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The Girl with Glass Feet: A Novel
 
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The Girl with Glass Feet: A Novel [Hardcover]

Ali Shaw
3.0 out of 5 stars  See all reviews (1 customer review)
Price: CDN$ 29.00 & this item ships for FREE with Super Saver Shipping. Details
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"Fantastically imagined.... The hybrid form of the book—fairy tale, myth, psychological realism and fantasy—impresses. But Shaw’s most delightful offerings are the vivid details he provides to make the magical real.... As Ida turns to glass, Midas must continue his own transformation, from hardened to human. The end of the book, saturated with color and emotion, is risky and brave like the message it imparts. Only a heart of glass would be unmoved."—Robin Romm, New York Times Book Review

 

"Ali Shaw has created a memorable addition to [the] fabulist pantheon in his gorgeous first novel, The Girl with Glass Feet.... Over the course of this eerie, bewitching novel, the mixture of love and grief and the imminence of death become as memorable as Ida’s mysterious, dreadful transformation and Midas’s more achingly human one ... Shaw acknowledges the influence of writers like Andersen, Kafka and Borges (Shaw's menagerie of perfectly detailed, marvelous creatures could have stepped from the pages of "The Book of Imaginary Beings"). But it’s Andersen’s melancholy tales, steeped in loss and a brooding sense of fatedness, that shimmer around the edges of The Girl with Glass Feet. Every character in this novel yearns for a love that seems just out of reach: Midas's unhappy parents; Henry Fuwa; Carl Maulsen, who loved Ida's mother; Emiliana, the island woman who might have a cure for Ida's illness; Ida herself—all of them are bound by threads of betrayal and desire and hope, until Fate cuts those threads, calmly and without remorse."—Elizabeth Hand, Washington Post

 

"The Girl with Glass Feet is a love story, not just about two people falling in love, but also about love itself: its power, its limits, and its consequences.... Although Shaw’s novel is set in the present, everything’s turned askew, resulting in a world that is at once banal—the car won’t start; the coffee’s getting cold—and fantastical—glass feet; glass hearts. Shaw makes the crucial decision to leave the human emotions and relationships in the realm of the believable, while embedding them in terrain that is ever so slightly surreal. Somehow it’s never implausible. Shaw is at his best when describing the fantastical world he’s created. His language manages to be poetic and economical.... The look, the sound, and the scent of St. Hauda’s Land stay with you after turning the last page of this beautiful novel."—Buzzy Jackson, The Boston Globe

 

"Ali Shaw’s engrossing and moving debut novel ... is a story of a strange land and its strange inhabitants, but at heart it’s a sincere but unsentimental love story.... The joy that Ida and Midas share, after Midas takes those first risky steps toward love, is so beautifully captured that their happiness beats back the drear and shadows.... The dreamy atmosphere curls around you until you see, hear and smell the moors and bogs.... The ending bridges the gap between fairy tales old and new."—Lisa McLendon, Wichita Eagle

 

"Ali Shaw shows immense promise with his deft use of language, which sings in a book that is at its heart filled with sadness. The soft light on the island plays coyly with the thick vegetation, casting glorious shadows and producing a riot of images all ably captured by Midas’ camera and Shaw’s prose."—Vikram Johri, The Chicago Sun-Times

 

"Ali Shaw has a gift for storytelling and an obvious love of language. His descriptions are poetic and original.... The Girl With Glass Feet is a work of great imagination and talent. Mr. Shaw never tells us what causes the glassification, but that leaves the reader open to decide whether the tale is merely a modern fairy tale, or whether turning into glass is in itself a metaphor for a larger, human condition that creates change bringing moments of pain and pleasure."—Corinna Lothar, The Washington Times

 

"The cold northern islands of St. Hauda’s Land are home to strange creatures and intertwining human secrets in Shaw’s earnest, magic-tinged debut.... Both love story and dirge, Shaw’s novel flows gracefully and is wonderfully dreamlike, with the danger of the islands matched by the characters’ dark pasts."—Publishers Weekly

 

"Ali Shaw offers the rare delight of a world freshly and richly imagined.... The story is soothingly spellbinding, pulling the reader with steady delicacy into the hearts and minds of its characters amid the enthralling murmur of the fantastical."—Ariel Berg, The San Francisco Book Review

