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The Hard SF Renaissance [Paperback]

David G. Hartwell , Kathryn Cramer
4.2 out of 5 stars  See all reviews (4 customer reviews)
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Book Description

Oct 1 2003
Something exciting has been happening in modern SF. After decades of confusion, many of the field's best writers have been returning to the subgenre called, roughly, "hard SF"-science fiction focused on science and technology, often with strong adventure plots. Now, World Fantasy Award-winning editors David G. Hartwell and Kathryn Cramer present an immense, authoritative anthology that maps the development and modern-day resurgence of this form, argues for its special virtues and present preeminence-and entertains us with some spectacular storytelling along the way.

Included are major stories by contemporary and classic names such as Poul Anderson, Stephen Baxter, Gregory Benford, Ben Bova, David Brin, Arthur C. Clarke, Hal Clement, Greg Egan, Joe Haldeman, Nancy Kress, Paul McAuley, Frederik Pohl, Alastair Reynolds, Kim Stanley Robinson, Robert J. Sawyer, Karl Schroeder, Charles Sheffield, Brian Stableford, Allen Steele, Bruce Sterling, Michael Swanwick, and Vernor Vinge.

The Hard SF Renaissance will be an anthology that SF readers return to for years to come.

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Edited by David G. Hartwell and Kathryn Cramer, The Hard SF Renaissance (2002) is a thematic sequel to their 1994 anthology The Ascent of Wonder. The first anthology argued that "[t]here has been a persistent viewpoint that hard [science fiction] is somehow the core and the center of the SF field." The Hard SF Renaissance asserts that hard SF has truly become the heart of the genre and supports its assertion by assembling nearly a thousand pages of short stories, novelettes, and novellas originally published between the late 1980s and early 2000s. A different theory says hard SF stories are engineering puzzles disguised as fiction; The Hard SF Renaissance repudiates this theory in regard to modern hard SF. Most of the selections have strong prose and rounded characters, several are classics, and gadget-driven clunkers are mercifully few.

Contributors to The Hard SF Renaissance range from SF gods like Poul Anderson, Arthur C. Clarke, and Frederik Pohl; to promising newcomers like Alastair Reynolds, Karl Schroeder, and Peter Watts; and to acclaimed SF writers not usually associated with hard SF, like James Patrick Kelley, Kim Stanley Robinson, Bruce Sterling, and Michael Swanwick.

You may have noticed the lack of women in that list. It reflects the book: the 30-odd contributors (some with two stories) include only three women (Nancy Kress, Joan Slonczewski, and Sarah Zettel, with one story each). Some eyebrow-elevating omissions are Eleanor Arnason, Catherine Asaro, Nicola Griffith, Ursula K. Le Guin, and Connie Willis, all of whom have written hard SF stories in the period covered by The Hard SF Renaissance. They've certainly written SF harder than the book's implicit definition (the book reprints Kim Stanley Robinson's fine story "Sexual Dimorphism," in which fossil DNA serves as a metaphor for the protagonist's failing relationship; a few cosmetic changes and this SF story would be mainstream). The absence of several crucial authors makes The Hard SF Renaissance a less-than-definitive anthology of late-20th-century hard SF. --Cynthia Ward --This text refers to an out of print or unavailable edition of this title.

From Library Journal

From Paul McAuley's tale of runaway technology ("Gene Wars") to Gregory Benford's story of evolution and murder ("Immersion"), the 41 stories in this annotated anthology provide a strong argument for the revival of hard sf as a major force in the genre in the 1990s. Showcasing short fiction by veteran sf authors like Kim Stanley Robinson, Joe Haldeman, Bruce Sterling, Nancy Kress, Ben Bova, and Arthur C. Clarke, the collection charts the emergence of trends in the genre. Primary among them are the movement away from a conservative, pro-military route and toward a more liberal-minded science, as well as the rising prominence of British and Australian authors. Each story is prefaced by brief commentaries that continue the arguments posited in the general introduction. For libraries wanting a definitive collection of hard sf written since 1990, this is a priority purchase. Highly recommended.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Most helpful customer reviews
5.0 out of 5 stars Hard SF of the `90s Defined and Demonstrated Feb 18 2013
By John M. Ford TOP 500 REVIEWER
Format:Paperback
This edited volume assembled by David Hartwell and Kathryn Cramer contains 41 "hard science fiction" stories sampled from the best writers of the 1990s. It stands alone as a collection, but is best seen as a continuation of their previous anthology, The Ascent of Wonder: The Evolution of Hard SF. Their similarly-themed Space Opera Renaissance is a logical next read.

