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The Fates Will Find Their Way [Paperback]

Hannah Pittard
5.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

Jan 9 2012

“A bold, wise, magical, and authentic novel about youthful infatuation and its legacy. Hannah Pittard’s beautifully confident prose is sure to make readers look back on their own teenage years with fresh wonder.”
—Vendela Vida, author of The Lovers

 

Already acclaimed for her short fiction—a McSweeney’s Amanda Davis Highwire Fiction Award winner whose work was selected by Salman Rushdie for inclusion in 2008 Best American Short Stories’ 100 Distinguished Stories—Hannah Pittard proves herself a master of long form fiction as well with her haunting, masterfully crafted debut novel, The Fates Will Find Their Way. A powerful and beautiful literary masterwork reminiscent of The Virgin Suicides, Pittard’s The Fates Will Find Their Way tells the unforgettable story of a teenaged girl gone missing, and the boys she grew up with who find themselves caught in the mysterious wake of her absence for the rest of their lives.


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Review

“What emerges from the narration instead of facts are exquisite details that translate instantly into memory.” (New York Times Book Review )

“A wistful novel about how little we know of one another, but how eager we are to tape together a collage of rumors, assumptions and fantasies to answer questions we’re too young, too cowardly or too polite to ask…. Chilling and touching…harrowingly wise about the melancholy process of growing up.” (Washington Post )

“A stunning novel about making up stories as we go along…[a] mesmerizing debut…with every carefully chosen word—and in this short, intense novel, each one counts—Pittard brilliantly draws us into the maturing consciousness of a group of neighborhood boys.” (O, the Oprah Magazine )

“A dreamlike cross between THE VIRGIN SUICIDES and THE LOVELY BONES.” (Time magazine )

“THE FATES WILL FIND THEIR WAY is about a disappearance, but it’s also about the difficulty of growing up, of moving into adulthood and letting go. It’s a brilliant and beautifully written work.” (The Millions )

“Engaging and vigorously told…I heard all sorts of echoes from other books, from Alice Sebold’s THE LOVELY BONES and some of Joyce Carol Oates’ stories and novels…Pittard’s excellent first novel satisfies this demand in spades.” (Chicago Tribune )

“A meditation on the mysteries of life and fate.” (Elle )

“[Pittard] spurs rumination on the moments in which we witness the tragedies of others and somehow manage to wrap events around ourselves.” (Cleveland Plain Dealer )

“This novel uncovers creepy male sexuality in every form and facet by recounting the way a local girl’s disappearance traumatized a group of suburban men and revealing their morbid fantasies about her ultimate fate…THE VIRGIN SUICIDES, but without the virgins.” (Details )

“It’s a tour de force for a young woman to follow the attitudes and changes and expectations of these several men as they grow older. ... I would recommend it to anyone.” (Christopher Tilghman, author of Mason's Retreat )

“An exceptional first novel…of “what ifs” [and] a beautifully crafted portrait of men slipping almost imperceptibly from childhood to middle-age.... It’s hard to imagine a better debut this year.” (Financial Times )

“[The] narrator is a collective “we”... gathering the received anti-wisdom of a group of neighborhood boys in a suburban town. But the way the story plays out, covering conjecture with the sheen of fact and writing myth into stone, Pittard ropes the reader in as well.” (Time Out Chicago )

“Some of you will be familiar with Ms. Pittard’s particular magic.... This is a stunning first novel told in the first person plural with devastating results.” (McSweeney's )

“An emotionally taut and elegantly written novel.” (Los Angeles Times )

“A bracing debut… Ripe with a sense of danger to the last page, th stories woven among the boys who remembered Nora Lindell create a captivating tale of lives unlived.” (The Onion AV Club )

“An eerie, arresting novel…a bold, imaginative, deeply psychological debut novel, a mystery in the finest sense of the word.” (Minneapolis Star Tribune )

“THE FATES WILL FIND THEIR WAY is concerned with searching questions rather than the relief of resolution. What might have been a frustrating approach in a lesser novel proves compelling in this one.” (Boston Globe )

