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The Leopard - Criterion Collection


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The Leopard - Criterion Collection + Ludwig [Import] + Death in Venice (Sous-titres franais) [Import]
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Product Details

  • Actors: Burt Lancaster, Alain Delon, Claudia Cardinale, Paolo Stoppa, Rina Morelli
  • Directors: Luchino Visconti
  • Writers: Luchino Visconti, Enrico Medioli, Giuseppe Tomasi di Lampedusa, Massimo Franciosa, Pasquale Festa Campanile
  • Producers: Goffredo Lombardo
  • Format: Anamorphic, Box set, Closed-captioned, Color, DVD-Video, Special Edition, Subtitled, Widescreen, NTSC
  • Language: English, Italian
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 3
  • MPAA Rating: PG
  • Studio: Criterion Collection
  • Release Date: June 15 2004
  • Run Time: 187 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (9 customer reviews)
  • ASIN: B00003CWQL
  • Amazon Bestsellers Rank: #70,346 in DVD (See Top 100 in DVD)

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4 of 4 people found the following review helpful By M. B. Alcat TOP 1000 REVIEWER on Jan. 4 2007
Format: DVD
"The Leopard" (1963), based on the novel of the same name written by Giuseppe Tomasi Di Lampedusa, is the best film I have seen this year. Directed by Luchino Visconti, this splendid Italian movie takes the spectator straight into late 19th century Italy, a time of social and political change, something "The Leopard" shows clearly and in a masterful way.

One of the main characters is Prince Don Fabrizio of Salina (Burt Lancaster), who realizes that he must do something, if he wants the House of Salina to remain powerful in a new world that is going to be dominated by the middle class, not the aristocracy. The answer comes to him in the form of his nephew Tancredi (Alain Delon), an ally of the new forces that says that "If we want things to stay as they are, things will have to change".

Prince Salina is bitter regarding the need for compromise ("We were the leopards, the lions, those who take our place will be jackals and sheep, and the whole lot of us - leopards, lions, jackals and sheep - will continue to think ourselves the salt of the earth"), but he recognizes the wisdom of the path Tancredi suggests, and supports him. What is more, Prince Salina also gives his blessing to Tancredi's decision to marry Angelica (Claudia Cardinali), an extremely beautiful and well-connected woman from the middle class. Of course, that doesn't sit well with Concetta (Lucilla Morlacchi), Tancredi's counsin, who has fallen thoroughly in love with him.

I would like to point out that there is a lot more to "The Leopard" than the plot I just outlined, for example the beautiful Sicilian scenery, the wonderful music, and the political connotations of several scenes. From my point of view, this is the kind of film you can enjoy, but also learn from. On the whole, highly recommended!

Belen Alcat
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9 of 10 people found the following review helpful By Cubist on June 17 2004
Format: DVD
Adapted from a novella by Giuseppe Tomasi di Lampedusa, The Leopard paints a vivid picture of the Italian aristocracy falling from grace and the middle class revolting to form a more democratic Italy on an epic canvas. Caught up in this class revolution is an affluent family led by the Prince of Salina, Don Fabrizio Corbera (Burt Lancaster). He recognizes that he is part of an obsolete generation and that his young nephew, Tancredi Falconeri (Alain Delon), and his beautiful fiancée, Angelica Sedara (Claudia Cardinale), represent the new order.
The first DVD features an audio commentary by film scholar Peter Cowie. He provides the backstory to Visconti's career leading up to The Leopard. Cowie talks at length about the film in relation to its source material. This is a strong, informative track that is an excellent introduction to the cinema of Visconti.
The second DVD starts off with a fantastic, hour-long documentary, entitled "A Dying Breed: The Making of the Leopard," that was created especially for the DVD. There are interviews with most of the surviving cast and crew, including Claudia Cardinale and the film's screenwriters.
This is an excellent look at The Leopard from the origins of the novel to the film's botched U.S. version that truncated Visconti's vision and was re-dubbed with English-speaking actors.
There is also a "Goffredo Lombardo Interview" with the producer of The Leopard.
"The History of Risorgimento" examines the real historical figures and the times they lived in with the professor of Italian Studies at the University of Pennsylvania, Millicent Marcus. This is a really good primer for anyone who is unfamiliar with this particular period of Italian history.
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8 of 9 people found the following review helpful By Carlos de Vasconcellos on Nov. 15 2003
Format: DVD
First of all we must separate Visconti's Il Gattopardo, all the 225 minutes of it, from the mess recut, recolored, re-dubbed by 20th Century Fox and distributed as a sort of Burt Lancaster vehicle.
I speak of the original.
Under Count Lucchino Visconti di Modrone's direction and with the aid of 263 technicians, 4300 candles, 500 pairs of white gloves, 5113 costumes, real food, wine, 6 tailors with 56 seamsters, a laundry service, 4 bootmakers and 644 meters of track on which three cameras rolled, Burt Lancaster, Rina Morelli, Alain Delon, Claudia Cardinale and other magnificent actors transport us to a time of revolutonary change, destruction and renewal in Sicily, 1860.
Neither opulence nor poverty become so obtrusive that we forget what is going on with the Prince of Salina. The sets are magnificent: the villa at San Lorenzo is in real life Villa Boscogrande and the palazzo of the Princes Ponteleone where the great 44 1/2 minute ballroom scene takes place is none other than Palazzo Gangi in Palermo.
Amid all this splendor Prince Salina, the Leopard, senses the end of his world, of his own class. Actually he contributes to it by encouraging his penniless but charming nephew Tancredi (Delon) to marry the vulgar but extremely rich and beautiful Angelica, daughter of Calogero Sedara, one of the "up and coming" men of the post revolutionary world, a resident of the Prince's fief of Donnafugatta.
The Prince tries to make sense of this new world but the events leave a bitter taste in his mouth.
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