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The Face in the Frost.
  

The Face in the Frost. [Hardcover]

John. Bellairs
5.0 out of 5 stars  See all reviews (4 customer reviews)

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From AudioFile

Wizards Prospero and Roger Bacon are faced with the challenge of preventing an evil force from taking over the world. Guidall uses his unique talent for vocal variation to portray the multiple characters, giving each his own voice and speech pattern and permitting their personalities to flourish. Speaking clearly and distinctly, he adds dramatic flair, which helps to animate the story and entice the listener. Guidall draws out the humor and enhances the suspense of the story, timing his lines with expertise and experience. Older elementary through adult listeners will enjoy this reading. P.A.J. (c)AudioFile, Portland, Maine

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Customer Reviews

4 Reviews
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Average Customer Review
5.0 out of 5 stars (4 customer reviews)
 
 
 
 
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Most helpful customer reviews

5.0 out of 5 stars Humorless?, Dec 16 2003
By 
Geoff Matthews (West Jordan, utah USA) - See all my reviews
(REAL NAME)   
This review is from: The Face In The Frost (Hardcover)
This book isn't humorless. Sure, during the suspensful parts, but the begining is a hoot, and wry points are made along the way.
In addition, this book is memorable. The writing is excellent, the plot is gripping, the allusions are thoughtful and the characters are excellent. This is a great book for young adults and not-so-young adults.
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5.0 out of 5 stars A bit humorless, but chilling, Dec 16 2001
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
This review is from: The Face In The Frost (Hardcover)
John Bellairs is best known for his children's thrillers, but he also penned one of the best horror-fantasies ever written (a sadly neglected field, only ventured into by a few). My old paperback copy has a quite from Ursula Le Guin, stating that Bellairs "knows what wizardry is all about." Boy, is she right.

The book starts at the home of Prospero, a reclusive, good natured wizard with an obnoxious talking mirror and a lot of very tacky clutter. His friend Roger Bacon arrives at his home, only to find that sinister forces are creeping toward Prospero's home: an enormous moth that gives them a creepy feeling. Gray-cloaked figures lurking outside. A skeletal bird fluttering at the window.

Roger brings news about a strange book; Prospero realizes that there is an old enemy, Melichus, gaining power to destroy him. He and Roger set out on a hazardous journey across the geographically simple land, ruled by a rather unimpressive king, to find and unravel the mystery behind this strange growing force for evil.

More than once, Prospero and Roger will hit a dead end, be deceived by an evil illusion, or face the horrifying effects of their enemy. And the final battle in this book is unlike any battle of wizards ever seen before.

This book is very difficult to summarize, as some things simply don't click into place for a long time. It is, additionally, not a book that you can really skim. I read the book once, said "What?" on the last page, and had to go back and reread the climax.

This book lacks, in parts, the humor so necessary in Bellairs's books to keep the protagonists from going insane. Long stretches have nothing funny at all; we do have the irritating, singing magic mirror, the attack of the troll on the mini-boat, and the ridiculous rhyming spells that the wizards often utter: "Trying to find out if/(Hagiographically)/John of Jerusalem/liked almond paste..."

This book also defies fantasy cliches; the world that Prospero and Roger live in is very simple, not filled with dark fortresses and castles, but with ordinary villages connected by roads and woods. Evil, in Bellairs's world, is not something that sits on a throne and gives sadistic orders; it creeps into cracks and crevices and flits out at people. The "moth" scene manages to give an ordinary annoyance a feeling of horror; the scene where Prospero finds the innkeeper, and his subsequent escape are some of the most effectively creepy scenes I've ever read. He does so without gore or gimmicks; half the horror is not knowing what is conjured by Melichius.

Prospero is a quietly likeable character; his quirky house endears us to him, as does his reaction to the magic mirror. Roger is a little less defined, as the real him appears throughout a relatively small amount of the book. Other characters flit in and out.

Wizardry in this book is more than incantations and walking around with a funny hat (which neither of the characters has). I liked the description of the final duel between good and evil; also the effect on a wizard's staff when the wizard dies. Bellairs's wizardry is not flashy or show-offy, but a serious practice.

This book is relatively short, only about 180 pages; some kids may be a bit confused by the complexity of it, though. However, this is a delightful read...

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5.0 out of 5 stars A bit humorless, but still a chilling read, Dec 8 2001
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
This review is from: The Face In The Frost (Hardcover)
John Bellairs is best known for his children's thrillers, but he also penned one of the best horror-fantasies ever written (a sadly neglected field, only ventured into by a few). My old paperback copy has a quite from Ursula Le Guin, stating that Bellairs "knows what wizardry is all about." Boy, is she right.

The book starts at the home of Prospero, a reclusive, good natured wizard with an obnoxious talking mirror and a lot of very tacky clutter. His friend Roger Bacon arrives at his home, only to find that sinister forces are creeping toward Prospero's home: an enormous moth that gives them a creepy feeling. Gray-cloaked figures lurking outside. A skeletal bird fluttering at the window.

Roger brings news about a strange book; Prospero realizes that there is an old enemy, Melichus, gaining power to destroy him. He and Roger set out on a hazardous journey across the geographically simple land, ruled by a rather unimpressive king, to find and unravel the mystery behind this strange growing force for evil.

More than once, Prospero and Roger will hit a dead end, be deceived by an evil illusion, or face the horrifying effects of their enemy. And the final battle in this book is unlike any battle of wizards ever seen before.

This book is very difficult to summarize, as some things simply don't click into place for a long time. It is, additionally, not a book that you can really skim. I read the book once, said "What?" on the last page, and had to go back and reread the climax.

This book lacks, in parts, the humor so necessary in Bellairs's books to keep the protagonists from going insane. Long stretches have nothing funny at all; we do have the irritating, singing magic mirror, the attack of the troll on the mini-boat, and the ridiculous rhyming spells that the wizards often utter: "Trying to find out if/(Hagiographically)/John of Jerusalem/liked almond paste..."

This book also defies fantasy cliches; the world that Prospero and Roger live in is very simple, not filled with dark fortresses and castles, but with ordinary villages connected by roads and woods. Evil, in Bellairs's world, is not something that sits on a throne and gives sadistic orders; it creeps into cracks and crevices and flits out at people. The "moth" scene manages to give an ordinary annoyance a feeling of horror; the scene where Prospero finds the innkeeper, and his subsequent escape are some of the most effectively creepy scenes I've ever read. He does so without gore or gimmicks; half the horror is not knowing what is conjured by Melichius.

Prospero is a quietly likeable character; his quirky house endears us to him, as does his reaction to the magic mirror. Roger is a little less defined, as the real him appears throughout a relatively small amount of the book. Other characters flit in and out.

Wizardry in this book is more than incantations and walking around with a funny hat (which neither of the characters has). I liked the description of the final duel between good and evil; also the effect on a wizard's staff when the wizard dies. Bellairs's wizardry is not flashy or show-offy, but a serious practice.

This book is relatively short, only about 180 pages; some kids may be a bit confused by the complexity of it, though. However, this is a delightful read...

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