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The Little Prince Audio CD – Audiobook, CD, Unabridged


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Product Details

  • Audio CD
  • Publisher: Bolinda Audio; Unabridged edition (Oct. 20 2011)
  • Language: English
  • ISBN-10: 1742677517
  • ISBN-13: 978-1742677514
  • Product Dimensions: 16.5 x 1.6 x 14 cm
  • Shipping Weight: 113 g
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (249 customer reviews)
  • Amazon Bestsellers Rank: #395,181 in Books (See Top 100 in Books)

Product Description

From Amazon

Antoine de Saint-Exupéry first published The Little Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little, well, prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.

The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy as Italo Calvino's Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There's the king, for example, who commands the Little Prince to function as a one-man (or one-boy) judiciary:

I have good reason to believe that there is an old rat living somewhere on my planet. I hear him at night. You could judge that old rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you'll pardon him each time for economy's sake. There's only one rat.
The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence. Yet his tale is ultimately a tender one--a heartfelt exposition of sadness and solitude, which never turns into Peter Pan-style treacle. Such delicacy of tone can present real headaches for a translator, and in her 1943 translation, Katherine Woods sometimes wandered off the mark, giving the text a slightly wooden or didactic accent. Happily, Richard Howard (who did a fine nip-and-tuck job on Stendhal's The Charterhouse of Parma in 1999) has streamlined and simplified to wonderful effect. The result is a new and improved version of an indestructible classic, which also restores the original artwork to full color. "Trying to be witty," we're told at one point, "leads to lying, more or less." But Saint-Exupéry's drawings offer a handy rebuttal: they're fresh, funny, and like the book itself, rigorously truthful. --James Marcus --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

YA-This new translation into "modern" English brings a classic tale into sharper focus for today's teens without sacrificing the beauty and simplicity of the author's writing, and the "restored" artwork has all the charm of the original drawings. What appears to be a simple tale of two lost souls-one, a pilot marooned in the desert next to his ditched plane; the other, a minuscule prince in self-imposed exile from an asteroid so small that he can watch the sunset 44 times a day-reveals itself as something far more complex. What appears to be a fairy tale for children opens like the petals of the Little Prince's flower into a fantasy that has lessons for all of us.
Molly Connally, Kings Park Library, Fairfax County, VA
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Customer Reviews

4.4 out of 5 stars

Most helpful customer reviews

16 of 16 people found the following review helpful By A Customer on July 3 2003
Format: Paperback
Please, people, do not waste your time on the Richard Howard translation. It is childish, simplified, and simply awful. I really think that Richard Howard took this phenomenal, amazing book and tried to make it as devoid of meaning as he could. The new translation is almost like how a five year old would tell it- small, small words and small, small ideas.
However- I had the Katharine Woods translation before I bought this one. Do not blame this new error on the author. The Katharine Woods translation is superb. Richard Howards- Not so much.
This review has nothing to do with the book, just its differing translations.
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11 of 11 people found the following review helpful By A Customer on Jan. 10 2004
Format: Paperback
If you would like to experience the Little Prince as the brilliant book it is, DO NOT READ THIS TRANSLATION! The translator obviously missed the key points that make this book the treasure it is. The "Matters of Consequence" phrase is changed throughout the story, completely destroying one of the main themes. Also, more complicated words have been replaced with simple words. Instead of elephants being very cumbersome they now take up a lot of space. Ack! Again, I DO NOT RECOMMEND THIS TRANSLATION! It is for silly grown ups who have forgotten what it is to be a child. Big words are okay, they help children learn. If we continue to over-simplify things, not only will we be robbing our children of a stronger education, we will have created a new form of literature that is boring for all. Long live the old version!!!
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5 of 5 people found the following review helpful By A Customer on Dec 21 2003
Format: Paperback
I have read the original French version and both English translations, and I must agree with those who say that Howard's translation is terrible. His version loses all the charm of the original work. As I was reading it, I already thought this new translation proved to be quite pointless, but then I came upon the passage concerning the picture of the baobabs. The original adjective used by Saint-Exupery was "grandiose," which holds basically the same meaning as it does in English. Woods translated this as "magnificent and impressive," but Howard! Oh, Howard replaced this with "big." I'm assuming he mistakenly read this word as "grand," which does mean big, but his proofreading should have caught that. The rest of his translation does not sink quite to this level, but it does not nearly match that of Woods. At least she managed to retain some of Saint-Exupery's magic.
I'm also offended that the publishers would try to replace Woods's classic translation with one that has language they consider to be more modern. Le Petit Prince was written in the 1940s with what would assumedly be French of the 1940s. Thus, wouldn't it make sense to keep it in English of the 1940s?
PLEASE do your best to find Woods's translation. Do not let Howard taint your image of The Little Prince! Beware of this new translation!
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4 of 4 people found the following review helpful By J.V. on Oct. 1 2003
Format: Paperback
This is a wonderful book in a disappointing new translation. "The Little Prince" is one of the most beautiful, wise and significant books I've ever read. Part of the deep appreciation I have long felt towards Antoine de Saint-Exupery for writing it has now emerged, for reading this new translation by Richard Howard, as an appreciation of Katherine Woods' inspiration and insight in her (1943) rendition of the story.
Publicity for the new (2000) translation criticises Woods' version as "slightly wooden or didactic." I think it could be said that, insofar as this is so, it is 'wood' with a living quality, a 'didacticism' with warmth, irony, understanding and humour, a care and gentleness lacking in Howard's version, which in comparison is rather metallic. It feels a bit of a shame that anyone would read a more mechanical interpretation when they could be reading the Woods version. It is saddening indeed to think that this new translation will actually replace Woods' in bookshops.
Howard's version being widely publicised as superior to me says far more about those standing to profit from sales than it does about the nature of The Little Prince. So I write this as a small appeal to you adults. " 'Children,' I say plainly, 'watch out for the baobabs!' " Endeavouring to advise, it is easy enough to slip into fooling oneself or others in some way. Mr. Howard's own assurance in his Translator's Note to the new version, that he has surpassed Ms Woods' rendition, runs notably foul.
(You may think this is just a matter of opinion. You may think I am being somewhat fussy. You will, perhaps, think like grown-ups on the issue!)
The Little Prince is about feeling; feeling and the relationship of our energy and capacity for this to our changing worlds of perception.
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4 of 4 people found the following review helpful By Gavin on July 9 2003
Format: Paperback
Although "The Little Prince" is one of my favorite books and I think everyone should go out (or stay in I suppose :)) and buy a copy, I too feel(see the other one star review below) that the new translation should not be that copy that you pick up. Do yourself a favor and track down a copy of the Katherine Woods version (which seems to have disappeared from stores since the new one came out). As an exaple, compare the line "if I had fifty-three minutes to spend as I liked, I should walk at my leisure toward a spring of fresh water" (Woods translation) to Howard's which goes: "[if I had fifty-three minutes...]I would walk towards a water fountain".
This translation (and this is characteristic of almost every passage in it)saps it of its wistful, bittersweet language, replacing it with sentences which are, frankly, boring as all get out. Howard's translation may or may not be closer to the original French wording, but it takes something I love very much and makes it stale and less magical than when I first read it. In my book, that reads: "Bad Translation".
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