and restructure the story to come up with a movie version. Even "The World According to Garp," which captures the high points of the comic novel, leaves out so much of the depth and detail. Of course, this is true of any adaptation of a novel. Things are always added and subtracted, changed and replaced, with any novel, but it seems that with Irving's novels filmmakers are painfully aware of the difficulties.
Such was the case with "A Widow for One Year," and writer-director Tod Williams gives himself a fighting chance by restricting himself to the first third of the novel in "The Door in the Floor." In doing so he at least creates a new market for the novel, since there is most of the story of these four people to be told. The situation is that Ted Cole (Jeff Bridges), who writes and illustrates stories for children, decides to hire an assistant for the summer, and hires a 16-year-old Exeter student, Eddie O'Hare (Jon Foster), who wants to be a writer when he grows up. The Cole family consists of wife Marion (Kim Basinger), their four-year-old daughter, Ruth (Elle Fanning), and the dozens of photographs on the wall of Tom and Tim, the two sons who died when they were teenagers.
Eddie does not know that he has walked into on going tragedy until it is way too late. Marion takes Eddie to bed, not just because Ted no longer touches her and the boy becoming a man has a crush on her, but because Ted wants to build a swimming pool. Ted and Marion have decided that the pain they feel needs to be inflicted on the other, but the tacit agreement is that they will not do it directly. If you pay attention, there are only a few scenes in which Marion and Ted appear together: Eddie becomes their go between, even when there are not any explicit messages. Eddie is the final nail in the coffin of this marriage, although only one of the three realizes this first and uses it to their advantage.
Although hired to help Ted, who needs to be driven around because he has lost his license, Eddie realizes he is there more for Marion and Ruth. For the little girl the most important thing in the world are the pictures of Tom and Tim on the walls. Each one has a story, and pity the poor nanny who does not know the story behind a particular photography. Ruth knows the stories by heart, but she likes to hear them being told to her again (and again). Ted thinks that Marion's indiscretions mean he can win guardianship of Ruth when the inevitable divorce happens, but never realizes he is playing the wrong game here.
When you see Basinger and Foster together their sexual relationship seems too hard to accept, but this would not be a problem if Williams did not choose to show us some of their more intimate moments. This is a mistake, not just because you are suddenly doing the math on the age difference between the actress and actor, but more importantly because the importance of the relationship is best seen from Ted's perspective. He never sees it (although Ruth does), but he knows about it and is bent on using that fact to his advantage. Both Basinger and Bridges bring an economy to their characters that brings a sharpness to their pain; for her it is the dead look in her eyes, for him it is the sound of what is missing in his voice.
"The Door in the Floor" is more forgiving of both Ted and Marion than the novel is by the end of that first section. Ted does not simply have affairs, but engages in calculated seductions using his talent and reputation. His current conquest, Evelyn Vaughn (Mimi Rogers), is in the final stages of the sordid relationship, where degradation becomes the name of the game. But Williams uses the sequence where Evelyn tries to take her revenge as the most comic moment in the film, and reduces his despicable treatment of the woman to a joke on a windshield. The film's sympathies are clearly with Marion, who is reduced to catatonia by thoughts of her dead sons. When she comes to her decision as to what is to be done, we believe it is the right one, even though the consequences are going to be devastating. But then Williams mutes the impact considerably.
As someone who read "A Widow for One Year," watching "The Door in the Floor" certainly hit the high points and brought back vivid memories of the best parts of the novel. But I now the movie will not resonate the same way for those who have not read the novel, but seeing this 2004 drama should certainly inspire them to do so. What happens in this film wrecks these four lives in persistent and insidious ways. This film is only the beginning of their story.
Such was the case with "A Widow for One Year," and writer-director Tod Williams gives himself a fighting chance by restricting himself to the first third of the novel in "The Door in the Floor." In doing so he at least creates a new market for the novel, since there is most of the story of these four people to be told. The situation is that Ted Cole (Jeff Bridges), who writes and illustrates stories for children, decides to hire an assistant for the summer, and hires a 16-year-old Exeter student, Eddie O'Hare (Jon Foster), who wants to be a writer when he grows up. The Cole family consists of wife Marion (Kim Basinger), their four-year-old daughter, Ruth (Elle Fanning), and the dozens of photographs on the wall of Tom and Tim, the two sons who died when they were teenagers.
