From Amazon
Despite popular sentiments that World War II was in fact a good war, there was some disagreement about that immediately following the conflict. After the Marshall Plan and the "democratization" of Japan, conspiracy mongers accused forces in the U.S. government of assisting our former enemies in rebuilding their economic powers at the expense of our national interest. At their worst, these suspicions aided the rise of McCarthyism; at their best, they give us snappy espionage novels such as James Webb's
The Emperor's General, which speculates that Douglas MacArthur lost the peace by allowing Japan to regain its sphere of influence in the Pacific Rim.
This hypothesis is presented by the book's protagonist, Jay Marsh, an inexperienced captain serving as one of MacArthur's aides. Throughout the course of the novel, young Marsh suspects that the general is shielding Japan's imperial elite from war-crimes trials being undertaken by various military commissions. He soon sheds his naïveté, becoming both seduced and appalled by the Japanese-U.S. alliance of global hegemony. Webb avoids the Grishamesque hit-and-run action sequences that sacrifice the "reality" of many conspiratorial novels, making Marsh into MacArthur's doppelgänger, a character whose intense love of the East is entangled with a sense of compromised honor. The general's loss of the Philippines is matched with Marsh's betrayal of his Filipina fiancée, propelling all the characters towards their destiny. The fact that the U.S. secured its military objectives by protecting Japan's leaders should come as no surprise to the historically informed, but the all too human motivations that Webb gives to MacArthur's actions ought to keep the reader hooked to the last page. --John M. Anderson
--This text refers to the
Hardcover
edition.
From Publishers Weekly
Gen. Douglas MacArthur makes a provocative central character for a World War II novel, brash and swaggering, deeply complex in his contradictions. These qualities are exploited to animated theatrical effect by military-specialty author Webb (Fields of Fire). This is the story of MacArthur's actions at the end of the war in the Pacific in 1945, told from the point of view of Jay Marsh, a translator who worked on the general's staff as a young captain. Now a droll old man, a retired banker and ambassador, Marsh reconstructs his youthful days serving in the general's inner circle, his "royal court." MacArthur was by then appointed "Supreme Commander," a living caricature with his trademark sunglasses and corncob pipe, busy "making history" as he met with the defeated Japanese. Marsh, in love with an aristocratic Filipino woman, is torn between loyalty to his chief and to his own growth as an independently thinking man. In his reading, Dukes plays up the characterizations, giving MacArthur a deep, drawling snobbish lilt and assuming full-blown Japanese accents for his depictions of the deposed Asian military leaders. Despite these overblown flourishes, Webb's novel comes across highly convincing on tape, taut and compelling in its unfolding surprises and made realistic in its fine human detailing. Based on the Broadway hardcover. (June)
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.