- Hardcover: 864 pages
- Publisher: Knopf (Oct 21 2003)
- Language: English
- ISBN-10: 1400040728
- ISBN-13: 978-1400040728
- Product Dimensions: 16.4 x 4.6 x 24.1 cm
- Shipping Weight: 1.4 Kg
- Average Customer Review: 3.8 out of 5 stars See all reviews (9 customer reviews)
- Amazon Bestsellers Rank: #762,469 in Books (See Top 100 in Books)
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Product Details |
Product Description
From Booklist
All Updike needs is the Nobel Prize to complete his list of major awards. In the very early years of his career, he seemed to spring full fledged as a short story writer, so he can hardly be said to have a body of apprentice work, to which this compilation of his early stories attests. They are mature pieces, and the collection contains several stories still considered masterpieces and which continue to appear in anthologies; these would include, of course, "A & P" and "Pigeon Feathers." What is particularly exciting to see is the publication again of his wonderful Olinger stories, particular favorites of Updike fans and, up to this point, out of print. The collection contains a grand total of 102 stories, and most were originally published in the New Yorker, Updike's basic professional residence during these years. But his New Yorker ties should not be considered a drawback to the enjoyment of his work, for his ingenuity, scope, and heart extend far beyond the island of Manhattan. Brad Hooper
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Review
“Classic gems . . . These stories, like Mr. Updike’s finest novels . . . preserve a time and a place through the sorcery of words.”—The New York Times
“[Updike is] akin to Coleridge and Shelley, only with an American twist. One story at a time, he [reminds] Americans that in spite of life’s largesse, things fail; one sentence at a time, he reveals that through the small details, it can be sublime.”—The Denver Post
“Updike’s artistry—normally glimpsed in sections, like a person through window slats—is wholly and deeply seen. . . . One reads through the plenitude with delight, expectation, and at all times gratitude.”—The Atlantic Monthly
“[Updike is] akin to Coleridge and Shelley, only with an American twist. One story at a time, he [reminds] Americans that in spite of life’s largesse, things fail; one sentence at a time, he reveals that through the small details, it can be sublime.”—The Denver Post
“Updike’s artistry—normally glimpsed in sections, like a person through window slats—is wholly and deeply seen. . . . One reads through the plenitude with delight, expectation, and at all times gratitude.”—The Atlantic Monthly
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Most helpful customer reviews
1 of 1 people found the following review helpful
3.0 out of 5 stars
To sieve or not to sieve,
This review is from: The Early Stories: 1953-1975 (Hardcover)
I am a long-standing fan of Updike's short stories (though less so of his novels), and my three-star rating of this book is not a reflection of my general opinion of him as a writer. Nevertheless, I do have some issues with this particular volume.I think that it was a mistake to collect over 100 short stories under one cover with virtually no sieving. Updike made his living from writing and, and as far as I understand, he never held a regular job after he resigned from the New Yorker at the age of 25 - so I would be the last person to blame him for having published some short stories that were not quite to his general standard. When a small collection contains a couple of such works, this is usually not a problem. The situation inevitably becomes different on a scale of 100+ samples: the gap in quality between the best 10 and the weakest 10 of them is massive, and it is impossible not to notice this. I do not think that exposing his lesser works against the background of so many great stories found in this volume has done Updike's standing any good. I own virtually all collections of short stories ever published by him, and in my opinion he emerges a better author from each of his individual early collections than from this volume that combines their content. I did not like the fact that while putting together this book Updike decided to change a few things here and there. In particular, the last sentence of the wonderful 'Dentistry and Doubt' is way too subtle in its revised version, and I suspect that some readers may now miss the whole point of the ending: I probably would, had I not read the story the way it was originally published. Giving the hardback a deckle edge was a bad idea. This feature should really be reserved for luxury editions; the combination of ordinary binding and artificially deckled ordinary paper looks anything but tasteful; in fact, it looks cheap. More importantly, a deckle fore-edge makes it very difficult to browse through the book; locating a particular story in this volume is a constant source of frustration, so I seldom open it any longer. If the publishers were absolutely set on deckling, they should have molested the head or tail edge (or both); the fore-edge needs to be smoothly cut because it has an important practical function: the reader slides his or her thumb across it when looking for something in the book.
1 of 1 people found the following review helpful
5.0 out of 5 stars
Everyday brilliance,
By A Customer
This review is from: The Early Stories: 1953-1975 (Hardcover)
I never much liked Updike's short stories until I started writing short stories myself. Many of the complaints people have with Updike are legitimate. He is usually light on plot. There is virtually no physical action--no fistfights, no murders, no sobbing confessions. But that, to me, is part of Updike's genius. He always takes the difficult road. He doesn't simply have a husband cheat on his wife; instead, he has the husband worry that he will cheat on his wife, and then he considers the implications. I disagree with critics who accuse Updike of being unemotional. His stories are tangles of pure emotion. My favorite story in the collection is "Packed Dirt, Churchgoing, A Dying Cat, A Traded Car." It's set up as a series of essays that eventually carry the reader into a story about the author's dying father. It feels like a compilation of random events until you get ot the last line, and then you realize that everything is connected, everything has a purpose. It may be the most beautiful ending I've ever read. (The second most beautiful ending is in "The Happiest I've Been.") Updike is not for everyone. If you like simple, straightforward stories, read Tobias Wolff (he is amazing in a totally different way). But if you're interested in a world vivid with details--a world with no easy questions, let alone answers--try Updike. One caveat: read slowly--the magic is more in the words than the paragraphs.
2.0 out of 5 stars
A bit dull by anyone's standards,
By A Customer
This review is from: The Early Stories: 1953-1975 (Hardcover)
I only liked maybe two or three stories in this entire collection. The rest were pretty timid and uneventful, as though Updike were afraid of getting his hands dirty and immersing himself in the flesh and bone realities of life and narrative. This hesitation to actually "go for it" is a hallmark of all of Updike's fiction in my opinion, which leaves all of his stories devoid of what you might call narrative vitality, or realness. It is this distance between Updike and what he's writing about that leads the reader to believe that Updike is not writing a story but merely philosophizing about one. Updike's pompous abstractions inevitably deprive these stories of a vigour that they might otherwise have.
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