- Paperback: 233 pages
- Publisher: Society of Metaphysicians Ltd (Dec 31 1998)
- ISBN-10: 0787305898
- ISBN-13: 978-0787305895
- Product Dimensions: 20.8 x 14.6 x 1.4 cm
- Shipping Weight: 240 g
- Average Customer Review: 4.3 out of 5 stars See all reviews (11 customer reviews)
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Product Details |
Product Description
Book Description
In 1897, after spending five years at St Thomas's Hospital I passed the examinations which enabled me to practise medicine. While still a medical student I had published a novel called Liza of Lambeth which caused a mild sensation, and on the strength of
--This text refers to an alternate
Paperback
edition.
About the Author
W. Somerset Maugham was born in 1874 and lived in Paris until he was ten. He was educated at King's School, Canterbury, and at Heidelberg University. He afterwards walked the wards of St. Thomas's Hospital with a view to practice in medicine, but the success of his first novel, Liza of Lambeth (1897), won him over to letters. Something of his hospital experience is reflected, however, in the first of his masterpieces, Of Human Bondage (1915), and with The Moon and Sixpence (1919) his reputation as a novelist was assured.
--This text refers to an out of print or unavailable edition of this title.
His position as one of the most successful playwrights on the London stage was being consolidated simultaneously. His first play, A Man of Honour (1903), was followed by a procession of successes just before and after the First World War. (At one point only Bernard Shaw had more plays running at the same time in London.) His theatre career ended with Sheppey (1933).
His fame as a short-story writer began with The Trembling of a Leaf, sub-titled Little Stories of the South Sea Islands, in 1921, after which he published more than ten collections.
W. Somerset Maugham's general books are fewer in number. They include travel books, such as On a Chinese Screen (1922) and Don Fernando (1935), essays, criticism, and the self-revealing The Summing Up (1938) and A Writer's Notebook (1949).
W. Somerset Maugham became a Companion of Honour in 1954. He died in 1965.
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First Sentence
ARTHUR BURDON and Dr Porhoet walked in silence. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
ARTHUR BURDON and Dr Porhoet walked in silence. Read the first page
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Most helpful customer reviews
3.0 out of 5 stars
mysterious, interesting - but a bit too static characters,
By
This review is from: The Magician: Together with a Fragment of Autobiography (Paperback)
This is the story about a beautiful young girl named Margaret, her friend Susie and Arthur Burdon - Margareth's guardian and fiancée. They are in Paris, preparing the wedding of Arthur and Margaret, when they meet the strange Oliver Haddo. He is introduced to them by Dr Porhoët, a friend of Arthurs'. Haddo is an eccentric character who is deeply occupied with occult mysteries and perhaps has dark powers of his own (or is he joking?)Arthur and Margaret take an instant dislike to Haddo, and when he and Arthur become enemies, strange things begin to happen... Soon the sensible and rational Arthur finds himself in way over his head in mysteries, when he tries to save the woman he loves from a truly horrible fate! The story is interesting and haunting, but the characters are a bit too rigid for my taste, and - except for Haddo - without much nuance. I'm aware that the themes they represent are the main focus of the novel, but I would have liked more "3 dimensional" characters (again except for Haddo). The plot is well constructed and interesting, and the explorations of the dark arts and it's practises are fascinating! I won't reveal too much of the story here, as it takes some interesting twists and turns along the way! A nice read for a rainy day, if you like suspense and mystery mixed with love and occultism!
5.0 out of 5 stars
Complex and perceptive,
By
This review is from: The Magician: Together with a Fragment of Autobiography (Paperback)
This novel is based on a character whom Somerset Maugham met in Paris in 1897 called Aleistair Crowley. He was a liar, a boastful man and a voluminous writer of mediocre verse. He was also dabbing in Satanism, magic and occult. He inspired Somerset Maugham and served as a model for Oliver Haddo in "The Magician".Arthur Burdon, surgeon of St Luke's in London, has just arrived in Paris to study the methods of the French operators. But he has also come there to see Margaret Dauncy with whom he is in love. It is Dr Porhoët, a lifetime friend of Arthur's, who introduces him to Oliver Haddo. This obese, fleshy-faced man with an imposing paunch claims to be a magician. At a dinner party, the guests can hardly believe the stories told by this charlatan. They wonder whether he is an impostor or a madman and how much he really believes what he says. Does he deceive himself or is he laughing up his sleeve at the madness of those who take him seriously? To Arthur's bewilderment, as he is about to marry Margaret, she falls under the spell of Oliver Haddo and flees with him. Yet Arthur can hardly picture into what abyss of horror and evil Margaret will be driven. A complex and perceptive novel. The theme of evil is perfectly woven into a story stunning for its action and vivid characters. I recommend the audio version from Audible.com. Listening to Frederick Davidson reading "The Magician" is a pure delight!
5.0 out of 5 stars
A gripping horror tale from a master stroyteller,
By
This review is from: The Magician: Together with a Fragment of Autobiography (Paperback)
This is possibly the strangest of all Maugham novels that I've read. It starts innocently enough with the type of sophisticated turn of the century Parisian characters that populate much of his fiction. The characters are lucidly established and we are slowly drawn into their relationships and longings in typical Maugham fashion. Then we are introduced to the strange eccentric character of Oliver Haddo and with each of his subsequent appearances the theme of lurking evil is masterfully developed. The plot then takes over in a way that I felt was unique for Maugham and this novel turns into a suspenseful page turner. It is in someways reminiscent of Dracula. The climax builds relentlessly and the last half of the book is virtually impossible to put down once it's begun. Wonderfully blends a horror tale with the cultural sophistication of all Maugham's writing.
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