My favorite stories are:

Greg Egan - Wang's Carpets. A new kind of life is both hard to detect and understand.
Robert Reed - Marrow. A long-term mission on a generation ship redefines long-term.
Joe Haldeman - For White Hill. Just another love story on home planet Earth.
Karl Schroeder - Halo. A fight-against-terrorism story with characters who never meet.
Vernor Vinge - Fast Times at Fairmont High - Convinces you to read--or not read--Rainbows End, depending on your taste.
Sarah Zettel - Kinds of Strangers. How do marooned astronauts respond to stress?

This is a particularly good collection--there was not a single story I didn't like. SF readers should scan the table of contents before buying, however, since these stories have all appeared elsewhere. The book's preface and brief introductions to each story add significant value. They contain the usual author bios and pointers to other story collections, novels and series. Each intro also presents each author's definition of "hard SF" and excerpts informatively from the authors' own descriptions of their work. The editors' inclusive definition of hard SF as technology and concept-driven science fiction allows entry to an intriguing variety of stories and perspectives. The authors' definitions enrich this definition and teach us interesting lessons about the evolution of science fiction during the 1990s.

I recommend the book to science fiction readers who enjoy solid stories in this genre. I further recommend it to Kindle and iPhone users who want something good to read during the snippets of found time in their hectic schedules.
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5.0 out of 5 stars good way to learn more about SF Sep 5 2003
Format:Hardcover
Biographical information about the authors and their works is included before all of the stories. This information is a little more detailed than in Dozois' The Year's Best Science Fiction and gave me a little more of an idea about the personalties of the authors. I found this particularly helpful in regard to my future reading goals as I like to pick an author and read several stories or novels by that person. I read a library copy of the book but am tempted to buy it to keep as way to remember the names of the authors included and their works. There is also some discussion of trends, such as libertarian SF, which whetted my curiousity. On a radio program recently, I heard a current non-SF author say, "I read to learn about life." I am always surprised how much I learn about life in the worlds of SF.
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Format:Hardcover
A monumental anthology waith many of the best stories published in the last ten years, including many novellas not easily included in smaller anthologies.
Some particular favorites: "Reasons to be Cheerful" by Greg Egan. A young boy finds himself a little too happy with his life. He has a tumor in his brain that has the side effect of making him happy, even when faced with the news of his approaching death. He undergoes a radical new surgery, but afterward, can he ever be happy again?

"Into the Miranda Rift" by G. David Nordley. An exciting new variation on "Journey to the Center of the Earth," except here to journey is through the middle of Uranus' moon.
"Great Wall of Mars" by Alistair Reynolds. A pyrotechnic, breathtaking tour-de-force space opera from one of the most exiting new SF talents.
"Fast Times at Fairmont High" by Vernor Vinge envisions a near future where the junior high science projects of techno-savvy young students can have global repercussions.
"Understand" by Ted Chiang shows how deadly it can be to become smater than everyone else.
"Griffin's Egg" by Michael Swanwick is a captivating depiction of a future lunar society.
"Think Like a Dinosaur" by James Patrick Kelly is both a re-examination of the issues in Tom Godwin's classic "The Cold Equations," and a thoughtful examination into the implications of dealing with alien intelligences who have alien mores and priorities.
"Marrow" by Robert Reed. Humans living and traveling on a gargantuan alien-constructed starship populated by millions of beings invesigate a mystery deep in the center of their own ship, finding there a world stranger than any outside of the ship.
All the storoes in this book range from very good to excellent. There isn't a stinker in the bunch. A worthy addition to any science fiction bookshelf.

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