27 of 29 people found the following review helpful
4.0 out of 5 stars
Love and deception in 1920s Paris, Dec 1 2011
By Alan A. Elsner "Alan Elsner, author" - Published on Amazon.com
This review is from: The Last Nude (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
This book depicts the life of Russian-born artist Tamara de Lempicka through the eyes of one of her models, the lush and sensuous Rafaela Fano.
I was unfamiliar with the life and works of de Lempicka and after reading this enjoyable novel, I did some reading. She comes across in the brief biographies I read as a rather nasty piece of work, and it is to the author's credit that she makes a great effort to explain, if not justify, some of her subject's more egregious acts. She also hewed pretty closely to the known facts -- while allowing her imagination free rein in the character of Rafaela, the narrator of the novel.
The author invents a convincing back story for Rafaela, half-Jewish, half Catholic, forced to leave her mother and step-father's New York home at age 15, running away from an arranged marriage in Sicily and finding herself in Paris trying to claw together a living by whatever means necessary.
Rafaela meets Tamara who is struck by her sensuality and finds her an irresistible subject. The two fall in lust and then in love -- but the naive Rafaela is no match for the complex and subtle Tamara who is playing a double and maybe a triple game.
The author displays considerable cleverness in introducing various real-live characters from the demi-monde of Paris in this "Moveable Feast" era, including a character half based on Hemingway and half on one of his characters from "The Sun Also Rises."
The depiction of the era and the main characters is first-rate and the book turns out to be an absorbing read. I even believed in Tamara's genius -- until I actually saw her pictures which are definitely not my cup of tea.
I'm giving this book four stars because I think the last section of the book, in which we jump forward many decades to Tamara's final days, is not up to the standard of the rest. There's something a little too facile at the way the artist looks back on her brief but tumultuous acquaintance with Rafaela and draws devastating conclusions about her life.
In the end, fictionalizing a real person is a hit-or-miss affair. This is perhaps a version of Tamara's life -- but is it real? How can we know? How can anyone know?
20 of 21 people found the following review helpful
5.0 out of 5 stars
Brilliantly Written, But Dark Story, Nov 30 2011
By Reader from Washington, DC/New York "Reader" - Published on Amazon.com
This review is from: The Last Nude (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
I had mixed feelings about "The Last Nude." It is an absorbing story, in which the little we know about a real life affair between famous painter Tamara de Lempicka and her model, Rafaela, is expanded into an fascinating story about a love affair in Roaring Twenties Parisian art and literary circles.
The novel touches on many themes -- unequal relationships in which one person holds too much power, the intrigue and drama of the art world, the nature of an artist's vocation, the effect of an artist's vocation on her family, friends and loved ones, the question of limits in exploiting others for the sake of one's art -- and more themes beyond that.
The characters, both primary and secondary, are well-developed, the plot grips you until the last page, the historical research is extensive and for the most part accurate. So why didn't I like this book? I normally love stories about writers and artists.
My problem -- you may not have this problem -- is that Tamara de Lempicka, the painter, is depicted as such a selfish jerk -- and this is apparently based on accurate historical research -- that I just didn't care what happened to her. That is a problem in a love story where Tamara is one of the two primary characters. Rafaela was wonderful -- sweet, courageous and struggling to hold her own against an older, more powerful and unscrupulous lover, as she tries to define who she herself is and what career she should follow.
Expect a fascinating but very dark story of love and betrayal.
6 of 6 people found the following review helpful
5.0 out of 5 stars
Reimagining the Nude, Jan 5 2012
By CO - Published on Amazon.com
This review is from: The Last Nude (Hardcover)
For me as an art historian, THE LAST NUDE is as wonderful as it is rare. In telling the story of the fabulous 1920s painter Tamara de Lempicka and the model for her most famous paintings, the author, whom I know, pulls out the stops in ways so surprising that I wrote a review intended for NPR. Here's an excerpt: "I love how Ellis Avery's THE LAST NUDE bedevils the usual conventions of the great male artist and his model....In Avery's reimagining, in which painter and model are both female, and both beautiful, things heat up differently and the viewer--here, the reader--is deliciously caught up in the crossfire. The pleasures the author evokes in jewel-like prose are all so luscious that we, like de Lempicka's obsessed male collectors, can't decide what we want more: the artist, the model, or the paintings themselves."