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  • The Makioka Sisters: The Criterion Collection [Blu-Ray]
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The Makioka Sisters: The Criterion Collection [Blu-Ray]

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This lyrical adaptation of the beloved Japanese novel by Junichiro Tanizaki was a late-career triumph for world-class director Kon Ichikawa (The Burmese Harp, Fires on the Plain). Revolving around the changing of the seasons, The Makioka Sisters (Sasame-yuki) follows the lives of four sisters who have taken on their family’s kimono manufacturing business, over the course of a number of years leading up to the Pacific War. The two oldest have been married for some time, but according to tradition, the rebellious youngest sister cannot wed until the third, conservative and terribly shy, finds a husband. This graceful study of a family at a turning point in history is a poignant evocation of changing times and fading customs, shot in rich, vivid colors.

SPECIAL EDITION FEATURES • New high-definition digital restoration, with uncompressed monaural soundtrack • Original theatrical trailer • New and improved English subtitle translation • PLUS: A booklet featuring an essay by film scholar Audie Bock

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Amazon.com: 7 reviews
33 of 36 people found the following review helpful
The finest film from Japan I've ever seen June 14 2011
By D. Lee - Published on Amazon.com
Format: Blu-ray
I first saw this movie when it came to Seattle in 1985 or 1986. I had been interested in Japan for a few years and when I saw this film in the theater for the first time I was in high school. The film was so good I went back to the theater two weeks later and saw it again. It takes place before Japan entered WWII, but was already sending soldiers to China and South Korea. The story revolves around four sisters, the two eldest are married and they are taking care of the two younger sisters. They are trying to find a husband for the next youngest, and the youngest has a boyfriend who isn't liked because she eloped with him when she was just 16, and was promptly found by the police and returned home. The cinematography in this film is superb, so many shots are simply breathtaking and bring tears to my eyes. Of course the beauty of the homes and costumes as well. It is a somewhat serious film, but has its lighter moments. The film draws us into a world we may never be able to witness anywhere else. I felt I was indeed in 1930s Japan and in the very rooms the film takes place in. It does help to be somewhat familiar with Japanese culture or language to enjoy this film. My interest while in high school was enough to draw me in deeply. I still get emotional when I view the opening titles sequence, which was filmed at the height of the Spring cherry blossom bloom in Kyoto, at Heian Shine, it is such a beautiful scene. Also I fell in love with Sayuri Yoshinaga, who played the sister the older sisters were trying to find a husband for. She is still acting today, most recently in Kabei - Our Mother (2007). I can't recommend this film enough for anyone interested in Japan. Now that it has finally been released in the USA on DVD and Blu-Ray, I'm ordering my copy today!
1 of 1 people found the following review helpful
A lovely film Oct. 9 2013
By R. Hertzberg - Published on Amazon.com
Format: Blu-ray Verified Purchase
The cinematography alone is worth the watch. This is a film adaptation of a well-known, highly revered novel and the casting of the sisters and their fellow life travelers was crucial to portray the subtleties inherent in the text. There is no disappointment here! The film does the novel proud. Like it's written counterpart, it is slow-moving and intricate. Beautifully crafted, beautifully acted, and gorgeous sets and costumes to finish off a fine production. Not to be missed.
Beautiful and nostalgic March 21 2014
By Markus Eng - Published on Amazon.com
Format: Blu-ray Verified Purchase
I really enjoyed this adaptation to Tanizaki Jun'ichirō's novel! The cinematography captures the elegance of a bygone era. The story is not as prosaic a Yasujiro Ozu piece; however, it is still a dramatic work. Highly recommended for anyone drawn to the orient.
Thanks Japan Feb. 25 2014
By AJ Falski - Published on Amazon.com
Format: Blu-ray Verified Purchase
An older movie but with a visually colorful setting and good story which follows 3 traditional Japanese ladies and their growth..
8 of 14 people found the following review helpful
'Epic' Japanese soaper ends up in the Criterion Collection! Oct. 20 2011
By Turfseer - Published on Amazon.com
*** This review may contain spoilers ***

The Makioka Sisters is based on the classic Japanese novel by Junichiro Tanizaki. What I've read about the novel is that it's a rather slow-moving but painstakingly detailed chronicle of a formerly successful Osaka merchant family, now in decline. The novel begins in 1938, shortly before it was actually written. During World War II, a serialization of the novel was canceled by the Japanese government as it was regarded as too 'soft' and 'effeminate', with Tanizaki also accused of not being appreciative enough of the war effort. When the movie was released in 1983, Japan was at the height of economic prosperity and according to the film's notable director, Kon Ichikawa, the Japanese public was not interested in watching anything that could be construed as depressing. The film was made for the 50th anniversary of the Toho film company and who knows to what extent the production company's executives constrained Ichikawa, in being faithful to the novel's original storyline. Simply comparing the plots of the novel and the film adaptation reveals that the film is clearly a sanitized version of the original narrative and despite the ubiquitous histrionics, the 'Sisters' ends with a series of expected happy endings!

