Lynn Schulman brings her husband and children back to the peaceful New York suburb she escaped after high school to get away from the post 9/11 dangers of city life. But when the headless body of her oldest friend turns up in the river and the cop who investigates turns out to be an old boyfriend still seething at her betrayal of their adolescent romance, her safe haven turns out to be as sinister and threatening as the mean streets she left behind. Mike Fallon hasn't forgotten her--as his own life spirals down into personal failure and professional ruin, he focuses his attention on recapturing the girl who got away and the dreams that went with her. Blauner is a skillful writer who manages with a few quick brushstrokes to capture both the placidly calm exterior of a small suburban town and the dark secrets that seethe beneath it. Good plotting, nicely drawn characters, and a deft hand with the narrative drive this solid thriller to the last page.--Jane Adams
From Publishers Weekly
You know you're in the 'burbs when a cop's epitaph for a murdered local drug dealer is, "Man, he was an asshole, but he had a beautiful lawn." In his fifth novel, Edgar-winner Blauner (The Intruder, etc.) imagines an idyllic suburb up the Hudson River from Manhattan, full of karate moms and commuter dads; in the shadow of September 11, he peels away the affluent veneer and exposes the roiling class tensions and frustrated ambitions beneath. The decapitated corpse of a local housewife is spotted floating in the water by commuters waiting for the inbound 7:46, including Barry Schulman, counsel for a start-up pharmaceutical company now teetering on the brink. Barry's wife, Lynn, a mother who's had to relegate her passion for photography to a hobby for the kids' sake, was the victim's best friend. To her horror, the investigating officer, Michael Fallon, has had his long-dormant passion for Lynn awakened by the case. Fallon, a struggling blue-collar nth-generation Irish-American cop, has dark secrets to hide concerning his prior involvements with both Lynn and the victim, which in turn necessitates his withholding information from his "former best friend" (now the town's first black police chief) Harold Baltimore so as to keep his prying rival, "a pugnacious Puerto Rican" named Paco Ortiz, from making Fallon the prime suspect. Harold, Lynn, Michael and the victim all went to school together, and the uneasy tensions arising from their uneven rises to various stations in life fuels a dangerously explosive tinderbox of resentment. Readers who can follow Blauner's intricate plot will be well rewarded, but only at the very end-no giveaways here.
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