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The Last Summer of You and Me
 
 

The Last Summer of You and Me [Hardcover]

Ann Brashares
3.7 out of 5 stars  See all reviews (7 customer reviews)

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Product Description

From Publishers Weekly

The Sisterhood of the Traveling Pants author delivers her first novel for adults, a treacly tale about the tribulations a trio of longtime friends encounter. For as long as she can remember, 21-year-old Alice has spent summers on Fire Island with her parents and older sister, Riley. Riley, 24, is a beach lifeguard, more boyish in both looks and spirit than sweet, feminine Alice. An island neighbor and Riley's best friend, Paul, whose father is dead and mother mostly absent, returns to the island after two years away and must decide whether to sell his family's house there. More importantly, he and Alice finally act on an attraction they've felt for years, but they keep their frequent nuzzling quiet so as not to hurt Riley. Riley, meanwhile, has her own problems that could ruin Alice and Paul's clandestine romance and just about everything else. Brashares's YA roots are on display: the girls and Paul act like high school kids (Riley threatens to move out of the house unless everyone butts out; Paul and Alice are stricken with the most saccharine of puppy love), and anything below the surface is left untouched. It's a beach read, for sure, but a mediocre one. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Book Description

From the author of the multimillion-copy, #1 bestselling series The Sisterhood of the Traveling Pants comes a heartbreaking first adult novel.

Ann Brashares's series, The Sisterhood of the Traveling Pants, has made her one of the most successful contemporary authors, shipping more than 8 million copies over the last five years and winning even more millions of passionate fans. Now, like Judy Blume (Summer Sisters) before her, Brashares turns her spectacular gifts to adult readers. In The Last Summer (of You and Me), Brashares uses her remarkable storytelling, emotional insights, and talent for capturing relationships to weave a rich, textured, mature novel that will resonate as clearly with readers in their forties as in their twenties.

Set on Long Island's Fire Island, The Last Summer (of You and Me) is an enchanting, heartrending page- turner about sisterhood, friendship, love, loss, and growing up. It is the story of a beach community friendship triangle-Riley and Alice, two sisters in their twenties, and Paul, the young man they've grown up with-and what happens one summer when budding love, sexual curiosity, a sudden serious illness, and a deep secret all collide, launching the friends into an adult world from which their summer haven can no longer protect them.

As wise, compelling, and endearing as her Traveling Pants series, and as lyrical, thoughtful, and moving as the best literary women's fiction, this novel is sure to win an entire new generation of adult fans.

--This text refers to the Paperback edition.

About the Author

Ann Brashares is the author of the phenomenal five-million-copies-selling series of young adult novels, The Sisterhood of the Traveling Pants, The Second Summer of the Sisterhood, Girls In Pants, and Forever in Blue, and the New York Times bestselling adult novel The Last Summer (of You and Me).
--This text refers to the Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.

One

Waiting

Alice waited for Paul on the ferry dock. He’d left a crackly message on the answering machine saying he’d be coming in on the afternoon boat. That was like him. He couldn’t say the 1:20 or the 3:55. She’d spent too long staring at the ferry schedule, trying to divine his meaning.

With some amount of self-hatred, Alice had first walked out onto the dock for the 1:20, knowing he wouldn’t be on it. She’d looked only vaguely at the faces as they emerged from the boat, assuring herself she wasn’t expecting anything. She’d sat with her bare feet on the bench at the periphery, her book resting on her knees so she wouldn’t have to interact with anyone. I know you’re not going to be on it, so don’t think I think you are, she’d told the Paul who lived in her mind. Even there, under her presumed control, he was teasing and unpredictable.

For the 3:55, she put Vaseline on her lips and brushed her hair. The boat after that wasn’t until 6:10, and though Paul could miss the so-called afternoon ferry, he couldn’t call 6:10 the afternoon.

How often she did attempt to process his thoughts in her mind. She took his opinions too seriously, remembered them long after she suspected he’d forgotten them.

It was one thing, trying to think his thoughts when he was close by, his words offering clues, corrections, and confirmations by the hour. But three years of silence made for complex interpolations. It made it harder, and in another way it made it easier. She was freer with his thoughts. She made them her own, thought them to her liking.

He had missed two summers. She couldn’t imagine how he could do that. Without him, they had been shadow seasons. Feelings were felt thinly, there and then gone. Memories were not made. There was nothing new in sitting on this dock, on this or that wooden bench, watching for his boat to come. In some ways, she was always waiting for him.

She couldn’t picture his face when he was gone. Every summer he came back wearing his same face that she could not remember.

Absently, she saw the people on the dock who came, went, and waited. She waved to people she knew, mostly her parents’ friends. She felt the wind blow the pounding sun off her shoulders. She slowly dug her thumbnail along a plank of the seat, provoking a splinter but caking up mold and disintegration instead.

When it came to waiting, Riley always had something else to do. Paul was Riley’s best friend. Alice knew Riley missed him, too, but she said she didn’t like waiting. Alice didn’t like it. Nobody did. But Alice was a younger sister. She didn’t have the idea of not doing things because you didn’t like them.

She watched for the ferry, the way it started out as a little white triangle across the bay. When it wasn’t there, she could hardly imagine it. It was never coming. And then it appeared. It took shape quickly. It was always coming.

She stood. She couldn’t help it. She left her book on the bench with its paper cover fluttering open in the wind. Would this be him? Was he on there?

