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Product Details
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When Drawing on the Right Side of the Brain was first published in 1979, it hit the New York Times bestseller list within two weeks and stayed there for more than a year. In 1989, when Dr. Betty Edwards revised the book, it went straight to the Times list again. Now Dr. Edwards celebrates the twentieth anniversary of her classic book with a second revised edition.
Over the last decade, Dr. Edwards has refined her material through teaching hundreds of workshops and seminars. Truly The New Drawing on the Right Side of the Brain, this edition includes:
Translated into thirteen languages, Drawing on the Right Side of the Brain is the world's most widely used drawing-instruction guide. People from just about every walk of life—artists, students, corporate executives, architects, real estate agents, designers, engineers—have applied its revolutionary approach to problem solving. The Los Angeles Times said it best: Drawing on the Right Side of the Brain is "not only a book about drawing, it is a book about living. This brilliant approach to the teaching of drawing . . . should not be dismissed as a mere text. It emancipates."
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Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars
The Mind's eye,
By
This review is from: The New Drawing on the Right Side of the Brain: The 1999, 3rd Edition (Paperback)
I bought the original book years ago, and it really improved my drawing skills. I believe people who are blocked from drawing well will get the most from this book. More accomplished artists may benefit as well by understanding better how the process works.It shows you how to look at things differently, and gives you techniques to enable you to bypass your left (logical) brain, and access your right brain, (your subconscious mind), hence the title. Instead of using left brain- right brain theory to describe this, in my view the more correct description would be to learn to access your subconscious mind which functions at a deeper level, while reducing the way in which your conscious mind interferes with the creative process. Your brain has four levels of consciousness, beta which is normal waking state, alpha which is a relaxed meditative state such as when you are about to go to sleep, theta which is a deeper state associated with creativity and light sleep, and delta which is deep sleep. Normally, your brain shows shows some activity at all these levels. Artists and other creative people are able to access the creative mental state more easily. Here is an example of how the process works. If you try to draw a chair you may have a definite idea in your logical mind of how a chair should be, so when you draw you are thinking 4 legs, a seat and a back. You know all the legs are the same length, and therefore you may draw that way. This can interfere with you doing a good drawing, because each leg from an artistic viewpoint is longer or shorter depending on the distance from your eye, so you have to learn how to use your vision to see it differently. In the book is a picture of something such as a chair or a person's face, and you may draw it as it is. You can also use a picture from a newspaper or magazine. This shows your current skill level. Now, turn the picture upside down and draw the picture upside down. As you do this drawing, you may notice that you are producing a more accurate copy of the picture. See for yourself. I was amazed at the results. There are other examples and illustrations to show you how to see pictures differently, and use space, light and shade, optical illusions and so forth. As you become more experienced you will learn how to use your new skills automatically. I particularly enjoyed using pictures of movie stars, turning them upside down, copying them, and then doing it again right side up. I have referred several people who would love to draw well to this book. If you are not as artistic as you would like to be, and were to follow the exercises in this book there is no reason your skill level should not improve dramatically. If it worked for me, it can work for you. This is pretty easy. Most people have the skill, they just have not learned how to release it yet. This book will teach you how. Can you imagine drawing anything you want to draw completely accurately, and with incredible detail, subtlety and nuance. This potential is just a few clicks away. If it worked for me, it can work for you, because my drawing skills were not good. If you have further interest in developing your creative potential, I suggest you consider buying some entrainment CD's such as Awakened Mind System by Jeffrey Thompson, and Chakra Suite by Steven Halpern. I have reviewed these separately. I hope you find this review helpful.
1 of 1 people found the following review helpful
5.0 out of 5 stars
This book is recommended for other reasons besides drawing..,
By A Customer
This review is from: The New Drawing on the Right Side of the Brain: The 1999, 3rd Edition (Paperback)
I would have to agree with many artists when they say this book doesn't make you Vincent Van Gogh just in five days. Basically this is only for improving your skills or maybe brushing up on them a bit (like I am). No, it isn't for skilled artists, who already know how to see things when they draw. Like many had previously said before me "The Natural Way to Draw: A Working Plan for Art Study" is the only book I would recommend for "serious" artists who take Art (with a capital A, as Dr. Edwards has said) as something they want to excel in and maybe make a career of. As much as I have to admit that Dr. Edwards is a little full of it, her way of instructing one to shift to the right hemisphere of the brain for full creativity is a great one. It's not only for drawing, it's for expanding your way of thinking. Part of the reason why I got this book wasn't only to improve my skills, but to find a way somehow to improve on academic standards. And not just my education, but the way of seeing a different way. I don't agree with her stating that one would be a wonderful drawer after studying exercises and the literature she provides, but I do believe this whole entire book is the first step. After reading it, you have a choice of continuing on to more serious books like "The Natural Way to Draw" and taking art courses or you can just take what you learn to sketch when you are stressed and need a way to escape from reality for just a while. My final analysis: I think a lot of people have already said this but I will say it again: Don't expect to be a intermediate artist and learn to draw like a professional. If you have your revelations about this book, here's a clue: GO TO YOUR LIBRARY AND CHECK IT OUT FIRST. That's exactly what I did before I even considered buying it; that way you won't waste money on a book then whine about it later because it wasn't what you expected. You always try on clothes before you buy them and you go to. the electronic store to play around with the devices. Do the same thing before buying any book.
9 of 12 people found the following review helpful
1.0 out of 5 stars
a re-hash of other, equally disparate instruction,
By Bruce Bain "Romans 9:33/Remember Jackie Robinson" (Englewood, CO United States) - See all my reviews (REAL NAME)
This review is from: The New Drawing on the Right Side of the Brain: The 1999, 3rd Edition (Paperback)
The novelty of the title is appropriate to the NEW AGE genre in style and language. Were one to purchase a title such as "Drawing On My Left Elbow" one would have an equally diffuse sense of the obscure methodology of this "new" way of drawing.I mean, really, forget Michaelangelo, Raphael, Rembrandt et al of the Rennaissance. Now it is fashionable to approach art with the all the "NEW & IMPROVED" Madison Avenue advertising hype of a laundry soap commercial, where one is convinced that one actually draws with a half of a brain, and falsely suggests that former methods employed only the LEFT SIDE of the brain, titled in the fashion of naming of 1960's rock bands. There is virtually no intermediate drawing process in Betty Edwards book. One sees completed drawings, inferring that if the student merely sees the pictures, it will result in equally completed drawings, with not even so much as an errant smudge on the neat white paper. The text suggests that the student practice of course, but the author will not be accompanying the student during the journey, and none of the illustrations contained in Edward's book indicate the intermediate drawings, the practice, the failures and disappointments at representing form that every new student feels. This is where the student is quite literally abandoned to the wolves of personal insecurity, frustration, disappointment, and the resultant low self-estimation. After all, Edwards can actually draw...and you can't. That, in my view, is a complete failure in art instruction. There is good drawing instruction by Will Pogany, Cortina Famous Artists School, Walt Reed, and absolutely, Robert Beverly Hale, and any serious drawing student would be well-advised to examine such books, in my opinion.
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