“A debut novel sure to linger with readers...Though relatively brief, the novel has great depth, enhanced by Pittard’s precision of language. The result is a stimulating examination of loss, memory, history, and perception and how the past never leaves -- indeed is the main factor in the present.” (Publishers Weekly, Galley Talk )

“Gracefully written by the winner of the 2006 Amanda Davis Highwire Fiction Award, this elegiac portrait of an upscale community offers an interesting take on modern manhood.” (Kirkus )

“A dark story of adolescence gone awry…In playing out each of the theories about [character] Nora’s disappearance, Pittard perfectly illustrates the hysteria surrounding any such disaster, and the ways in which very detail can be twisted and elevated to create endings to a story that fundamentally has none.” (BookPage )

“The tension builds throughout the book, keeping the reader eager to find out what happened... This debut from McSweeney’s award winner Pittard is smart, eerie, and suspenseful and will appeal to fans of novels combining those elements.” (Library Journal )

“Pittard does an amazing job with setting up middle American suburbia in the latter half of the 20th century.... The story doesn’t shy away from heavy subjects... but it doesn’t use them as emotional gimmicks either.... A very solid debut, worth picking up.” (Sacramento Book Review )

“The architecture of the narrative is cemented in the solipsism of the boys/men…As readers work their way through the novel, they might try guessing what could have happened to Nora, but the ending is a surprise.” (Bookreporter.com )

“THE FATES WILL FIND THEIR WAY is...about the way our imaginations can carry us from a dispiriting selfishness to a nascent empathy, and the way we continue to inflict—or even just observe—pain until that empathy arrives.” (Jim Shepard )

“Pittard gives the secret wink to the reader, because a story is only a story, but at the same time more than a story, and that’s why we love to invent and why we love to listen and to be taken in. At our peril.” (Ann Beattie, author of WALKS WITH MEN )

“THE FATES WILL FIND THEIR WAY is a bold, wise, magical, and authentic novel about youthful infatuation and its legacy. Hannah Pittard’s beautifully confident prose is sure to make readers look back on their own teenage years with fresh wonder.” (Vendela Vida, author of THE LOVERS )

“THE FATES WILL FIND THEIR WAY is simply tremendous—a beautiful, roving, restless and relentless exploration of a crime. It would be almost too sad to bear the implications of this story if it weren’t for the warmth, hope, and kindness of its haunting prose.” (Patrick Somerville, author of THE CRADLE )

From the Back Cover

Sixteen-year-old Nora Lindell is missing. And the neighborhood boys she's left behind are caught forever in the heady current of her absence.

As the days and years pile up, the mystery of her disappearance grows kaleidoscopically. A collection of rumors, divergent suspicions, and tantalizing what-ifs, Nora Lindell's story is a shadowy projection of teenage lust, friendship, reverence, and regret, captured magically in the disembodied plural voice of the boys who still long for her.

n haunting, percussive prose, Hannah Pittard's beautifully crafted novel tracks the emotional progress of the sister Nora left behind, the other families in their leafy suburban enclave, and the individual fates of the boys in her thrall. Far more eager to imagine Nora's fate than to scrutinize their own, the boys sleepwalk into an adulthood of jobs, marriages, families, homes, and daughters of their own, all the while pining for a girl—and a life—that no longer exists, except in the imagination.

A masterful literary debut that shines a light into the dream-filled space between childhood and all that follows, The Fates Will Find Their Way is a story about the stories we tell ourselves—of who we once were and may someday become.


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Most helpful customer reviews
0 of 1 people found the following review helpful
5.0 out of 5 stars The Fates Will Find Their Way Mar 19 2011
Format:Hardcover
Hannah Pittard has written a wonderful story of friendship and love. Two boys growing up in upper state New York in a small town with nothing to do but find ways to get high. Suddenly one of them has their mother just walk out and leave. One of the two boys OD's and the other decides to move on. This book will scare the hell out of you if you ever plan to have kids, because they will grow up to become teenagers. The first thing my wife said was I'm glad we didn't have kids. the first thing I said was, I think parents that have kids are the real hero's. Anyways, we both enjoyed this book and think you will, also.
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Amazon.com: 3.7 out of 5 stars  62 reviews
20 of 25 people found the following review helpful
5.0 out of 5 stars Let the readers find their way Jan 20 2011
By Susan Tunis - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
How often, in this day and age, does an author find a completely original way to tell a story? Avid reader that I am, I'll tell you: Not very often. And how often, after reading a novel in a single sitting, do write an immediate review? Not very often. And how often does a debut novel--any novel--affect me this powerfully? Not very often.

