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When two local yokels rob the First Wisconsin Bank of Winosha, part-time teller and town librarian Turner Hastings seizes the opportunity to pull her own heist, dumping the contents of the bank president's safety deposit box into her purse before going on the run. No-nonsense FBI Special Agent John MacKinnon is on the case, though this pursuit proves to be more frolic-and-giggle than cloak-and-dagger. Turner isn't really a thief, she's just determined to prove that Calvin Hyman, the politically ambitious bank president, has been embezzling from the bank for years—and not, as Hyman has testified, her late uncle Rusty. Turner's days on the lam assume a Thelma and Louise quality—in which Louise is a rescued Great Dane—as she roams Wisconsin's back roads in a borrowed Chevy pickup, playing cat and mouse games with MacKinnon. Keeping touch by phone, the cop and crook become increasingly intrigued by each other; soon, however, the plucky librarian is in the sights of another, more dangerous opponent, and MacKinnon finds his professional demeanor slipping as his role shifts from man hunter to bodyguard. Lively humor, an enterprising heroine, creative plot twists and a nail-biting finale make Harper's debut a worthwhile romp. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
"Impressive, harrowing first novel...[Grace] narrates the book with panache - and a good dose of unreliability...Rogan writes viscerally about the desperate condition of the castaway...But it's her portrait of Grace, who is by turns astute, conniving, comic and affecting, that drive the book...As Rogan proves with this indelible character, there's a profound truth and even beauty in Grace's degree of self-loyalty."―Sarah Towers, New York Times Book Review
"In her assured debut, Rogan has written a layered and provocative tale of survival and impossible decisions. But her biggest achievement is the disarmingly demure yet fiercely shrewd Grace, a narrator as fascinating and unreliable as they come."―Stephan Lee, Entertainment Weekly
"Rogan has written an eerie, powerful debut you'll want to race through, but try to resist the urge. A slower read reveals a psychological depth that'll leave you thinking."―Helen Rogan, People
"[Grace Winter is] a gratifyingly complex character who narrates this dazzling psychological drama."―Wall Street Journal
"A superb first book...a cunning narrator...A psychological horror story...Rogan paints a vivid picture first of grimly necessary heartlessness...The Lifeboat is a tremendously fast-paced read...in a tantalizing turn, Rogan leaves it up to the reader to decide who deserves to walk the proverbial plank, stirring a diabolically fun internal debate. Rogan is a novelist on her maiden voyage, but she steers The Lifeboat with a remarkably assured hand."―Mary Pols, Time
"Rogan manages to distill this drama about what's right and wrong when the answer means life or death into a gripping, confident first novel...Other novels have examined the conscience and guilt of a survivor among the dead, but few tales are as thoughtful and compelling as this."―Christina Ianzito, Washington Post
"Beautifully constructed first novel...Rogan crafts a harrowing, suspenseful tale of survival...Grace is a bold and compelling creation, a female protagonist whose humanity is revealed not through her vulnerability but by a cool pragmatism that could have made her repugnant in the hands of a less skilled, sympathetic writer...The Lifeboat raises these forever fascinating questions without moral posturing or sentimentality."―Jocelyn McClurg, USA Today
"A detailed and chokingly graphic novel...Rogan's vivid, aching detail is delivered through Grace's voice. But something else comes through as well, and this, rather than the story itself, is the novel's undermining and deeply unsettling core...The story [Grace] feeds us is mesmerizing, unquestionably believable for the most part, yet poisoned even in its most casual details. But we don't know just where the poison lodges...Rogan has done something more complex. The veil remains; only hints come through; enough to leave the reader - intrigued, yes, and also frustrated - in doubt somewhere short of certainty. And indeed the writer has performed a fictional equivalent to a phenomenon in sub-atomic physics: that observing a phenomenon can make it slip away and alter."―Richard Eder, Boston Globe
"The Lifeboat is both an enthralling story of survival at sea and a novel that is satisfyingly concerned with the characters of its own storytelling...[The Lifeboat] bristles throughout with moral and historical dilemmas that arise from events in the text, and will provide argumentative fodder for book clubs...One hell of a debut."―Jonathan Raban, New York Review of Books
"Riveting...the narrative stays focused mostly on [Grace's] experience in the boat, the tension deliciously building as the passengers grow hungrier, thirstier, and more desperate."―Karen Holt, O, the Oprah Magazine
"Charlotte Rogan uses a deceptively simply narrative of shipwreck and survival to explore our all-too-human capacity for self-deception."―J. M. Coetzee
"The Lifeboat traps the reader in a story that is exciting at the literal level and brutally moving at the existential: I read it in one go."―Emma Donoghue, author of Room
"What a splendid book. . . . I can't imagine any reader who looks at the opening pages wanting to put the book down. . . . It's so refreshing to read a book that is ambitious and yet not tricksy, where the author seems to be in command of her material and really on top of her game. It's beautifully controlled and totally believable."―Hilary Mantel, author of Wolf Hall
"The Lifeboat is a spellbinding and beautifully written novel, one that will keep readers turning pages late into the night. This is storytelling at its best, and I was completely absorbed from beginning to end."―Tim O'Brien, author of The Things They Carried, In the Lake of the Woods, July, July
"The Lifeboat is a richly rewarding novel, psychologically acute and morally complex. It can and should be read on many levels, but it is first and foremost a harrowing tale of survival. And what an irresistible tale it is; terrifying, intense, and, like the ocean in which the shipwrecked characters are cast adrift, profound."―Valerie Martin, author of Property and The Confessions of Edward Day