The Girls [Paperback]

In 29 years, Rose Darlen has never spent a moment apart from her twin sister, Ruby. She has never gone for a solitary walk or had a private conversation. Yet, in all that time, she has never once looked into Ruby's eyes. Joined at the head, "The Girls" (as they are known in their small Ontario town) are the world's oldest surviving craniopagus twins. In her astonishing second novel, Lori Lansens (author of Rush Home Road) ventures into the strange world of physical abnormality that Barbara Gowdy so chillingly explored in We So Seldom Look on Love. While some writers might be tempted to play up the grotesque aspects of life as a conjoined twin, Lansens treats her so-called freaks with sensitivity and respect. The result is an extraordinarily moving narrative about human connectedness that questions the very meaning of "normal."

The Girls is a fictional autobiography of the Darlen twins, mostly told by Rose but with occasional chapters by Ruby. The stronger and more frustrated of the two, Rose longs to become a published writer but tends to conceal or distort disturbing incidents from their shared past. Ruby, by contrast, tells it like it is, but is much more accepting of their intertwined fate. (Ruby is also the prettier twin, and one of the most poignant and shocking scenes in the novel is Rose's account of her--or rather their--first sexual experience.) As Rose and Ruby describe their relatively sheltered childhood, rocky adolescence, and tentative experiments with love, the interplay between these two distinct voices heightens the dramatic tension of what's to come. The saddest part is saying good-bye--to "The Girls" and to this compassionately written novel. --Lisa Alward --This text refers to the Hardcover edition.

Conjoined twins Rose and Ruby Darlen are linked at the side of the head, with separate brains and bodies. Born in a small town outside Toronto in the midst of a tornado and abandoned by their unwed teenage mother two weeks later, the girls are cared for by Aunt Lovey, a nurse who refuses to see them as deformed or even disabled. She raises them in Leaford, Ontario, where, at age 29, Rose, the more verbal and bookish twin, begins writing their story—i.e., this novel, which begins, "I have never looked into my sister's eyes." Showing both linguistic skill and a gift for observation, Lansens's Rose evokes country life, including descriptions of corn and crows, and their neighbors Mrs. Merkel, who lost her only son in the tornado, and Frankie Foyle, who takes the twins' virginity. Rose shares her darkest memory (public humiliation during a visit to their Slovakian-born Uncle Stash's hometown) and her deepest regret, while Ruby, the prettier, more practical twin, who writes at her sister's insistence, offers critical details, such as what prompted Rose to write their life story. Through their alternating narratives, Lansens captures a contradictory longing for independence and togetherness that transcends the book's enormous conceit. (May 2)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

*Starred Review* Lansens' remarkable second novel is told from two viewpoints: that of Rose and that of Ruby Darlen, 29-year-old conjoined twins. Rose and Ruby are about to go down in history as the oldest surviving twins to be joined at the head. A recent medical diagnosis has spurred Rose to write her autobiography, and she encourages Ruby to do the same. Between the two sections, the story of their lives is revealed, beginning with their birth to an unwed teen mother and their adoption by Lovey Darlen, the nurse who was with their mother when she was in labor, and her strong, silent husband, Stash. The girls grow up on the Darlens' farm in rural Ontario, where Lovey refuses to accept the word of skeptical doctors who doubt the girls will ever be able to walk on their own. There is a great deal of subtlety in Lansens' narrative, and how the twins reveal the details of their lives--often one will refer to something she is sure the other has already mentioned in her section. But her biggest achievement in the novel is bringing to life these two truly extraordinary characters to such a degree that readers may forget they are reading fiction. Kristine Huntley
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

"Lansens overcomes the ‘ick’ factor in this surprisingly moving story... The novel's power lies in the wonderful narrative voices of Rose and Ruby. Lansens has created a richly nuanced, totally believable sibling relationship... An unsentimental, heartwarming page-turner. Quite an achievement."
–Starred Kirkus Review

"It is the true test of a writer’s mettle to create a convincing narrator, and Lori Lansens has done it not once but twice in her remarkable novel about conjoined twins. The two fascinating protagonists of “The Girls” live their lives together in every way, and yet nevertheless emerge with beliefs and desires all their own, and with distinct outlooks on their difficult circumstances. Lori Lansens is clearly a novelist with a very delicate touch."
–Arthur Golden, author of Memoirs of a Geisha

“The Girls, the year’s best book to come out of Canada, possibly the world. There’s deep craft at work here. The Girls communicates astute insights into the art of the memoir and tackles plot development that would sink most other writers. Lansens navigates them effortlessly. Awesome.”
–NOW magazine

"I promise: you will never forget this extraordinary story. Love, connection, loyalty, raw humanity and much more are the ingredients of this most unusual novel. Lori Lansens's blend of tragedy and comedy will touch you deeply.
–Isabel Allende

“A stunner…immensely exciting…a tribute to the extraordinariness of human consciousness…laced with delightful comic moments…not just a sophisticated literary accomplishment but a darned good read.”
–Toronto Star

“Extraordinary…a masterful and sophisticated duet…a multidimensional vision of the sisters’ lives.”
–Time Magazine

“A compelling read (I devoured it in one sitting)…Lansens’ beautiful writing is so detailed that it is often easy to forget that the material is not based on a true story. She captures what it would be like never to sleep, bathe, go for a walk or meet friends on your own.”
–The National Post


From the Hardcover edition.

