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The Last Camel Died at Noon Mass Market Paperback – Oct 1 1992


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Product Details

  • Mass Market Paperback: 448 pages
  • Publisher: Grand Central Publishing (Oct. 1 1992)
  • Language: English
  • ISBN-10: 0446363383
  • ISBN-13: 978-0446363389
  • Product Dimensions: 11.4 x 3.2 x 17.1 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Bestsellers Rank: #471,531 in Books (See Top 100 in Books)

Product Description

From Publishers Weekly

If Indiana Jones were female, a wife and mother who lived in Victorian times, he would be Amelia Peabody Emerson, an archeologist whose extraordinary adventures are guaranteed entertainment. This time Amelia, her handsome, fearless husband, Radcliffe, and their precocious 11-year-old son, Ramses, are in the Sudan, searching for archeologist Willoughby Forth, who disappeared 14 years earlier with his new wife. Rescued in the desert after every camel in their caravan dies, the Emersons are taken to a lost city where ancient Egyptian customs have been carried into modern times. There, entangled in two half-brothers' battle for the throne, Amelia and family fight for the freedom of the slave class while ferreting out the fate of Forth and his bride, and arranging to escape with their lives. Peters ( The Deeds of the Disturber ), who also writes as Barbara Michaels, laces her usual intricate plotting with Amelia's commonsense approach to hygiene and manners, and coyly delicate references to vigorously enjoyed connubial pleasures. Combining a fierce affection for her family with indefatigable independence, stalwart Amelia proves once again an immensely likable heroine. 35,000 first printing; Mystery Guild selection; Literary Guild and Doubleday Book Club alternate.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

YA-- Another interest-holding and humorously told Amelia Peabody Victorian suspense tale. It's absurd to believe that an archaeologist missing for years is still alive, but the mysterious plea for help, written on ancient papyrus, appeals to this Egyptologist and her husband. Traveling across the desert in search of Willoughby Forth and his bride is a danger that increases as the camels die and native porters flee with the supplies. YAs who relish a good mystery and detailed storytelling will enjoy this one. The foreign settings of Egypt, Sudan, and England add to the pleasure. --Linda Vretos, West Springfield High School, Springfield, VA
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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By Donald Mitchell #1 HALL OF FAMETOP 50 REVIEWER on June 18 2004
Format: Mass Market Paperback
One of the great traditions of adventure novels has been to take "civilized" people into hidden places where primitive people live a different way. In the process, readers learn a lot about themselves and the ways that "civilization" needs to be improved. Lost Horizons is one of the most famous of such stories. In an earlier time, H. Rider Haggard wrote his remarkable book, She, in this genre which seems to have been a direct inspiration for The Last Camel Died at Noon based on comments by the author in the acknowledgments and the book's story. But if you know "She," you will not necessarily be able to anticipate what happens in this story.
If you have read no other books in this series, I suggest that you move back to the beginning in The Crocodile on the Sandbank and read the four subsequent novels before reading this one. The books build on one another, and deserve sequential reading for the most pleasure and understanding.
Amelia Peabody, her husband Emerson and their son Ramses are among the most distinctive and entertaining characters to ever populate a historical mystery novel, and they are as delightful as possible in playing their assigned roles in The Last Camel Died at Noon.
The Emersons find themselves drawn to the Sudan in an unusual adventure. Progress by British troops has reopened such of the historical sites, and the Emersons race behind the sloppy Budge to record what they find there. While planning the trip, they are importuned to help search for the lost explorer, Willoughby Forth, and his new bride, who have not been seen since they left on a trip into the Sudan fourteen years earlier. While in the Sudan, the Emersons find evidence that perhaps it may be possible to find the Forths.
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By drdebs on June 17 2000
Format: Mass Market Paperback
In this engaging mystery Amelia Peabody Emerson, her husband Radcliffe, and their son "Ramses" journey once more to Egypt in search of artifacts and adventure, armed with a mysterious map and a commission from an English aristocrat to search for his long lost son and his wife. As in all Peabody mysteries, these goals intertwine with complexity and speed.
Elizabeth Peters here gives a nod to the romantic adventure stories of the late nineteenth century (such as She, by Rider Haggard) when the Peabody-Emerson caravan begins to suffer from the mysterious deaths of their camels. When all looks dark and desperate, the group are rescued and whisked off to a fabulous Shangrila where the ancient rites of Egypt are still practiced. By the end the Emerson's have solved the mystery of the missing nobleman and his wife, have amassed quite a collection of artifacts for study, and Ramses is suffering from a bad case of puppy love for Nefret, who returns with them to England.
This is the first story to feature Nefret, and fans of the later books will like to read how she enters the story. If you enjoyed Romancing the Stone (a similar tale with elements of late 19th century adventure) and have never tried the Amelia Peabody mysteries, this would be a great place to start!
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Format: Mass Market Paperback
I collect the Amelia Peabody books faithfully. Often I don't read them at once, but wait for a few to accumulate and settle down for an enjoyable interlude with Peabody, her redoubtable husband Emerson, and their son, Ramses. I've had this book for quite some time (four more have been published since its release), and was only sorry that I'd waited to read it. Surely this is the best Peabody yet. The book is a send up of the Haggard novels, King Solomon's Mine and SHE, complete with erudite and noble natives, riots, wars, ancient mysteries, improbable situations and the incomparable Amelia and her belt with things that she's sure that she'll need, attached, including a revolver, sewing kit, knife, compass, and mini-surgery kit. Peabody's companions are her husband, Emerson, who has a meteoric temper but considers himself a mild fellow (the natives call him the Father of Curses) and their son, called Ramses (who inherited this name because his young profile resembled that great Pharoah, complete with 'rather largish features'). In this installment, they're off to search for a missing Englishman and his bride, who have been missing for 14 years. Their camels mysteriously die and it looks as though they will, too, but then, things really get interesting. Nothing compares with the humor in this series and although you may find yourself thinking that the language is a little too like a Bronte novel to suit you, you'll more regularly find that you've awakened your sleeping spouse, again, by laughing too hard. All of the main characters are admirable, certainly people you'd like to meet - that luncheon engagement would surely be riotous. Run out now, buy this book, and settle in for several hours of pure fun.
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Format: Mass Market Paperback
The Amelia Peabody series, of which this is the 6th, is one of my favorites in mystery fiction. By all means, if you haven't already done so, begin with the first book of the series, Crocodile on the Sandbank. This one, The Last Camel ..., is a little different from the previous five mysteries. This is an adventure story in the tradition of H. Rider Haggard, set in one of Earth's unexplored corners, the deserts of Sudan. Giving us a change of pace, as well as introducing a new character, who (I assume) will be important in succeeding volumes, this installment is not to be missed by Peabody fans. With regret, however, I felt that some of the touches that added to the delight of the previous volumes became a bit stale in this one, such as Amelia's admiration of Emerson's physique and her often repeated coy Victorian references to bedtime activities. At 10, Ramses seems hardly older than he was at a precocious seven. Even so, I can't wait to find out what happens next.
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