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The Gate of Fire (Oath of Empire #2)
 
 

The Gate of Fire (Oath of Empire #2) [Mass Market Paperback]

Thomas Harlan
3.1 out of 5 stars  See all reviews (14 customer reviews)

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Inside This Book (Learn More)
First Sentence
The sun beat down, hot, on the narrow courtyard between the house of the Oracle and the columns of the Place of Waiting. Read the first page
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Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews

14 Reviews
5 star:
 (2)
4 star:
 (4)
3 star:
 (4)
2 star:
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1 star:
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Average Customer Review
3.1 out of 5 stars (14 customer reviews)
 
 
 
 
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4.0 out of 5 stars Action and depth, May 30 2003
By 
Jonathan Pappas (Albany, New York United States) - See all my reviews
This review is from: The Gate of Fire (Oath of Empire #2) (Mass Market Paperback)
I have finished the first three of the Oath of Empire books. I appreciate Harlan's style and realism. The characters are distinct and undergo believable growth and change. Dahak is a superb "bad guy" his strategies and actions are intelligent and chillingly effective. He is not without weakness but he recognizes that and adjusts accordingly. Nothing is more fun than a bad guy you respect. Overall a pleasurable and intelligent read. I got a little tired of Zoe's whining though...
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3.0 out of 5 stars The saga wanders on..., Oct 30 2001
By 
tertius3 (MI United States) - See all my reviews
This review is from: The Gate of Fire (Hardcover)
Gate of Fire is vol. 2 of Harlan's Oath of Empire series of fantasy alternate history. The plot line is given above. He makes no concession if you haven't read vol. 1 (Shadow of Ararat). Then again do you want to? I'm not sure why I've continued. His writing style is thorough but most unexciting, a bit of a drag. And so much incident of doubtful relevance (or, to what?). Where was his editor? I think I keep going on the basis of his detailed descriptions and situations of a realistically described Roman Empire of the 7th century A.D., but one where magic works. Harlan has done a great amount of historical and geographic research on the background of Rome in the Near East. I find his examination of the rise of Mohammed one of the most fascinating, and timely, aspects of the saga.

This volume 2 is a transitional work. Following the war against Persia (vol. 1), people are now milling around in preparation for confrontations yet to appear. While this volume omits the long travel passages 'under the blazing sun' of the first book, it also doesn't have the climactic battles that marked a conclusion of sorts. The main characters and their companions continue but break up and shift. (Some of their backgrounds also seem to be altered.) Harlan is now developing six parallel stories, with the narrative rotating among them as among as many separate novellas, so the overall pace is slow and the pages accumulate. One new featured character is introduced (a warrior barbarian), but his place in the overall saga remains to be discovered, and is merely a distraction here. For the first time several of the main characters and story lines do begin to intersect and interact, near the end of the book. Again there are ferociously graphic scenes of hacked limbs, burning skin, and bursting eyeballs as blood-sucking black powers and gods incarnate occasionally meet our heroes in malignant conflict. It includes scenes of Vesuvius right out of eyewitness Pliny the Younger. The only light touch is Julius Caesar, now brilliantly reincarnated as a comic figure! Clearly the author has something larger in mind, but we get only glimpses of what that might be, of which theme will emerge dominant. Note: the paperback has a squashed feeling compared to the generous hardback; the maps are barely legible.

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2.0 out of 5 stars Harlan blew it, Nov 26 2000
By 
Gonzalo Robert Diaz (Nashville, TN USA) - See all my reviews
(REAL NAME)   
This review is from: The Gate of Fire (Hardcover)
By attempting to finish this second volume you experience the same frustrating sensation than with other promising alternative histories, notably Wingrove's "Chung Kuo". All the minor weaknesses present in the fist volume grow instead of being corrected. Vacilating characters, ad hoc elements and dei-ex-machina multiply, and the plot can turn to any direction within the following page. I think that Harlan gets in trouble trying to fit a custom Islam rising in the story, then breaking his "contract" with the readers (the one that goes: let's see what would happen without all these "People of the Book" around). Vocabulary and descriptions of epic and magical scenes still great, but a 500 page book can't be made with that only.
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