 

“On the surface, the book is magical, seemingly as transparent as Ida's toes. Like all the best fairy tales, though, it's tinted with a pervading sense of unease that sticks with the reader long after the cover is closed. Midas's love for a woman who is leaving the real world he despises, Ida's lost grip on humanity, the very land on which they meet, are all deeper and darker than they seem, making this a book well worth reading.”—BookSlut.com

 

"This lovely fable is a chain of linked mysteries with accelerating suspense that propels the reader deep into Shaw’s world of marvels. That world is crafted with elegance and swept by passionate magic and the yearning for connection. A rare pleasure."—Katherine Dunn, author of Geek Love

 

"Written in the tradition of magical realists like Haruki Murakami and Gabriel Garcia Marquez, The Girl with Glass Feet is a singular, slippery narrative that defies easy categorization. Shaw writes finely honed prose and knows how to wring maximum suspense out of a tightly woven plot. His is an accomplished first novel—a hypnotic book with an atmosphere all its own."—Julie Hale, Bookpage

 

"Emotional entanglements on a faraway frozen island are shaped by romance and tragedy in a melancholic yet whimsical British debut.... [A] strikingly visual novel.... captivatingly ethereal."—Kirkus Reviews

"Shaw has worked the great tradition of European fairy tales and come up with an ingenious story ... A magical fable of fate and resignation."—The Guardian (UK)
 

"The Girl with Glass Feet is not just special—it’s remarkable.... [This] debut novel conjures up the extraordinary and fantastic, yet places it firmly in our digital world.... It’s a very visual novel—readers who enjoy using their imagination will adore it."—Helen Peacock, The Oxford Times (UK)

 

"A haunting and magical tale.... One of the most original and memorable love stories I’ve read in a long time.... It takes a real talent to create such an imaginative setting yet still make readers believe and care about the characters, but first-time novelist Ali Shaw pulls it off in dazzling style, spinning an unforgettable story so vividly described that the reader is only too willing to suspend disbelief in order to be transported into his sad and lovely world."—Morag Lindsay, Aberdeen Press and Journal

Product Description

An inventive and richly visual novel about young lovers on a quest to find a cure for a magical ailment, perfect for readers of Alice Hoffman

Strange things are happening on the remote and snowbound archipelago of St. Hauda’s Land. Unusual winged creatures flit around the icy bogland, albino animals hide themselves in the snow-glazed woods, and Ida Maclaird is slowly turning into glass. Ida is an outsider in these parts, a mainlander who has visited the islands only once before. Yet during that one fateful visit the glass transformation began to take hold, and now she has returned in search of a cure.

Midas Crook is a young loner who has lived on the islands his entire life. When he meets Ida, something about her sad, defiant spirit pierces his emotional defenses. As Midas helps Ida come to terms with her affliction, she gradually unpicks the knots of his heart. Love must be paid in precious hours and, as the glass encroaches, time is slipping away fast. Will they find a way to stave off the spread of the glass?

The Girl with Glass Feet is a dazzlingly imaginative and magical first novel, a love story to treasure.


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3.0 out of 5 stars (1 customer review)
 
 
 
 
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0 of 1 people found the following review helpful
3.0 out of 5 stars Glassy and glimmering, May 16 2010
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
Boy meets girl. Boy and girl fall in love. Girl is slowly turning into a glass statue.

Ironically, the central story is sometimes one of the less weird aspects of "The Girl With Glass Feet," a delicate spun-glass novel by Ali Shaw that barrels over the border of magical realism right into all-out fantasy. Shaw's prose is nothing short of exquisite, but the magical atmosphere also serves to make the characters -- even the protagonists -- feel like elegant little dolls, and not like people.

Midas Crook is the town weirdo, that guy who can only connect with the world around him through the lovely pictures he takes. But then he encounters Ida, a beautiful, drably-dressed girl wearing enormous boots, and after taking a picture of her, he falls in love. Unfortunately, Ida did not come to the island because she wanted to -- her feet have turned into glass, and apparently it's going to spread upward until her entire body is transmuted as well.

