From Library Journal
This book presents about a dozen new poems by a foremost American poet in the black oral tradition. The bulk of these poems appeared in Born of a Woman ( LJ 6/15/80), a superior volume with many more poems and a sensitive preface that illustrates the full range of Knight's stunning ability with the vernacular. Knight can move from pathos and a near-tragic vision of the destructiveness of imprisonment and prejudice to tenderness and a lusty, incisive wit. His new poems have less substance and are fewer than one would expect from someone with his talent, but the work as a whole bears testimony anew to his authentic "blues" voice, deep feeling, and concern for communication between the races.Frank Allen, Assoc. Dean, Continuing Education, Allentown Coll., Center Valley, Pa. Tate, James. Reckoner.
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Review
“A foremost American poet in the black oral tradition, can move from pathos and a near-tragic vision of the destructiveness of imprisonment to tenderness and a lusty, incisive wit. . . . the work as a whole bears testimony anew to his authentic ‘blues’ voice, deep feeling, and concern for communication between the races.”
--Library Journal
“Wonderful in its ability to combine love and anger, irony and sweetness. Knight is a street-smart poet with an ear for the Black American idiom and experience, and his poems reflect a life lived largely at the cutting edge edge of that experience: poverty, racism, prison, drug addiction, and rehabilitation. Whether in the form of incantatory blues, narrative poems, or his distinctly individual urban haiku, Knight’s is a compelling voice.”
--Seattle Times