Yes, this is probably the best film ever made. A lot come close ('Citizen Kane', 'Casablanca', etc.) but 'The Godfather' has been proven a perennial favorite between the audience since it's release over 25 years ago, and still stands well. It is virtuoso filmmaking at it's absolute best, everything from directing and acting to writing and score are done to perfection. Never a dull moment in the film, not a slow scene, not a bum performance and nothing seems out of place. Coppola's first major film and certainly his best, this was the offspring of his creative talent. His direction in this film is flawless, every little detail fits together, and even the casting was inspired, to create a moving and even nostalgic movie experience. The acting is unbelievable a powerhouse ensemble cast, few actors have worked so well together and in such beautifully synchronized harmony, you really believe that this people are family. Marlon Brando, in one of his definitive roles, delivers one of the best performances in his career and in movie history. His portrayal of Don Corleone is unforgettable, powerhouse method acting at the highest level. And also his physical and emotional transformation from 'aging Don' to 'old Don' is pure brilliance. Brando will be remembered as one of the greatest actors of his generation and it will be mainly because of this film, and of course because of his other great performances in films like 'A Streetcar Named Desire' and 'On The Waterfront'. Al Pacino also delivers what may well be his best performance ever as Michael, even though he was equally good in 'The Godfather Part II'. Some of his scenes, namely the spellbinding murder of Sollozzo and McCluskey, are so well acted it's scary. Robert Duvall is also very impressive as Tom Hagen. James Caan delivers an astounding performance as hot-headed Sonny, and John Cazale is equally compelling as dim-witted Fredo, his character plays a small part here but would be further developed in 'The Godfather Part II'. As for the female cast, Diane Keaton (in her pre-Woody Allen days) is perfect as the shut-out Kay. Talia Shire, who also happens to be Coppola's sister, was an inspired choice to play Connie, and even though she plays a small role here, she would grow as an actress and her character would also grow more important in 'The Godfather Part II'. Richard S. Castellano and Abe Vigoda are typecast as Don Corleone's Caporegime; Clemenza and Tessio respectively, they are perfect in their roles, and even though they don't get any big scenes they're still unforgettable. And then there's a whole line of memorable supporting characters of which I'll name only a few; Jack Woltz (John Marley), Barzini (Richard Conte), Sollozzo (Al Lettieri), Luca Brasi (Lenny Montana), Carlo Rizzi (Gianni Russo), etc. And then there's Al Martino as Johnny Fontaine who is more than quietly made to resemble Frank Sinatra, who was also rumored to be the Godson of an Italian family that may or may not be mixed up in dirty business. Many say that this is the way he got the part in 'From Here To Eternity' that won him an Oscar. Then there are the technical aspects of the film, which are dazzling. The Coppola-Puzo script is perfection, memorable dialogue throughout and not one line of dialogue seems out of place. The script follows no formulas or cliches it instead created them. Easily among the best screenplays ever written. Gordon Willis' dark cinematography is atmospheric, deeply evocative and captures the film's essence perfectly. Coppola flew to Italy specifically to find Nino Rota, who scored some of Fellini's films, to make the famous musical score for 'The Godfather'. He created one of the most famous scores of all time, a haunting score that at the same time exudes nostalgia. To finish, I want to say that this is not a crime film or an action film, it has those elements in the plot, but it's basically a movie about family and the succession of power through the generations. 'The Godfather' remains one of the most moving, expertly crafted films of all time and will always remain as my all-time favorite. Extras: the infant that is being baptized is actually Coppola's daughter Sofia. From a scale of 1-10 I give this film a 10! Masterpiece