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Starred Review. In the Greek myth, Ariadne, the daughter of Minos of Crete, falls in love with Theseus and helps him kill the fearsome Minotaur, a half-bull, half-human monster trapped in the center of a vast labyrinth. Armed with the sword that she supplies and holding the end of a thread that marks his path, Theseus kills the beast and makes his way back out. As his addition to the Myths series, celebrated Russian novelist Pelevin creates a brilliant new telling of the myth: a group of strangers find themselves in a modern-day labyrinth, trapped in identical rooms, given archetypal screen names and able to interact only through a chatroom thread begun by one "Ariadne." The figures who inhabit this doomed maze are drawn from many sources, for instance, "Romeo-y-Cohiba" and "IsoldA" both look for love, but are stymied when they try to find it with each other. All are haunted by the "Helmet of Horror," which is both the machine that controls their destiny and the mind that creates the machine, and there is no Theseus to save them. Pelevin has updated this myth in an absurd and terrifying metaphysical consideration of the labyrinths in which we all find ourselves and the traps we willingly enter as we move through our lives. (Apr. 18)
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“As often with Pelevin, this book is a mixture of the witty, the brilliant and the barking mad.”
—The Daily Telegraph (UK)
“[I]magine Douglas Coupland successfully channeling Samuel Beckett and Philip K. Dick while trading set-pieces with Kurt Vonnegut and Nikolai Gogol. . . . [Victor] Pelevin is the foremost fiction writer to have emerged in Russia since the collapse of communism and the rise of post-Soviet consumer capitalism.”
—The Globe and Mail
“A brilliant, post-modern, eclectic vision of myth, mind and meaning. And of the human dilemma and its horns, ancient and modern.”
—The Times (London)
“At times The Helmet of Horror is as much of a maze as the ones Pelevin’s characters are trapped in, a hall of mirrors that, once entered, is hard to escape from.”
—Sunday Herald (UK)