She let her hair out of its elastic. She stretched her tank top down over her hips. She wanted him to see all of her and also none of her. She wanted him to be dazzled by the bits and blinded to the whole. She wanted him to see her whole and not in pieces. She had hopes that were hard to satisfy.

Her legs bounced; her arms clutched her middle. She saw the approach of the middle-aged woman in a pink sarong who taught her mother’s yoga class.

“Who are you waiting for, Alice?”

Exposed as she was, the friendly question struck Alice as a cruelty.

“No one,” Alice lied awkwardly. The woman’s tanned face was as familiar to Alice as the wicker sofa on the screened porch, but that did not mean that Alice knew her name. She knew the lady’s poodle was named Albert and that her yoga class was heavy on the chanting. In a place like this, as a child you weren’t responsible for the names of grown-ups, though the grown-ups always knew yours. If you were a child, relationships here began asymmetrically, and there rarely came a specific opportunity for reevaluation. You bore the same age relationship to people here no matter how old you got.

The woman looked at Alice’s feet, which told the truth. If you were getting on the 3:55, you wore shoes.

Alice self-consciously straggled over to the freight area as though she had some purpose there. She didn’t lie easily, and doing it now conferred an unwanted intimacy. She preferred to save her lies for the people whose names she knew.

She couldn’t look at the boat. She sat back down on the bench, crossing her arms and her legs and bowing her head.

It was a small village on a small island with customs and rules all its own. “No keys, no wallet, no shoes” was the saying that expressed their summer way of life. There were no cars and—in the old days, at least—nobody locked their house. The single place of commerce was the Waterby market, mostly trading in candy and ice cream cones, where your name was your credit and they didn’t accept cash. Shoes meant you were coming, going, or playing tennis. Even at the yacht club. Even at parties. There was a community pride in having feet tough enough to withstand the splintering boardwalks. It’s not that you didn’t get splinters—you always did. You just shut up about it. Every kid knew that. At the end of each summer, the bottoms and sides of Alice’s feet were speckled black with old splinters. Eventually they disappeared; she was never quite sure where they went. “They are reabsorbed,” a knowledgeable seven-year-old named Sawyer Boyd told her once.

Everyone’s business came through this ferry dock, with rhythms and hierarchies unlike other places. You saw the people as they came and went and waited. You also saw their stuff piled on the dock until they loaded it onto their wagon and rolled it home. You knew what kind of toilet paper they bought. Alice still rated two-ply a luxury more subtle and telling than a person’s bag or shoes. You knew that the people with the Fairway bags and the paper products were getting off here in Waterby or in Saltaire. The people getting off in the town of Kismet always had beer.

Cars were conveyors of privacy. Without them, you lived a lot more of your life out in the open. Where you went, who you went with. Who you waited for at the ferry dock. Who you brushed your hair for. You were exposed here, but you were also safe.

The carlessness of the place had always appealed to certain utopian types, even shallow ones. “Get rid of cars and you get rid of global warming, oil wars in the Middle East, obesity, and most crime, too,” her father liked to say.

The ferry put an extra emphasis on coming and going. Adults went back and forth all the time, but there had been many summers when Alice and Riley had come and gone only once. They came with their pale skin, haircuts meant to last the summer, their tender feet, and their shyness. They left with brown, freckled, bitten skin; tangly hair; foot bottoms thick like tires; and familiarity verging on rudeness.

She remembered the hellos, and she remembered the good-byes even more. End-of-summer tradition dictated that whoever was last to leave the island saluted departing friends by jumping into the water as the good-bye ferry pulled away.

Now she heard the boat grinding up behind her. She loosened her arms and pressed her hands against the wood. She heard the slapping of the wake against the pilings as the boat came around. She untucked one leg and bounced her free heel on the plank in front of her.

Alice would have liked to do the arriving instead of the waiting. She would have rather done the leaving than the getting left, but that was never the way it happened. For some reason it was always Alice who waited and Alice who dove in.

The ferry was like a time capsule, in a way. A space capsule. It sent you and your fellow canvas-bag travelers through a wormhole, the same one every time.

Paul stood on the top deck in the wet wind as the monstrous coastal houses of Long Island’s south shore gave way to dark, briny water.

The thick feeling of the air began when you stepped onto the ferry. The stickiness over every surface. His hair blew around and he thought of Alice, fishing in her backpack for an elastic. He could picture her anchoring various things in her mouth as she braided her hair. He’d had short hair then, and though he admired her skill at braiding in wind—what boy wasn’t mystified by a braid?—he’d thought it was needless. Now his hair was long.

The first sighting was the Robert Moses obelisk, and second was the gangly lighthouse. Well, it wasn’t gangly really. In truth, this lighthouse set his standard for all others, and the others looked stout and dumpy by comparison. You loved what you knew. You couldn’t help it. He couldn’t, though he did try.

She would be there. If she was still Alice, she would be there. If Riley was still Riley, she would not be. He had called, so if Alice didn’t come, it would mean something. If she did come, it would mean something also. He wished he hadn’t called, in a way. The old staging unnerved him, but after all this time he couldn’t just sneak up on Alice.

He could imagine that she hadn’t checked the messages, but he knew Alice to be heartrendingly on top of the messages. As though she was always waiting for something good and some-thing bad.

Now the sweeter, older, coast of the island emerged, coughed up by the bay in time for his arrival. He discerned the wide, curling arm of the dock. He saw the figures on it. He knew Riley would be the same. By the letters she wrote him, he could tell she would look and sound the same. But the idea of a twenty-one-year-old Alice scared him.

...

--This text refers to the Paperback edition.
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