Naturally, Midas joins her on her quest to find some sort of cure for her affliction, which she believes can be found on the island that she originally came from. As the two race against time to find a cure, they encounter a strange web of island inhabitants -- and love begins to bloom between the two. But is it worth loving someone when they only have a brief time left?

My brain wants to call "The Girl With Glass Feet" a tale of magical realism, but it veers so far into the realm of fantasy that the tag barely fits. There are tiny flying cows, glassy corpses buried in the mud, and a creature that turns everything white -- and of course, the central love story is complicated by the fact that Ida's body is slowly turning into a glass statue, irreversibly and inexorably.

The loveliest part of this novel is the prose, and how Shaw painstakingly sketches this magical island. It's all white snow, pale shadows and grey seas, with an eerie dreamlike quality that makes it feel almost like a tiny world unto itself. The problem is while the eerie, delicate prose is enough, the fanciful additions feel like overkill. The writing is exquisite by itself, but the flying cows and magical creatures wandering over the island make it feel like the author is saying, "See? Magical stuff here! It's such a weird, otherworldly place! PAY ATTENTION!"

Unfortunately, these magic elements serve no purpose except as a sparkly backdrop for the story. What's more, the atmosphere is dampened by what eventually happens with Ida and Midas... and while I won't reveal what happens, it's not exactly the stuff of fairy tales.

And Shaw does an excellent job sketching out lovely, detailed outlines of characters -- Ida's busy active life is shattered by her weird glass-feet disease, and Midas learns to deal with life outside the range of a camera. However, often these characters feel distant and remote, and many of the supporting cast feel more like pretty pale dolls that are being moved around the story. It's hard to connect with them.

"The Girl With Glass Feet" is a bittersweet, exquisitely-written little story filled with glass, snow and pale magic... but somehow, the characters never quite come to life. But Ali Shaw is definitely a talent to watch, once she polished up her storytelling skills.
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Amazon.com: 3.6 out of 5 stars (50 customer reviews)

14 of 17 people found the following review helpful
4.0 out of 5 stars The Girl with Glass Feet, Oct 24 2009
By Chapati - Published on Amazon.com
This review is from: The Girl with Glass Feet: A Novel (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
Plot Summary:
St. Hauda's is a cold island way up north where narwhal fishing used to be the trade of choice. Once that was banned, most of the population left and the island is now dull, quiet and secluded. This is perfectly fine with Midas Crook, who doesn't like being around too many people and certainly doesn't like touching them. He prefers, instead, to view the world through his camera and make sense of it that way. Ida MacLaird comes to St. Hauda's Land hoping for a cure to her strange illness. Her feet have turned to glass and the illness seems to be spreading up her body. She comes to St. Hauda's looking for Henry Fuwe, a man she met on her last trip there who told her about tiny flying cows, an animal that turns everything it looks at to white, and glass people sunk into bogs. She meets Midas instead, and the two become friends, deepening into something more. The two embark on a mission to save Ida, aided in part by Carl Maulson, who used to be in love with Ida's mother and work with Midas' father. But even as they try to find a cure, the glass in Ida's body keeps creeping up...

My Thoughts:
This was a beautifully written book. There were so many interlocking stories, all about relationships and love lost and found. Ida and Midas are in the center (I wonder if their names are similar for a reason). Ida wants desperately to connect with someone before her illness leaves her cold, literally. Midas is drawn to Ida, but he must overcome his innate dislike of touching or even really interacting with other people.

Their relationship is central to the plot, but there are so many others similar to it that reach different conclusions. Each relationship presented in the story represents and symbolizes a different version of love, and it's fascinating to see how Shaw weaves the illness of bodies turning to glass into all of it.

I really enjoyed both Ida and Midas as characters. Ida was so strong and faced her problems head-on. Even though she has a seemingly incurable illness, she goes after what she wants and refuses to cater to anyone else. Midas, too, grows so much during the novel, from a shy, socially awkward person always frightened that he will turn out like his father, into a man who stands up for himself and takes risks even when they terrify him.