This is my immediate reaction to The Fates Will Find Their Way by Hannah Pittard. It is, and is not, the story of the disappearance of sixteen-year-old Nora Lindell. More accurately, it is the story of the vacuum left in Nora's wake, and of how that vacuum is filled. The tale is told in reflection by the men who were the neighborhood boys that Nora left behind, and it is told entirely in the first person plural. If you're wondering how that sounds, it sounds like this:

"It seemed we had all finally stopped looking for her, asking about her. It was a sickness, a leftover from a youth too long protracted. Of course we still thought about her. Late at night, lying awake, especially in early autumn, when we could fall asleep for a few weeks with the bedroom windows open, the curtains pulled halfway, a breeze coming in and the occasional stray dry leaf, we still allowed ourselves the vague and unfair comparisons between what our wives were and what she might have been. At least we were able to acknowledge the futility of the fantasies, even if we still couldn't control them."

This novel is a collection of those boys' fantasies, the fleshed out conjectures based upon shreds of evidence presented by impeachable sources. And, in the sharing of these speculative outcomes for Nora Lindell, we learn the true outcomes of the close-knit group that she left behind--from the immediate aftermath of her disappearance, through the decades that follow. And we see how Nora's absence shaped each of their lives.

Nora's friends are a true community, kids who grew up together and stayed local. They have a shared history. And time has transmuted Nora Lindell's fate from mystery to mythology. Their tale is told in a collective voice, and yet, individuals stand out. Paul Epstein, Jack Boyd, Winston Rutherford, Chuck Goodhue, Stu Zblowski, Drew Price, Marty Metcalfe, Trey Stephens, and Danny Hatchet all have their own stories that unfold along with their theories of what happened to Nora.

Even with the unusual voice, I found this book fully emotionally engaging. Reading it, I couldn't help but reflect on my own past, my relationships, stories I've heard, and so forth. This novel is plot-driven, literary, experimental, spare, and absolutely beautiful. One week into the new year, I'm confident that I've just read one of the top books of 2011.
10 of 12 people found the following review helpful
5.0 out of 5 stars NONE OF US WAS STUPID. WE WERE JUST DREAMERS Jan 7 2011
By Pamela A. Poddany - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
THE FATES WILL FIND THEIR WAY

Such a great idea for a book -- a missing girl, totally no clues in her whereabouts, and total speculation and plenty of what-ifs from the friends in her life as to what happened to her.

It's a Halloween night when 16 year old Nora Lindell goes missing. Where could she be? People just saw her here or there, or maybe that wasn't her? Wasn't she seen walking home from school? Wasn't she shopping at the Dollar Store? Would she really get into a car with a stranger? These ideas and maybes drift through the minds of all the friends left behind in small town America.

Told in a voice of many which is grouped in a 'we' format, we are introuduced to a tight-knit group of sixteen year old boys who cannot let go of the missing Nora. For the rest of their lives, Nora will constantly be a shadow chasing after them, teasing them to follow her -- where? Where is Nora? What happened to her? The author takes us on a journey as these friends dream up various scenarios as to how Nora's life turned out. Did she meet a brutal end, left to die alone in the outdoors? Did she hop a plane and run away to another state to start her life anew? Is she a world traveler? Does she ever think of those she left behind?

Hannah Pittard gives us sneak peeks into Nora's 'life' but more importantly into the lives of the friends she left behind. We move along with all of the boys who were once her friends, as they go through the shock of Nora going missing, continuing their education, going to college, getting jobs, marrying, having children, aging. What this reader enjoyed mostly was the life long camaraderie these boys enjoyed, going through hardships, good times, partying together, deaths of parents, suicides, accidents, marriages, divorces, in other words, LIFE. Life without their friend Nora, who, whether they realized it or not, played an important part in each of their lives and relationships even though she was never a part of them.

