For the most part, The Hundred Brothers skates along on the strength of its comic ingenuity. Yet Antrim has some serious points to make about masculine pride, vanity, and terror--not by invoking them directly, but by inflating them to monstrous (and mirthful) proportions. And the narrator's comments about his rampaging kin often have a larger, melancholic resonance to them. Indeed, when he points out "the complexities of our interdependence and the sorry indignities that pass as currency between us in lieu of gentler tender," he might be talking about any family--even one in the single-digit range.
I've already written a review for this novel. Please delete this review.Published on June 26 2004 by Montese C.
What do you do when you can not write in depth about a subject or at least you can not depend on language to carry your work? Read morePublished on Feb. 20 2004 by Adam Hardin
Donald Antrim is profoundly original, as he continues to take the novel to a new place in literature. Not always a easy read but always fun and full of insights. Read morePublished on Nov. 23 2001 by Kim F. Hill
If this is what post-modern lit is all about, I'd rather be a pre-classicist. This book is essentially one big chapter about a hundred brothers reuniting for a dinner. Read morePublished on Oct. 31 2001 by Sai Li
Of fraternity, perhaps familial goings-on, is theme of book, of "The Hundred Brothers," two possible thematic streams exploding from literary epicenter of Antrim's... Read morePublished on Nov. 28 2000