Eddie does not know that he has walked into on going tragedy until it is way too late. Marion takes Eddie to bed, not just because Ted no longer touches her and the boy becoming a man has a crush on her, but because Ted wants to build a swimming pool. Ted and Marion have decided that the pain they feel needs to be inflicted on the other, but the tacit agreement is that they will not do it directly. If you pay attention, there are only a few scenes in which Marion and Ted appear together: Eddie becomes their go between, even when there are not any explicit messages. Eddie is the final nail in the coffin of this marriage, although only one of the three realizes this first and uses it to their advantage.
Although hired to help Ted, who needs to be driven around because he has lost his license, Eddie realizes he is there more for Marion and Ruth. For the little girl the most important thing in the world are the pictures of Tom and Tim on the walls. Each one has a story, and pity the poor nanny who does not know the story behind a particular photography. Ruth knows the stories by heart, but she likes to hear them being told to her again (and again). Ted thinks that Marion's indiscretions mean he can win guardianship of Ruth when the inevitable divorce happens, but never realizes he is playing the wrong game here.
When you see Basinger and Foster together their sexual relationship seems too hard to accept, but this would not be a problem if Williams did not choose to show us some of their more intimate moments. This is a mistake, not just because you are suddenly doing the math on the age difference between the actress and actor, but more importantly because the importance of the relationship is best seen from Ted's perspective. He never sees it (although Ruth does), but he knows about it and is bent on using that fact to his advantage. Both Basinger and Bridges bring an economy to their characters that brings a sharpness to their pain; for her it is the dead look in her eyes, for him it is the sound of what is missing in his voice.
"The Door in the Floor" is more forgiving of both Ted and Marion than the novel is by the end of that first section. Ted does not simply have affairs, but engages in calculated seductions using his talent and reputation. His current conquest, Evelyn Vaughn (Mimi Rogers), is in the final stages of the sordid relationship, where degradation becomes the name of the game. But Williams uses the sequence where Evelyn tries to take her revenge as the most comic moment in the film, and reduces his despicable treatment of the woman to a joke on a windshield. The film's sympathies are clearly with Marion, who is reduced to catatonia by thoughts of her dead sons. When she comes to her decision as to what is to be done, we believe it is the right one, even though the consequences are going to be devastating. But then Williams mutes the impact considerably.
As someone who read "A Widow for One Year," watching "The Door in the Floor" certainly hit the high points and brought back vivid memories of the best parts of the novel. But I now the movie will not resonate the same way for those who have not read the novel, but seeing this 2004 drama should certainly inspire them to do so. What happens in this film wrecks these four lives in persistent and insidious ways. This film is only the beginning of their story.
30 of 32 people found the following review helpful
The best film of the summer!!!
Aug 5 2004
The Door in the Floor is a fantastic film; an engaging, engrossing, and touching change of pace from the utter garbage that has been released this summer. This is a true adult film if there ever was one, full of wonderful, complicated, and real characters going through true everyday emotions that anyone can relate to.
Alternately tragic and comic, the film is an exploration of the complexities of love in both its brightest and darkest moments. Adapted from the first half of John Irving's best-selling novel 'A Widow for One Year,' the film is set in the privileged beach community of East Hampton, New York and chronicles one pivotal summer in the lives of famous children's book author Ted Cole (an Oscar-worthy performance by Jeff Bridges) and his beautiful wife Marion (Kim Basinger reminding us once again why she IS an Oscar-nominated actress). The couple's once-wonderful marriage has been strained by a family tragedy and neither one is or will ever be the same again.
Marion's resulting depression and Ted's subsequent infidelities have prevented the couple from facing a much-needed change in their relationship. They aren't divorced but they don't like together anymore either, taking turns staying in the house to care for their daughter (played by the adorable Elle Fanning, Dakota's sister). Then, Ted hires Eddie O'Hare, a 16 year old who wants to be a writer, to work as his summer assistant, changing the couple's lives forever. The boy becomes the couple's unwitting yet willing pawn - and, ultimately, becomes the catalyst in the transformation of their lives.
The Door in the Floor is a film of deep, devastating power - a film where you, as an audience member, actually share space with its two main characters. We inhabit their crumbled world, from the inside, not just as observers. By the end, we feel as if we have gone through their tragedy with them, and when I left the theatre, I felt as if my life had been changed by sharing with them what I just shared - as if time itself had stopped and left me suspended in there, with them.
