From Publishers Weekly
Connelly won the Governor General's Award for Nonfiction with
Dream of a Thousand Lives: A Sojourn in Thailand, and her debut novel revisits Southeast Asia to soulful effect. Imprisoned in a mid-'90s Rangoon gulag, dissident singer/songwriter Teza stalks and eats the acrobatic lizards that venture across his cell's ceiling at sundown. Senior jailer Nyunt Wai Oo angles for a promotion by scheming to plant contraband writing materials inside the celebrated Teza's cage. The plot backfires when Teza inadvertently passes the proscribed ballpoint to the illiterate, resourceful serving boy, Nyi Lay, who hoards the pen for dear life. As the entire prison is shaken down and Teza and Nyi Lay are tortured nearly to death, a bond of brotherhood develops between the lowly Nyi Lay and Teza. The gangster inmate on the ward, Tan-see Tiger, who oversees an in-house smuggling operation, completes the triangle; he and Teza realize that the only measure of liberation left to them lies in making sure Nyi Lay leaves the prison camp alive. A brutal exposé with harrowing descriptions of prison life and heavily spiritual overtones, Connelly's novel combines a thrillerlike pace with finely etched portraits that show how each character takes control of his own freedom.
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Review
“A brutal exposé with harrowing descriptions of prison life and heavily spiritual overtones, Connelly's novel combines a thriller-like pace with finely etched portraits that show how each character takes control of his own freedom.”
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Publisher’s Weekly “Connelly demonstrates the considerable gifts that won her the Governor General's Award in 1993 for
Touch the Dragon: A Thai Journal, and which set the stage for her emergence as one of Canada's most clear-eyed poets and travel writers. . . . [She] reminds me of Latin American writers and poets like Pablo Neruda, who wrote so eloquently about the ills of their homelands. Like these writers, too, Connelly finds beauty and kindness and the potential for redemption in the most unexpected places.”
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The Globe and Mail“
The Lizard Cage is ridiculously and beautifully cinematic…. Connelly is an exacting writer. She burrows into scenes and surroundings and returns with startling imagery. There are great moments in the book, strung together like honed passages in a collection of poetry.”
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Quill & Quire
“Connelly’s writing is fluid and well-paced, and her fictive prison world, set in the actual political hellhole that is present-day Burma, is as affecting as any UN statistical report about the conditions of life in that ruined country.”
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Edmonton Journal
Praise for Karen Connelly:"Karen Connelly has an enviable, somewhat disquieting ability to possess the spirit of a place. . . The unknown, the faraway, the endlessly strange spring to life in her work."
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Books in Canada"Hers is an authentic voice, the voice of a born poet intoxicated by language."
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Atlantic Books Today". . . a genius for framing the texture of daily life — the feel, the shape, the inner longing, the sounds — in language of sublime perfection."
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The Hamilton Spectator"Touch the Dragon is a splendid evocation of a place and a people that remain, for most of us, in dreams. Few can record such dreams — but Karen Connelly has done so."
—Timothy Findley
"Karen Connelly not only illuminates a society, but shows us, through the beauty, energy and humour of her language and imagery, how this strange place touched and changed her, allowing her to receive and understand a common humanity."
—Christopher Wiseman