Auto boutiques-francophones Simple and secure cloud storage Personal Care Furniture All-New Kindle Paperwhite Explore the Amazon.ca Vinyl LP Records Store NFL Tools
The Go-between and over one million other books are available for Amazon Kindle. Learn more
Buy Used
CDN$ 0.01
+ CDN$ 6.49 shipping
Used: Acceptable | Details
Condition: Used: Acceptable
Comment: We aim to deliver to the Canada within 10 days! (subject to customs delays). Cover image and publication date may vary. Paperback; English language; a fair reading copy. We are an experienced and professional UK bookseller who have been sending books worldwide for over 5 years.
Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

The Go-between Paperback – Jan 1970


See all 16 formats and editions Hide other formats and editions
Amazon Price New from Used from
Kindle Edition
"Please retry"
Paperback, Jan 1970
CDN$ 10.97 CDN$ 0.01
Audio Cassette, Audiobook
"Please retry"

Unlimited FREE Two-Day Shipping for Six Months When You Try Amazon Student




Product Details

  • Paperback: 288 pages
  • Publisher: Penguin Books Ltd; New impression edition (January 1970)
  • Language: English
  • ISBN-10: 0140013067
  • ISBN-13: 978-0140013061
  • Product Dimensions: 17.5 x 11.2 x 1.8 cm
  • Shipping Weight: 159 g
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: #2,683,802 in Books (See Top 100 in Books)

Product Description

Review

"Exuding such a sense of summer the pages might be warm to touch, Hartley's coming-of-age tale is set during the heatwave of 1900. It all ends in tears, but not before there have been plenty of cucumber sandwiches on the lawn." --The Observer

“The first time I read it, it cleared a haunting little spot in my memory, sort of like an embassy to my own foreign country…. I don't want to spoil the suspense of a well-made plot, because you must read this, but let's just say it goes really badly and the messenger (shockingly) gets blamed. Or he blames himself anyway. And here the mirror cracks; the boy who leaves Brandham is not the one who came. Indeed the narrator converses with his old self as though he were two people. That was the powerful gonging left by my first read: What, if anything, bundles us through time into a single person?” – Ann Brashares, “All Things Considered”, NPR
 
“I can't stop recommending to anyone in earshot L.P. Hartley's The Go-Between…. One of the fabled opening lines in modern literature: ‘The past is a foreign country: They do things differently there.’ The NYRB paperback has a superb new introduction by Colm Tóibín, but don't read it until after you've read the book itself.” – Frank Rich, New York Magazine.com
 

--This text refers to an alternate Paperback edition.

From the Back Cover

"An intelligent, complex and beautifully felt evocation of nascent boyhood sexuality that is also a searching exploration of the nature of memory and myth" --Douglas Brooks-Davies

An invitation to a friend's house changes an adolescent boy's life. Discovering an old diary, Leo, now in his sixties, is drawn back to the hot summer of 1900 and his visit to Brandham Hall. The past comes to life as Leo recalls the events and devastating outcome that destroyed his beliefs and future hopes.

The first annotated edition of L.P. Hartley's great classic, the present text generally follows that of the first edition of 1953 and also includes a number of small but significant corrections based on the surviving holograph of The Go-Between.

Lord David Cecil described L.P. Hartley as "One of the most distinguished of modern novelists; and one of the most original. For the world of his creation is composed of such diverse elements. On the one hand he is a keen and accurate observer of the processes of human thought and feeling; he is also a sharp-eyed chronicler of the social scene. But his picture of both is transformed by the light of a Gothic imagination that reveals itself now in a fanciful reverie, now in the mingled dark and gleam of a mysterious light and a mysterious darkness.... Such is the vision of light presented in[his] novels. --This text refers to an alternate Paperback edition.