“We’ve been called many things: freaks, horrors, monsters, devils, witches, retards, wonders, marvels. To most, we’re a curiosity. In small-town Leaford, where we live and work, we’re just ‘The Girls.’”

Rose and Ruby Darlen are closer than most twin sisters. Indeed, they have spent their twenty-nine years on earth joined at the head. Given that they share a web of essential veins, there is no possibility that they can be separated in their lifetime.

Born in a small town in the midst of a tornado, the sisters are abandoned by their frightened teenaged mother and create a circus-like stir in the medical community. The attending nurse, however, sees their true beauty and decides to adopt them. Aunt Lovey is a warm-hearted, no-nonsense woman married to a gentle immigrant butcher, Uncle Stash. The middle-aged couple moves to a farm where the girls – “not hidden but unseen” – can live as normal a life as possible.

For identical twins, Rose and Ruby are remarkably different both on the inside and out. Ruby has a beautiful face whereas Rose’s features are, in her own words, “misshapen and frankly grotesque.” And whereas Rose’s body is fully formed, Ruby’s bottom half is dwarfish – with her tiny thighs resting on Rose’s hip, she must be carried around like a small child or doll. The differences in their tastes are no less distinct. A poet and avid reader, Rose is also huge sports fan. Ruby, on the other hand, would sooner watch television than crack open a book – that is, anything but sports. They are rarely ready for bed at the same time and whereas Rose loves spicy food, Ruby has a “disturbing fondness for eggs.”

On the eve of their thirtieth birthday, Rose sets out to write her autobiography. But because their lives have been so closely shared, Ruby insists on contributing the occasional chapter. And so, as Rose types away on her laptop, the technophobic Ruby scribbles longhand on a yellow legal pad. They’ve established one rule for their co-writing venture: neither is allowed to see what the other has written. Together, they tell the story of their lives as the world’s oldest surviving craniopagus twins – the literary Rose and straight-talking Ruby often seeing the same event in wildly different ways. Despite their extreme medical condition, the sisters express emotional truths that every reader will identify with: on losing a loved one, the hard lessons of compromise, the first stirrings of sexual desire, the pain of abandonment, and the transcendent power of love.

Rose and Ruby Darlen of Baldoon County, Ontario, are two of the most extraordinary and unforgettable characters to spring into our literature. As Kirkus Reviews puts it, “The novel's power lies in the wonderful narrative voices of Rose and Ruby. Lansens has created a richly nuanced, totally believable sibling relationship... An unsentimental, heartwarming page-turner.” The National Post writes: “Lansens’s beautiful writing is so detailed that it is often easy to forget that the material is not based on a true story. She captures what it would be like never to sleep, bathe, go for a walk, or meet friends on your own.”

“The Girls, the year’s best book to come out of Canada, possibly the world. There’s deep craft at work here. The Girls communicates astute insights into the art of the memoir and tackles plot development that would sink most other writers. Lansens navigates them effortlessly. Awesome.”
–NOW magazine

“A stunner…immensely exciting…a tribute to the extraordinariness of human consciousness…laced with delightful comic moments…not just a sophisticated literary accomplishment but a darned good read.”
–Toronto Star

“Extraordinary…a masterful and sophisticated duet…a multidimensional vision of the sisters’ lives.”
–Time Magazine

“A compelling read (I devoured it in one sitting)…Lansens’ beautiful writing is so detailed that it is often easy to forget that the material is not based on a true story. She captures what it would be like never to sleep, bathe, go for a walk or meet friends on your own.”
–The National Post --This text refers to the Hardcover edition.

Lori Lansens is the author of two bestselling novels, Rush Home Road and The Girls, which was a Richard & Judy Best Read of the Year in 2006 (and sold over 300,000 copies in the UK) and a finalist for the Orange Broadband Prize for Fiction. Born and raised in Chatham, Ontario, Lori Lansens now makes her home in California.


From the Hardcover edition.

ruby & me

~

I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so ­exponentially.

My sister, Ruby, and I, by mishap or miracle, having intended to divide from a single fertilized egg, remained joined instead, by a spot the size of a bread plate on the sides of our twin heads. We’re known to the world medical community as the oldest surviving craniopagus twins (we are twenty-­nine years old) and to millions around the globe, those whose interest in people like us is more than just passing, as conjoined craniopagus twins Rose and Ruby Darlen of Baldoon County. We’ve been called many things: freaks, horrors, monsters, devils, witches, retards, wonders, marvels. To most, we’re a curiosity. In small-­town Leaford, where we live and work, we’re just “The Girls.”

