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The New Drawing on the Right Side of the Brain: The 1999, 3rd Edition Paperback – Jan 11 2002


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Product Details

  • Paperback: 320 pages
  • Publisher: Tarcher; Revised edition (Jan. 11 2002)
  • Language: English
  • ISBN-10: 0874774241
  • ISBN-13: 978-0874774245
  • Product Dimensions: 19 x 2.2 x 22.9 cm
  • Shipping Weight: 680 g
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (90 customer reviews)
  • Amazon Bestsellers Rank: #137,722 in Books (See Top 100 in Books)
  • See Complete Table of Contents

Product Description

About the Author

Betty Edwards is professor emeritus of art at California State University in Long Beach, California. She is the author of The New Drawing on the Right Side of the, the world's most widely used drawing instructional, which has been translated into thirteen foreign languages with U.S. sales of almost three million copies. She speaks regularly at universities, art schools, and companies, including the Walt Disney Corporation and the Apple Corporation.

Inside This Book (Learn More)
First Sentence
DRAWING IS A CURIOUS PROCESS, so intertwined with seeing that the two can hardly be separated. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews

4.3 out of 5 stars

Most helpful customer reviews

7 of 7 people found the following review helpful By A Customer on June 18 2004
Format: Paperback
I started my art experience with this book, and to it I give much credit. For me, it was like a "light switch" had been turned on. One day I could not draw, the next day I could. I did take the lessons seriously, and completed the book. If you are new, this book delivers on it's promises. It doesn't matter if the right/left part is correct or not, the fact is - the methods work. There are many other things to master, but the ability to draw correctly is what separates real artists from the fake ones, of which there are many. Drawing is the foundation. If you want to learn how to draw, this book will take you where you want to go faster than any other. Later, when you are in that expensive oil painting class, and 11 out of the 15 students are stuck because they can't draw, you will be thankful that you started off with this book. You will be one of those who can at the very least render your subject correctly.
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7 of 7 people found the following review helpful By A Customer on July 8 2004
Format: Paperback
Anyone who has anything bad to say about this book is
lost in space. There is no person on earth who cannot improve
after doing the projects in this book. Just one thing I would like to note: Try to take this class with a teacher so you don't give up in the middle. Once you get over the muscle pain in your right brain you'll thank yourself a million times over that you did it. You will see things you have never
noticed before and when you show people your drawings their jaws
will drop on the floor. One more thing: Never have a coffee (with caffeine) before doing the projects. You have to be very
calm and get into the drawing like a musician has to get into
the music.
I am thrilled that I am almost finished with the course, and
now I can draw almost ANY object I see.
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6 of 6 people found the following review helpful By A Customer on Dec 14 2003
Format: Paperback
This updated edition of the classic book by Betty Edwards is a must-read - not only for artists but for those wanting to unleash their creativity.
Learning to draw is like learning to write - there are very basic skills that we should all know. It doesn't mean that everyone who learns to draw must become a professional artist, just like the fact that everyone learns to write, but doesn't not become a professional writer. These are both ways to access our thoughts and creativity - visually AND in words. There is no secret to drawing, held only by those special few "artists." Drawing is a skill everyone can have, and we are better for it.
(And to the reviewer who churlishly recommended Nicolaides' book instead of Edwards': Yes, is important, too, but Betty Edwards' "Drawing on the Right Side of the Brain" is very complementary to it, and carries his work many steps further...)
Buy this book and open your mind!
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4 of 4 people found the following review helpful By Laura Fernandez on June 27 2009
Format: Paperback
This a book is used my many professionals and is one of the best instructional tools in learning the art of drawing.
I myself was taught to draw using this book 25 years ago and have been a professional artist for my entire career. I am now using this book to teach others! Easy to follow with very useful exercises! If you follow it you WILL know how to draw by the time you are finished with the book!
I highly recommend and endorse this book!
Laura Fernandez
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1 of 1 people found the following review helpful By A Customer on Sept. 6 2003
Format: Paperback
I would have to agree with many artists when they say this book doesn't make you Vincent Van Gogh just in five days. Basically this is only for improving your skills or maybe brushing up on them a bit (like I am). No, it isn't for skilled artists, who already know how to see things when they draw. Like many had previously said before me "The Natural Way to Draw: A Working Plan for Art Study" is the only book I would recommend for "serious" artists who take Art (with a capital A, as Dr. Edwards has said) as something they want to excel in and maybe make a career of.
As much as I have to admit that Dr. Edwards is a little full of it, her way of instructing one to shift to the right hemisphere of the brain for full creativity is a great one. It's not only for drawing, it's for expanding your way of thinking. Part of the reason why I got this book wasn't only to improve my skills, but to find a way somehow to improve on academic standards. And not just my education, but the way of seeing a different way.
I don't agree with her stating that one would be a wonderful drawer after studying exercises and the literature she provides, but I do believe this whole entire book is the first step. After reading it, you have a choice of continuing on to more serious books like "The Natural Way to Draw" and taking art courses or you can just take what you learn to sketch when you are stressed and need a way to escape from reality for just a while.
My final analysis: I think a lot of people have already said this but I will say it again: Don't expect to be a intermediate artist and learn to draw like a professional. If you have your revelations about this book, here's a clue: GO TO YOUR LIBRARY AND CHECK IT OUT FIRST.
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1 of 1 people found the following review helpful By Amazon Customer on Sept. 26 2002
Format: Hardcover
As an individual who never thought I had any potential to draw, this book completely thrilled me. Edwards explained that drawing has more to do with seeing than the actual mechanics of drawing (which supposedly, we're all pretty good at). She takes you through steps and examples that help you pick up on these basics of seeing as an artist sees. The book is full of drawing "tasks" that lets the eager beginner get started right away. These tasks are designed to teach you new things while producing surprisingly good drawings. Of course this book won't make you an amazing artist overnight- but I did see that overnight I went from drawing at a child's level to producing things I never thought I could. It seems like there are two groups of people. Those who have had some sort of art training don't find this simple, easy to read book as amazing as the author tends to make it sound. However, those, like myself, who draw stick figures and smiley faces- calling it art, see this book as some sort of miraculous cure for the cheesy drawings we dislike so much. I recommend this book to anyone who feels anxious or hopeless when it comes to drawing. Anyone who has surpassed that level would probably be best off getting the opinion of someone closer to the artistic level they are currently at.
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