From Publishers Weekly
Owing to a head injury he suffered 16 days into his Vietnam tour, Howard Kapostash, the narrator of King's graceful, measured debut novel, can neither speak, write nor read. Now middle-aged, Howard lives a lackluster existence in the house where he grew up, along with housemates Laurel, a Vietnamese-American maker of gourmet soups for local restaurants, and two housepainters—essentially interchangeable postcollege jocks—whom he refers to as Nit and Nat. But everything changes when Sylvia, the former girlfriend he's loved since high school, heads to drug rehab, saddling Howard with Ryan, her taciturn nine-year-old son. What happens over the course of the next couple hundred pages will not surprise readers—slowly, Nit and Nat learn responsibility, Laurel discovers her maternal side, Ryan opens up and Howie learns about life and love amid school concerts and Little League games—but it is lovingly rendered in careful, steady prose. Like Michael Cunningham's A Home at the End of the World, the novel explores familial bonds arising between people with no blood ties, and if the novel lingers too long on its notes, thematic and otherwise—Howard often ruminates on the nature of his injury and the things he'd say if he could; his days vary little—it does so with poise and heart. Drama arises with Sylvia's return and Howard nearly loses it, but life and healing are now forever possible.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
King's compelling, compassionate debut revolves around Howie, who suffered a head injury in Vietnam and now can neither speak nor write. When Sylvia, an old girlfriend, asks Howie to care for Ryan, her nine-year-old biracial son, while she goes to a nearby detox center, Howie is initially overwhelmed by his new responsibilities but gradually falls into the role of father: making healthy breakfasts, listening to hip-hop, and signing Ryan up for a Little League team and even filling in as umpire. Howie and his three housemates proudly attend Ryan's end-of-the-year school program, and as the summer progresses, Howie dreads Sylvia's emergence from rehab--he can barely remember life before Ryan. Since his injury Howie has gradually withdrawn from all human contact except for the nuns at the convent where he mows the lawn and his stalwart group of housemates. Caring for Ryan has opened him up again to joy and sorrow, frustration and small accomplishments. The reader is drawn into Howie's world and roots for him with every first step he takes. Deborah Donovan
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Book Description
Peel back the made-for-TV-movie premise of Dave King's The Ha-Ha and you'll find a shrewd, engrossing, and occasionally gritty first novel in the tradition of Jane Smiley. Howard is a brain-damaged Vietnam vet who can't speak or write, but who has managed to establish a reasonably good life in his small Midwestern hometown. In fact, Howard's chief limitation isn't his silence but his lingering romantic attachment to his high school girlfriend, Sylvia, now the drug-addicted single mother of a nine-year-old boy named Ryan (not Howard's child). Accustomed to Howard's devotion--and equally accustomed to rejecting his love, like a campfire she pees on again and again--Sylvia more or less dumps Ryan on him when she is forced to enter rehab. Yes, the handicapped vet must forge a relationship with the sullen fatherless boy. With material as Hallmark-tinged like this, it's only through vivid, honest, and far from syrupy characterization that King keeps sentimentality at bay.You can predict what happens when the gruff Howard begins to coach Little League (aw, shucks), but not his ferocious reaction to Sylvia's eventual betrayal.A skillful debut with several surprises. --Regina Marler
About the Author
Dave King holds a BFA in painting and film from Cooper Union and an MFA in writing from Columbia University. He has been published in The Paris Review and Big City Lit, and he has been nominated for a Pushcart Prize. He lives in New York.
--This text refers to the
Paperback
edition.
From AudioFile
Both tough and sweet, this debut novel concerns a brain-damaged Vietnam vet who loves a coke-head single mother with whom he once had a drug-soaked affair. To this day, though he's clean and sober, he still can't say no to her. So when she's hauled off to rehab, he accepts care of her 9-year-old. Of course, what follows becomes a life-altering experience. Maybe he can barely speak, maybe he sound like an idiot, but he has no trouble articulately telling his story with, thank goodness, a sense of humor. The fine stage and screen actor Terry Kinney gives voice to our hero--a dull one unfortunately. Kinney merely recites the words, getting the phrasing right, but expressing few values and little energy. He comes to life only during the more dramatic dialogue. Y.R. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine
--This text refers to an out of print or unavailable edition of this title.