The family setup is actually quite interesting. The two older sisters, Tsuroko and Sachiko, are both married with Tsuroko's husband, Tatsuo, a bank employee and Sachiko's husband, Teinosuke, an accountant. There are two younger sisters, Yukiko (around 30) and Taeko (maybe around five years younger than Yukiko) who live with Sachiko, her husband and Etsuko, their young daughter. There's quite a bit of resentment amongst the younger sisters toward Tatsuo who they blame (unfairly) for selling off the family business (the film mentions the family were shipbuilders but according to Wikipedia, the novel has them in the kimono business).

There are additional reasons why Yukiko and Taeko resent the eldest sister, Tsuroko, and her husband. Since Yukiko is older than Taeko, she's next in line for the family to find her a suitor. Before softening up toward the film's end, Tsuroko wants Yukiko to select a potential candidate as soon as possible, even if he's much too old for Yukiko's taste. There's also a family scandal which occurred five years earlier--it seems rebellious Taeko attempted to elope with local bad boy, Okubata, and it made the papers. It wasn't clear to me from the subtitles in the movie, but according to the Wikipedia article about the novel, the problem arose when Tatsuo demanded a retraction from the paper and they mistakenly substituted Yukiko's name for Taeko's.

The main plot of 'The Makioka Sisters' revolves around the various 'marriage interviews' the family arranges for Yukiko. The only potential suitor that proves quite fascinating is a bureaucrat, Nomura, in charge of breeding a particular fish in the government fishery. Nomura's attempt to impress Yukiko is completely laughable. Not only does he display all his diplomas and certificates on the dining table but then pulls out the death certificates for his recently deceased wife and son. To make matters worse, he then compares Yukiko to an 'ayu', the fish species he's so devoted to on his job. If only the rest of characters could be so deliciously drawn as Nomura. Unfortunately, we're left with bores like Yukiko who finally achieves her life dream by snagging the right man: a handsome but blasé son of a viscount from an aristocratic family.

More potentially interesting is Taeko, who is the most westernized of the four sisters. She starts her own doll business and still has a thing for Okubata until he introduces her to his former employee, Itakura, a simply and kindly photographer who Okubata becomes jealous of. Okubata ends up becoming the standard villain when he smashes Itakura's camera. Fortunately, Okubata cannot be blamed for Itakura's untimely demise, which began as an ear infection and morphs into a terminal illness. Although Taeko ends up with an 'ordinary' bartender after running away from home, all's well that ends well when she declines to accept her wedding dowry which her father willed to her and declares she'll get by as a seamstress.

Many of the arcane descriptions may have worked in the novel but in the film, these character 'quirks' just seem to come out of the blue and don't seem to be organically connected to the plot. When Tsuroko complains about the 'squeaky' sashes she's trying on before one of the 'marriage interviews', she and Sachiko end up giggling hysterically and then rolling on the floor. Perhaps something is lost in the translation and I'm not getting the point of a good many of these scenes. One thing is quite clear, however--the story lacks significant stakes. Somehow, the existential crisis Tsuroko undergoes when she struggles over the news that her husband has been transferred to Tokyo and she'll be forced to move from her idyllic part of the world--that's something that doesn't feel very exciting at all. And again the happy ending: a grateful Tatsuo falls to his knees in front of his wife, thanking her for changing her mind about the big move!

Unlike the novel, there's more standard villainy in the film when Okubata extorts money from Teinosuke. It seems that he was responsible for stealing the jewelry he gave Taeko as a gift and now wants the cash equivalent back, because he's flat broke. In the novel something quite different: Taeko ends up pregnant and in order to protect the family's reputation, Teinosuke asks Okubata to keep quiet.

Critics who didn't like the film claim that the story's subtlety can be found in the novel and not the film. Perhaps this is just the case where the novel doesn't lend itself to the visual medium. Even relying on subtitles, it's hard to escape the idea that this 'epic' is really a glorified soap opera! The question still arises: how did it end up in the Criterion Collection?