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The Lord of the Rings: The Return of the King (Full Screen) (2 Discs)
 
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The Lord of the Rings: The Return of the King (Full Screen) (2 Discs)

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5.0 out of 5 stars  See all reviews (3 customer reviews)

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The greatest trilogy in film history comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes.

One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut.

And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. --David Horiuchi

Amazon.ca

Point final grandiose apporté à la trilogie du Seigneur des anneaux, débutée en 2000 par Peter Jackson, Le Retour du roi fait également partie des films les plus récompensés dans l’histoire des oscars. En effet, à l’instar de Ben Hur et de Titanic, cette œuvre épique a récolté 11 statuettes en 2004.

Les armées de Sauron assiègent Minas Tirith, capitale de Gondor. Aragorn trouvera-t-il le courage d’accomplir son destin en devenant roi de la cité et en menant les Hommes à la bataille, ralliés par les guerriers de Rohan, leur chef Théoden, et par Gandalf ? Bien que peu nombreuses, toutes les forces disponibles seront utilisées pour faire diversion et laisser Frodon accomplir l’ultime mission. Mais le valeureux Hobbit, accompagné par Sam et Gollum, saura-t-il trouver assez de force en lui pour détruire l’anneau maléfique ?

Malgré l’étirement quelque peu fastidieux du dénouement, force est de reconnaître que Peter Jackson exerce à son mieux, dans Le Retour du roi, ses qualités de cinéaste et de conteur. Mise en scène époustouflante, moments d’intensité frappants et scènes d’émotion poignantes, le film retransmet parfaitement toute l’ampleur du souffle de l’œuvre de J.R.R. Tolkien. Présenté sur un double DVD agrémenté de trois documentaires et de 6 featurettes expliquant bien les secrets de la réalisation et de la production, Le Retour du roi nous fait, en réalité, regretter que l’aventure soit déjà finie. – Helen Faradji


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5.0 out of 5 stars King returns, Mar 4 2007
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
This review is from: The Lord of the Rings: The Return of the King (Full Screen) (2 Discs) (DVD)
Peter Jackson's epic adaptation of "Lord of the Rings" reaches its pinnacle in "Return of the King." The stellar cast, mind-blowing special effects and heartbreaking script are all present in the third movie, which is not only the last of the "Lord of the Rings" films, but the best.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel...

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring...

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other. They cry, they hug, they think about home -- such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into equally rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins. Frodo's gradual deterioration is wrenching to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, rather than the follower. The final scenes between these two outstanding actors are beautiful and understated.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen gets more kingly every moment, while Ian McKellen balances action with grandfatherly wisdom. Bernard Hill has a quietly moving final scene, while Miranda Otto makes the despairing Eowyn a strong, kick-butt heroine.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
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5.0 out of 5 stars The journey ends, Jan 12 2008
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
Gandalf said it best: "I will not say: do not weep. For not all tears are an evil."

And it's of tempting to weep as the "Lord of the Rings" trilogy draws to a close, with the "Return of the King." Peter Jackson's brilliant adaptation ends the classic fantasy epic with a bang... but then quiets down to let us bid farewell to these lovable characters. Astounding direction, action, and a little pang when it's all over.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel on his own.

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring -- and its power over him is growing.

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

And in this movie, Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene is a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other, such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins -- it's hard to imagine any young actor in recent memory who has given a performance this wrenching. Frodo's deterioration is horrifying to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, demonstrated in a tearjerking scene as they scale Mount Doom.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen and McKellen are astounding as the kingly outcast and the kick-butt wizard, while Miranda Otto, David Wenham and Bernard Hill are brilliant on the sidelines.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


5.0 out of 5 stars The story ends, Dec 11 2007
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
Gandalf said it best: "I will not say: do not weep. For not all tears are an evil."

And it's of tempting to weep as the "Lord of the Rings" trilogy draws to a close, with the "Return of the King." Peter Jackson's brilliant adaptation ends the classic fantasy epic with a bang... but then quiets down to let us bid farewell to these lovable characters. Astounding direction, action, and a little pang when it's all over.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel on his own.

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring -- and its power over him is growing.

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

And in this movie, Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene is a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other, such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins -- it's hard to imagine any young actor in recent memory who has given a performance this wrenching. Frodo's deterioration is horrifying to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, demonstrated in a tearjerking scene as they scale Mount Doom.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen and McKellen are astounding as the kingly outcast and the kick-butt wizard, while Miranda Otto, David Wenham and Bernard Hill are brilliant on the sidelines.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
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