The entire cast is very convincing and the film sparkles with dynamic performances. At first I felt Mimi Rogers was wasted in her almost silent role, but she has one of the most memorable scenes in the film, which came toward the end, and truly delivers a wonderful comedic portrayal. Elle Fanning amazed me. She is a gifted young talent and I look forward to seeing more of her. Like her sister Dakota, she did everything right. Jon Foster as Eddie is terrific, bringing out his character's innocence and confusion, and Bijou Phillips was great in her very small role.
The film is very explicit, but for anyone with an open mind and an open heart, it is THE film to see this summer. Hands down, one of the year's best. It definitely deserves and needs a wide release.
Grade: A
Alternately tragic and comic, the film is an exploration of the complexities of love in both its brightest and darkest moments. Adapted from the first half of John Irving's best-selling novel 'A Widow for One Year,' the film is set in the privileged beach community of East Hampton, New York and chronicles one pivotal summer in the lives of famous children's book author Ted Cole (an Oscar-worthy performance by Jeff Bridges) and his beautiful wife Marion (Kim Basinger reminding us once again why she IS an Oscar-nominated actress). The couple's once-wonderful marriage has been strained by a family tragedy and neither one is or will ever be the same again.
Marion's resulting depression and Ted's subsequent infidelities have prevented the couple from facing a much-needed change in their relationship. They aren't divorced but they don't like together anymore either, taking turns staying in the house to care for their daughter (played by the adorable Elle Fanning, Dakota's sister). Then, Ted hires Eddie O'Hare, a 16 year old who wants to be a writer, to work as his summer assistant, changing the couple's lives forever. The boy becomes the couple's unwitting yet willing pawn - and, ultimately, becomes the catalyst in the transformation of their lives.
The Door in the Floor is a film of deep, devastating power - a film where you, as an audience member, actually share space with its two main characters. We inhabit their crumbled world, from the inside, not just as observers. By the end, we feel as if we have gone through their tragedy with them, and when I left the theatre, I felt as if my life had been changed by sharing with them what I just shared - as if time itself had stopped and left me suspended in there, with them.
The entire cast is very convincing and the film sparkles with dynamic performances. At first I felt Mimi Rogers was wasted in her almost silent role, but she has one of the most memorable scenes in the film, which came toward the end, and truly delivers a wonderful comedic portrayal. Elle Fanning amazed me. She is a gifted young talent and I look forward to seeing more of her. Like her sister Dakota, she did everything right. Jon Foster as Eddie is terrific, bringing out his character's innocence and confusion, and Bijou Phillips was great in her very small role.
The film is very explicit, but for anyone with an open mind and an open heart, it is THE film to see this summer. Hands down, one of the year's best. It definitely deserves and needs a wide release.
Grade: A
34 of 38 people found the following review helpful
outstanding domestic drama
Sep 22 2004
THE DOOR IN THE FLOOR is a reimagining of part of John Irving's book, A WIDOW FOR ONE YEAR. Ted Cole (Jeff Bridges), a monumentally self-absorbed children's book author, hires a teen age boy named Eddie (Jon Foster) as an assistant for a summer on Long Island. Quite a bit of the book is a coming-of-age story of Eddie's affair with Ted's wife Marion (the excellent Kim Basinger), who is racked with grief over the death of the couple's twin boys. The young daughter Ruth (Elle Fanning) was conceived to "replace" the boys, but Marion cannot emotionally attach to her daughter.
Jeff Bridges, in a monumental performance, takes center stage in the film. Ted orchestrates the summer in order to try to assuage Marion's grief while indulging his appetites in an affair with Mrs Vaughn (Mimi Rogers), a lonely neighbor. Things don't go as planned, and while it while i could describe the turns of the plot at length, suffice it to say that this is a film for adults, about love, loss, parenthood, the male ego, and so much more. Bridges and Basinger both do Oscar caliber work and the final image is indelibly haunting. One of the year's best.....
Also with Bijou Phillips and Donna Murphy....
Jeff Bridges, in a monumental performance, takes center stage in the film. Ted orchestrates the summer in order to try to assuage Marion's grief while indulging his appetites in an affair with Mrs Vaughn (Mimi Rogers), a lonely neighbor. Things don't go as planned, and while it while i could describe the turns of the plot at length, suffice it to say that this is a film for adults, about love, loss, parenthood, the male ego, and so much more. Bridges and Basinger both do Oscar caliber work and the final image is indelibly haunting. One of the year's best.....
Also with Bijou Phillips and Donna Murphy....
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