This book reminded me, atmosphere-wise, of A Winter's Tale. Everything is black and white and cold. It had the same fantastical elements present- they are alluded to, but never really explained. I would have preferred a bit more closure around the more minor plot points, but I can see why Shaw left them out. I wish he had also left out just a few instances of characters saying the word, "Um," but I will forgive him that :-)

The Girl with Glass Feet is a slow, sad novel that meanders around an isolated island. I think you have to be in the right mood for it- I read it curled up inside on a miserable rainy day, and that was the perfect setting. Shaw has a gift for descriptive passages, and he's an author I will follow.

3 of 3 people found the following review helpful
4.0 out of 5 stars Good, Jun 13 2010
By Jacob Glicklich "Raskolnikov" - Published on Amazon.com
This review is from: The Girl with Glass Feet: A Novel (Hardcover)
Intense, introverted and grotesque. Small-scale, intense characterization, and at times problematic in the way it shows relationships developing. Still, on the whole I was interested, and some of the sheer metaphysical strangeness (moth-cows, and the titular turning of the main character's feet and then entire body) will probably stay with me.

It works in many ways as a horror account with some unconventional framing. There's a lot of effort to almost downplay the main fantastical happenings, for instance. The awareness of the unfolding transformation isn't really the dramatic focus of the book, rather it's how the change provokes an extended process of acceptance, and how it factors into the main relationships of the main character. That description makes it sound like a sentimental work which it really isn't--the tone is a lot harsher in assessing the characters and the obsession they sometimes have for each other. The larger representation of humanity probably counts as a bleak one, yet the story tone is light enough and there are enough beautiful passages to make for more than a pessimistic representation.

I'm extremely ambivalent on this one, not at the end very clear what the Shaw was aiming for or how effectively he executed it. I can't exactly count it as a good work because of how vague I feel at the end about the larger story, how I can fit different themes equally into interpreting the point behind the story. Including, most troubling, the possibility of a rather sexist authorial viewpoint given the terms by which women consistently appear. It can also be seen as empowering to an extent, and it manages a sustained first person viewpoint of a complex woman with a lot more sympathy than a lot of (male) authors provide. In the end I'm considerably more favorable for this than Cloud and Ashes, as while I'm unsure as to some of the underlying major points the basic story was comprehensible, and rather compelling, and the high quality of the writing felt like an asset rather than something that undermined the narrative. In the end I am glad I read this work, as it provides a very different feel than most fantasy. I may even reread it at some point, as I think it would benefit from more careful consideration.

Worse than: King Rat by China Mieville

Better than: Cloud and Ashes by Greer Gilman

5 of 6 people found the following review helpful
1.0 out of 5 stars Depressing, Feb 12 2011
By ConteL62 - Published on Amazon.com
This review is from: The Girl with Glass Feet: A Novel (Paperback)
SPOILER ALERT: Most of the reviews I've read all say the same thing, beautifully written but basically not good and then give a 4 star. I say what's the point of beautifully written if the story is depressing and poorly laid out? I looked forward to this book based upon it's description and I admit I did continue to read it even though it jumped from place to place, inner story to inner story and past to present. There is not one person I liked in this book except for the little girl and maybe her Dad. The most basic problem I had with the book is that there is no explanation whatsoever of why people turned to glass. Was it the also unexplained creature who turned things white? All the relationships had tragedy. MIdas himself, his father, his mother and Henry, Charlie and Ida's mother, etc. etc. Not one single happy ending and yet the landscape was beautiful?! No explanations for: why people turned to glass, how Henry got Midas' father's heart and then didn't show it to him, why the entire story of Midas' father and his written explanation which would have helped Midas and yet was thrown out without being read and at Ida's own urging (how utterly stupid) was wasted. Why Henry and Midas' mother couldn't have been together (another unpleasant and boring scene), what exactly happened to Catherine? Even the ending makes no sense - he plans to go diving and find Ida's glass body? Why? So he can sit her in his kitchen and go on living an isolated life with no human interaction? This book had so much promise and went nowhere. I like a book that makes me think "ahh, I get it." This one is just confusing. Maybe this author has no happiness in his life or does not know anything about being in a relationship. Either way, a very depressing first book and an author I will avoid.
 Go to Amazon.com to see all 50 reviews  3.6 out of 5 stars 
 
 
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