Raise your right hand. Press the base of your palm to the lobe of your right ear. Cover your ear and fan out your fingers – that’s where my sister and I are affixed, our faces not quite side by side, our skulls fused together in a circular pattern running up the temple and curving around the frontal lobe. If you glance at us, you might think we’re two women embracing, leaning against the other ­tête-­à-­tête, the way sisters do.

Ruby and I are identical twins and would be identical looking, having high foreheads like our mother and wide, full mouths, except that Ruby’s face is arranged quite nicely (in fact, Ruby is very beautiful), whereas my features are misshapen and frankly grotesque. My right eye slants steeply towards the place my right ear would have been if my sister’s head had not grown there instead. My nose is longer than Ruby’s, one nostril wider than the other, pulled to the right of my brown slanted eye. My lower jaw shifts to the left, slurring my speech and giving a husky quality to my voice. Patches of eczema rouge my cheeks, while Ruby’s complexion is fair and flawless. Our scalps marry in the middle of our conjoined heads, but my frizzy hair has a glint of auburn, while my sister is a swingy brunette. Ruby has a deep cleft in her chin, which people find ­endearing.

I’m five feet five inches tall. When we were born, my limbs were symmetrical, in proportion to my body. Presently, my right leg is a full three inches shorter than my left, my spine compressed, my right hip cocked, and all because I have carried my sister like an infant, since I was a baby myself, Ruby’s tiny thighs astride my hip, my arm supporting her posterior, her arm forever around my neck. Ruby is my sister. And strangely, undeniably, my ­child.

There is some discomfort in our conjoinment. Ruby and I experience mild to severe neck, jaw, and shoulder pain, for which we take physiotherapy three times a week. The strain on my body is constant, as I bear Ruby’s weight, as I tote Ruby on my hip, as I struggle to turn Ruby over in our bed or perch on my stool beside the toilet for what seems like hours. (Ruby has a multitude of bowel and urinary tract problems.) We are challenged, certainly, and uncomfortable, sometimes, but neither Ruby nor I would describe our conjoinment as painful.

It’s difficult to explain our locomotion as conjoined twins or how it developed from birth using grunts and gestures and what I suppose must be telepathy. There are days when, like a normal person, we’re clumsy and uncoordinated. We have less natural symbiosis when one of us (usually Ruby) is sick, but mostly our dance is a smooth one. We hate doing things in unison, such as answering yes or no at the same time. We never finish each other’s sentences. We can’t shake our heads at once or nod (and wouldn’t if we could – see above). We have an unspoken, even unconscious, system of checks and balances to determine who’ll lead the way at any given moment. There is conflict. There is ­compromise.

Ruby and I share a common blood supply. My blood flows normally in the left side of my brain, but the blood in my right (the connected side) flows to my sister’s left, and vice versa for her. It’s estimated that we share a web of one hundred veins as well as our skull bones. Our cerebral tissue is fully enmeshed, our vascular systems snarled like briar bushes, but our brains themselves are separate and functioning. Our thoughts are distinctly our own. Our selves have struggled fiercely to be unique and, in fact, we’re more different than most identical twins. I like sports, but I’m also bookish, while Ruby is girlie and prefers television. When Ruby is tired, I’m hardly ever ready for bed. We’re rarely hungry together and our tastes are poles apart: I prefer spicy fare, while my sister has a disturbing fondness for ­eggs.

Ruby believes in God and ghosts and reincarnation. (Ruby won’t speculate on her next incarnation though, as if imagining something different from what she is now would betray us both.) I believe the best the dead can hope for is to be conjured from time to time, through a note of haunting music or a passage in a book.

I’ve never set eyes on my sister, except in mirror images and photographs, but I know Ruby’s gestures as my own, through the movement of her muscles and bone. I love my sister as I love myself. I hate her that way too.
This is the story of my life. I’m calling it “Autobiography of a Conjoined Twin.” But since my sister claims that it can’t technically (“technically” is Ruby’s current favourite word) be considered an autobiography and is opposed to my telling what she considers our story, I have agreed that she should write some chapters from her point of view. I will strive to tell my story honestly, allowing that my truth will be coloured a shade different from my sister’s and acknowledging that it’s sometimes necessary for the writer to connect the dots.


From the Hardcover edition.

Narrators Stephanie Zimbalist, and Lolita Davidovich portray the unusual characters of Rose and Ruby Darlen, twins who are conjoined at the head. Born during a tornado in Toronto of an unwed teenaged mother who abandoned them two weeks later, the deformed twins were to be placed in an asylum. Instead, Aunt Lovey, the nurse who cared for their mother during labor, raises them with her husband, Stash, on their rural farm in Ontario. Characterizations are vivid, detailed, warm, and endearing. The soft accents of Slovakia ring true to the character of Grandma. Lyrical piano music introduces the story and is used for chapter breaks. This incredible story seems real because of the outstanding characterizations. G.D.W. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.