4.0 out of 5 stars
Coping with loss, May 15 2002
Of the few novels by Narayan I've read (each of which are, I think, early ones) I thought this was by far the most accomplished. "The English Teacher" is a well-written, controlled and moving piece of work.
It's the story of Krishnan, a teacher in the fictional Indian town of Malgudi, who sets up home with his wife and young daughter. A tragedy unfurls which exposes Krishnan to feelings of loss and isolation. Narayan explores how humans cope with the ensuing disorientation, and in the end (of course), it's the living rather than the dead who continue to suffer.
A short, but worthwhile read.
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4.0 out of 5 stars
His best work..., Feb 28 2002
This one's my favourite Narayan - along with the Maneater of Malgudi, this occupies a very special place in my book-shelf. The English Teacher - a.k.a. Grateful to Life and Death - is a sad story, sadder than most of Narayan's Malgudi novels. But the tragedy is softened by the wry humour that runs through the novel.
'The feeling,' Narayan writes on the first page, 'again and again came upon me that as I was nearing thirty I should cease to live like a cow (perhaps, a cow, with justice, might feel hurt at the comparison), eating, working in a manner of speaking, walking, talking, etc, - all done to perfection, I was sure, but always leaving a sense of something missing.' You can see what I'm talking about.
The story, as Narayan narrates in his autobiography 'My Days', is intensely personal.
'The English Teacher is autobiographical in content, very little of it being fiction. The "English Teacher" of the novel ... is a fictional character in the fictional city of Malgudi, but he goes through the same experience I had gone through...'
'That book,' he writes, 'falls in two parts - one is domestic life and the other half is "spiritual."'
The second half comes as a bit of a surprise, but Narayan tackles the difficult subjects of death, deprivation and desolation masterfully. Narayan takes you through the story gently. There are no shocks, nothing disturbing. This is a sad tale, gently told.
The book ends on a note of hope - 'it was a moment of rare, immutable joy - a moment for which one feels grateful to Life and Death.' The reviewer who spoke of how Narayan manages to 'communicate ... the extra-ordinary ordinariness of human happiness', I think hit the nail right on the head.
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