“Rich…impassioned…engrossing…Politics and art dominate the novel, and their overt, unapologetic connection is refreshing.” (Chicago Tribune)
“Masterful…a reader receives the great gift of entering not one but several worlds…The final pages haunt me still.” (San Francisco Chronicle Book Review)
“Compelling…Kingsolver’s descriptions of life in Mexico City burst with sensory detailthick sweet breads, vividly painted walls, the lovely white feet of an unattainable love.” (The New Yorker)
“A work that is often close to magic.... Much research underlies this complex weaving...but the work is lofted by lyric prose.” (Denver Post)
“Shepherd’s story in Kingsolver’s accomplished literary hands is so seductive, the prose so elegant, the architecture of the novel so imaginative, it becomes hard to peel away from the book” (Pittsburgh Post-Gazette)
“[Kingsolver’s] playful pastiche brings to vivid life the culture wars of an earlier era...” (Vogue)
“...True and riveting...Barbara Kingsolver has invented a wondrous filling here, sweeter and thicker than pan dulce, spicy as the hottest Mexican chiles, paranoid as the American government hunting Communists ” (Philadelphia Inquirer)
“A sweeping mural of sensory delights and stimulating ideas about art, government, identity and history…Readers will feel the sting of connection between then and now.” (Seattle Times)
“A sweeping narrative of utopian dreams and political reality…A stirring novel…intimate and pitch-perfect.” (San Diego Union-Tribune)
“Kingsolver deftly combines real history and the life of the fictional protagonist…A sweeping tale.” (Atlanta Journal-Constitution)
“The most mature and ambitious [novel] she’s written…An absorbing portrayal of American life…A rich novel [with] a large, colorful canvas…A tender story about a thoughtful man.” (Washington Post)
“A lavishly gifted writer... Kingsolver [has a] wonderful ear for the quirks of human repartee. The Lacuna is richly spiked with period language... This book grabs at the heartstrings...” (Los Angeles Times)
“Breathtaking...dazzling...The Lacuna can be enjoyed sheerly for the music of its passages on nature, archaeology, food and friendship; or for its portraits of real and invented people...But the fuller value...lies in its call to conscience and connection.” (New York Times Book Review)
“The novel achieves a rare dramatic power...Kingsolver masterfully resurrects a dark period in American history with the assured hand of a true literary artist.” (Publishers Weekly (starred review))
“[Kingsolver] hasn’t lost her touch...she delivers her signature blend of exotic locale, political backdrop and immediately engaging story line...teems with dark beauty.” (People)
“[Kingsolver] stirs the real with the imagined to produce a breathtakingly ambitious book, bold and rich…hopeful, political and artistic. The Lacuna fills a lacuna with powerfully imagined social history (Kansas City Star)
--This text refers to the
From the Mexico City of Frida Kahlo to the America of J. Edgar Hoover, The Lacuna tells the poignant story of a man pulled between two nations.
Born in the United States, but reared in Mexico, Harrison Shepherd finds precarious shelter but no sense of home on his thrilling odyssey. Life is whatever he learns from housekeepers and, one fateful day, by mixing plaster for famed muralist Diego Rivera. When he goes to work for Rivera, his wife, exotic artist Kahlo, and exiled leader Lev Trotsky, Shepherd inadvertently casts his lot with art and revolution.
Meanwhile, the United States has embraced the internationalist goodwill of World War II. Back in the land of his birth, Shepherd seeks to remake himself in America’s hopeful image and claim a voice of his own. But political winds continue to toss him between north and south in a plot that turns many times on the unspeakable breach—the lacuna—between truth and public presumption.