5.0 out of 5 stars
beautiful, April 23 2004
This review is from: The Lovers on the Bridge (DVD)
this movie is a complex love story with stunning visuals. there are a few scenes that really breathe scorcese, but most of the film feels very fresh and unlike anything else i've ever seen. the energy that this film possesses is breathtaking. definitely worth watching.
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5.0 out of 5 stars
Times 2 = 10 stars, Jan 28 2004
This review is from: The Lovers on the Bridge (DVD)
One of the most beautiful films ever made. Clear proof that Juliette Binoche is one of the (if not the) greatest actresses of the age. Lacking, perhaps, in subtext or moral complexity - absences which would ordinarily prevent me from branding a film a great work of art, the extraordinary beauty (which I confess brought me to tears during the fireworks sequence,) the brilliant acting, the homages (especially to L'Atlante,) the inexorable progression from despair to hope all lead me to the conclusion that this is one of the greatest films ever made.
I was fortunate enough to see this first in a theatre (the Walter Reed at Lincoln Center) so the full impact of the beauty of the film came through better than would be possible on a home system. However, I bought the DVD from Amazon UK several years ago and it is well worth owning.
Following Boy Meets Girl (very good) and Mauvais Sang (wonderful,) the followup to Lovers on the Bridge which was Pola X was staggeringly disappointing and undiciplined. Worth owning largely for Scott Walker's brilliant soundtrack I could only look at it aghast and wonder what happened.
There is nothing even scheduled by Carax in the new "improved"(?) Amazonified imdb. We can only hope that he returns with something even approaching having the sense of wonder and intensity of this masterpiece.
Not just worth owning, but utterly mandatory.
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5.0 out of 5 stars
carax at his finest, July 24 2002
By A Customer
this movie may come off as a simple love story, but let's face it, it's not. like most anything done by carax, it's more about film, and its semiological consequences, than anything else. this film, number three by carax, shows a strong truffaut influence, e.g. tirez sur le pianiste. though not as experimental as pola x, and not as indebted to godard as boy meets girl, there are clear tributes to vigo throughout. self-conscious, highly symbolic, intertextual. carax may be the finest director of his generation. just consider his very human treatment of lavant's character, for example. only truffaut, or maybe bresson, compares to that kind of characterization, though surely an ironic "realism" given the context of this film. all in all, this is a great achievement.
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