The Glory of Living: A Play Paperback – Dec 7 2001
Customers Who Bought This Item Also Bought
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
“Plays don't come much tougher, or more compassionate . . . Gilman's dramatic strength is that she provides the evidence and leaves us to form our own conclusions.” ―Michael Billington, The Guardian
“Powerful . . . Gilman's writing is enormously compelling.” ―Sarah Hemming, Financial Times
About the Author
Rebecca Gilman is one of the major young American playwrights working today. Her play Spinning Into Butter had its New York premiere at the prestigious Lincoln Center Theatre in Summer 2000 and Boy Gets Girl--chosen by Time magazine as the best play of 2000--was seen at the Manhattan Theatre Club in March 2001. Both of these plays are available from Faber and Faber. She lives in Chicago, Illinois.
Inside This Book(Learn More)
Top Customer Reviews
Most Helpful Customer Reviews on Amazon.com (beta)
This is a very swift moving, lean play, which may be about ignorance, learning to pay attention to yourself, female subservience, psychopathic love or even the mental effect of poverty and absent family life on a young mind. The play is so efficient and flexible though that if I kept considering themes, several more are there. Because of that flixibility of theme, that encompasses many issues, The Glory of Living is an excellent play.
It reminded me of some of Sam Shepard's plays about poor, down and out, violent and seemingly foolish people. It also reminded me of Badlands, the 1973 film about the young, beautiful couple who murdered several people.
Another review here spoke of the simplicity with which Gilman deals with heavy subjects, allowing the audience or reader to contemplate and feel the issue out, so as to see the people involved and not be lead by spectacle and judgement. That is a point I'd say is right on, because by the end of the play I was moved by the tragedy of Lisa.
Carl: (shaking his head) I can't even begin to understand you.
Lisa: Yeah. But I appreciate that you try.