This is a first time effort from author Pittard and to her I shout BRAVO! I can hardly wait to see what gift she bestows on us next.

Thank you.

Pam
17 of 22 people found the following review helpful
4.0 out of 5 stars Maybe and Maybe Not -- That Is the Answer Dec 22 2010
By Ken C. - Published on Amazon.com
Format:Hardcover|Amazon Vine™ Review
As Hamlet never said, "Maybe or not maybe? That is the question." In Hannah Pittard's THE FATES WILL FIND THEIR WAY, it's also the answer -- the word "maybe," I mean, which is ubiquitous throughout the narrative. Predicated on the disappearance of 16-year-old Nora Lindell, the short novel explores its impact on a collection of local boys who think, "Maybe this happened to Nora," and, "Maybe THAT happened to Nora." This, in short, is the novel's conceit. Each chapter plays out a possible narrative for poor Nora, some leading to her getting in a Catalina with a stranger, some seeing her out west with a doting Mexican man, one landing her in Mumbai, India, with a female lover, and some speculating on her early and violent demise. No one knows, but everyone has a theory, and every boy cherishes and shares his own, constantly revising and enhancing it as age overtakes him and his buddies. Who knows? "Maybe" one of them is true.

The book's opening words ("Some things were certain; they were undeniable, inarguable. Nora Lindell was gone, for one thing. There was no doubt about that.") are reminiscent of Charles Dickens' opening to A CHRISTMAS CAROL ("Marley was dead, to begin with. There is no doubt whatever about that.") And, indeed, Nora's presence haunts proceedings as ably as Dickens' Ghosts of Christmas Past, Present, and Future. This isn't a morality tale, however. It is very modern literary fiction and, as such, will attract fans of that genre, perhaps some familiar with Pittard's award-winning short stories. There's no question but the writing is fine in a minimalist way. Here, for instance, we see Nora stepping out of the car owned by an unidentified male who has lured her to his Catalina and driven her into the woods:

"She tried walking backwards, squinting to focus through the cold, afraid to lose sight of the car and its contents. The exhaust was milky and pink in the brake lights. The headlights gave out a glow maybe twenty, thirty feet in front of the car, illuminating a triangle of dead leaves that faded completely at the root of a large elm. The smaller the car got, the faster she moved."

Some readers will be put off by the unusual point of view: the first-person plural. Thus, you get lines like, "We'd seen her making phone calls in the telephone booth outside the liquor store, inside the train station, behind the dollar store," and "Our mothers tried, but we were the ones who really could imagine it. We were the ones who could picture those twins as if they were ours." No one boy transcends another. All but one attend a private school in a mid-Atlantic state, and all have their quirks, hopes, dreams, and weaknesses. Still, they never become fully developed due to the diluting "we" factor. Instead, Pittard wants to develop the myth-making prowess of these boys, these dorky, starry-eyed teenagers who hold tight to an unsolvable mystery that has become integral to their shared coming-of-age.

As plots go, there's not a lot of impetus. Rather, Pittard's is an artistic piece working in waves that keep coming at you -- not unlike Bach's music -- with variations on a theme. While technically well done, some of the scenarios imagined by "boys plural" look more like the work of a "woman singular" mind due to the delicacy and the detail, which are often a clumsy match with the sophomoric antics of the adolescent males depicted. In fact, Pittard's hand is stronger at capturing this -- the real-life badinage and the culture of put-downs that express "love" between boyhood friends. When it comes to their various imaginings of Nora's subsequent lives, however, the book becomes less convincing.

So much depends upon the reader. I know some will embrace this as a small gem of disproportionate brightness. Others, like me, might find it intriguing, but flawed. Focus on the review and not the star rating, then; it's merely a compromise based on a reading with highlights and drawbacks, either of which might be seen more, less, or not at all by you.
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