Inside This Book

(Learn More)
Browse and search another edition of this book.
First Sentence
The eighth of July was a Sunday and on the following Monday I left West Hatch, the village where we lived near Salisbury, for Brandham Hall. Read the first page
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
Search inside this book:

Customer Reviews

4.9 out of 5 stars
5 star
6
4 star
1
3 star
0
2 star
0
1 star
0
See all 7 customer reviews
Share your thoughts with other customers

Most helpful customer reviews

By "ace2001" on Feb. 10 2002
Format: Paperback
I first read The Go-Between in my English class in my last year of high school. Returning to the book some 20 years later, I found it an even richer text than I did as a schoolboy.
The author's use of the older Leo's retrospective narrative provides flexibility to alter recollections and timelines in a way that allows him to introduce symbolism to the text - the heat as a guage of the sexual relationship between Marion and Ted (he first notices its destructiveness at the moment he finds out of the true nature of their relationship by glancing at the unsealed letter) - the belladonna / deadly nightshade (even the two names provide contrasting meanings) as a symbol of Marion which he eventually destroys - phallic symbols such as the cricket bat and the gun for Ted (the latter which destroys him both physically and metaphorically).
Hartley's text is also a critique on the 20th century. The story is placed in 1900 and the great hopes of Victorian/Edwardian Britian - the progress of science, the progress of human society and the height of Empire. The shattering of Leo's life and hopes evokes the reality of the 20th century West. Denys and Marcus are killed in WW1 and the 10th Vicount and Vicountess Trimington by WW2. The signs are there at the time of the illusion of this sense of progress for the new century, with the frequent references to the Boer War and the disfigurement of Trimington.
There are some minor quibbles with the story. The emotional collapse of Leo seems disproportionate to what he saw - he may not have known what "spooning" was but he was aware of the intensity of Marion and Ted's relationship. However, it adds dramatic impact and does not detract from the brilliant integration of the text - its use of language, symbols and narrative patterns.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
By A Customer on Nov. 20 2001
Format: Paperback
Leo, an old man in his sixties, is clearing through his old papers when he comes across his diary from the summer of 1900. On opening the diary, memories which he has burried for over fifty years come flooding back and he is forced to re-live the summer which changed his life for ever.The main novel is set in 1900 but the prologue and epilogue (post-World War II)form a framework to it.
The main themes of the novel are loss of innocence and the destruction of a 'golden age'. Leo's loss of innocence at the climax of the novel foreshadows the loss of innocence that Europe is about to suffer as the twentieth century unfolds. The emotional scars that Leo suffers are also a reflection on the world's inability to ever fully recover from the world wars.
The characters within the novel are highly effective because of their complexity - for example the reader is forced to question themselves whether Marian's manipulative nature is generated by selfishness or from the fact that she is incredibly miserably and desperatly trying to escape from her mother's social ambition.
The Go-Between is full of intense imagery including that of the belladonna plant which represents passion and female sexuality as something beautiful and highly desirable but ulitmately deadly.
The tragedy which ends the main novel is deepened by the epilogue which discusses the fates of all the characters within the novel and the way in which they appear to be 'cursed'. Whilst The Go-Between is by no means a cheerful novel, it is highly thought-provoking and provides a fascinating insight into the charmed life of the wealthly in Edwardian England before it was destroyed by the Great War.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
Format: Paperback
Every time this book is read, another aspect comes into view. Written in the context of a middle aged man finding old letters and a diary in his attic, it quickly becomes clear that this man is a batchelor who has lead an emotionally shallow life. He is Leo, a boy of 12, invited to spend his summer school break with a more affluent friend and finds himself taken into a world where there are no longer any rules or structures to support him. In the chaos that he triggers he tries to find order in amongst his world and the results in doing so are catastrophic to him and the people around him. Imagery is strong, and wonderfully intertwined between the lines. Hartley's skill lets us see the characters through the eyes of a boy, standing on the precipice of adulthood and yet still living within a life of childhood fantasies where his world does make sense. He does not understand the machinations of the adults around him. Passion, deception and innocence are overlaid with stong imageries; the Zodiac, Leo is Mercury, messenger of the Gods, mercury also gauging the ever rising heat of the summer, and of those passions of the adults circling around him. Being Robin Hood in his suit of green to his Fair Maid Marian, but green also meaning innocence and naivety. Misunderstandings, the hero, disfigured, his face unable to reveal what his heart feels. The story pulls you through each humid emotion filled day to its climatic end. And at the end, what becomes of the characters, of those 'planets' circling around Leo and the virgin? Is she a calculating woman, ruthless and insensitive to the feelings of a 12 year old boy, or should a woman never be blamed for what happens? Is Leo the author of his own misfortune, despite his age? What is the use of blame?Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.

Look for similar items by category


Feedback