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The Marriage Plot [Deckle Edge] [Hardcover]

Jeffrey Eugenides
3.5 out of 5 stars  See all reviews (11 customer reviews)
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Product Description

Review

New York Times Bestseller
A New York Times Editors’ Choice
A New York Times Notable Book
LONGLIST 2013 – IMPAC Dublin Literary Award

"Mr. Eugenides is blessed with the storyteller's most magical gift, the ability to transform the mundane into the extraordinary."
The New York Times Book Review
 
“This extraordinary, liquidly written evocation of love’s mad rush and inevitable failures will feed your mind as you rapidly turn the pages. Highly recommended.”
Library Journal (starred review)
 
“Eugenides’s first novel since 2002’s Pulitzer Prize–winning Middlesex so impressively, ambitiously breaks the mold of its predecessor that it calls for the founding of a new prize to recognize its success both as a novel—and as a Jeffrey Eugenides novel.”
Publishers Weekly (starred review)
 
“His characteristically deliberate, researched realization of place and personality serve him well, and he strikes perfectly tuned chords.... Eugenides realizes the novel whose dismantling his characters examine.”
Booklist (starred review)
 
“A stunning novel—erudite, compassionate and penetrating in its analysis of love relationships.... Dazzling—Eugenides continues to show that he is one of the finest of contemporary novelists.”
Kirkus Reviews (starred review)
 
“Sharp dialogue…. A remarkable achievement.... Brilliant.”
The Independent
 
“Eugenides, as this novel reminds us, is certainly a fine writer; an urbane but sensitive stylist.”
Toronto Star
 
“It might just be his best work yet.”
National Post

"Jeffrey Eugenides is a big and big-hearted talent: generous to his readers in telling stories that unfailingly entertain, and generous to his characters, who mess up and strive and suffer and repent the way anyone we really love does - forgivably."
—Jonathan Franzen

About the Author

JEFFREY EUGENIDES was born in Detroit and attended Brown and Stanford Universities. His first novel, The Virgin Suicides, was published to great acclaim in 1993, and he has received numerous awards for his work. In 2003, Eugenides received the Pulitzer Prize for his novel Middlesex, which was also a finalist for the National Book Critics Circle Award, the IMPAC Dublin Literary Award, and France's Prix Medicis, and has sold more than 3 million copies.

Excerpt. © Reprinted by permission. All rights reserved.

To start with, look at all the books. There were her Edith Wharton novels, arranged not by title but date of publication; there was the complete Modern Library set of Henry James, a gift from her father on her twenty- first birthday; there were the dog- eared paperbacks assigned in her college courses, a lot of Dickens, a smidgen of Trollope, along with good helpings of Austen, George Eliot, and the redoubtable Brontë sisters. There were a whole lot of black- and- white New Directions paperbacks, mostly poetry by people like H.D. or Denise Levertov. There were the Colette novels she read on the sly. There was the first edition of Couples, belonging to her mother, which Madeleine had surreptitiously dipped into back in sixth grade and which she was using now to provide textual support in her English honors thesis on the marriage plot. There was, in short, this mid- size but still portable library representing pretty much everything Madeleine had read in college, a collection of texts, seemingly chosen at random, whose focus slowly narrowed, like a personality test, a sophisticated one you couldn’t trick by anticipating the implications of its questions and finally got so lost in that your only recourse was to answer the simple truth. And then you waited for the result, hoping for “Artistic,” or “Passionate,” thinking you could live with “Sensitive,” secretly fearing “Narcissistic” and “Domestic,” but finally being presented with an outcome that cut both ways and made you feel different depending on the day, the hour, or the guy you happened to be dating: “Incurably Romantic.”
 
These were the books in the room where Madeleine lay, with a pillow over her head, on the morning of her college graduation. She’d read each and every one, often multiple times, frequently underlining passages, but that was no help to her now. Madeleine was trying to ignore the room and everything in it. She was hoping to drift back down into the oblivion where she’d been safely couched for the last three hours. Any higher level of wakefulness would force her to come to grips with certain disagreeable facts: for instance, the amount and variety of the alcohol she’d imbibed last night, and the fact that she’d gone to sleep with her contacts in. Thinking about such specifics would, in turn, call to mind the reasons she’d drunk so much in the first place, which she definitely didn’t want to do. And so Madeleine adjusted her pillow, blocking out the early morning light, and tried to fall back to sleep.
 
But it was useless. Because right then, at the other end of her apartment, the doorbell began to ring.
 
Early June, Providence, Rhode Island, the sun up for almost two hours already, lighting up the pale bay and the smokestacks of the Narragansett Electric factory, rising like the sun on the Brown University seal emblazoned on all the pennants and banners draped up over campus, a sun with a sagacious face, representing knowledge. But this sun— the one over Providence— was doing the metaphorical sun one better, because the founders of the university, in their Baptist pessimism, had chosen to depict the light of knowledge enshrouded by clouds, indicating that ignorance had not yet been dispelled from the human realm, whereas the actual sun was just now fighting its way through cloud cover, sending down splintered beams of light and giving hope to the squadrons of parents, who’d been soaked and frozen all weekend, that the unseasonable weather might not ruin the day’s festivities. All over College Hill, in the geometric gardens of the Georgian mansions, the magnolia- scented front yards of Victorians, along brick sidewalks running past black iron fences like those in a Charles Addams cartoon or a Lovecraft story; outside the art studios at the Rhode Island School of Design, where one painting major, having stayed up all night to work, was blaring Patti Smith; shining off the instruments (tuba and trumpet, respectively) of the two members of the Brown marching band who had arrived early at the meeting point and were nervously looking around, wondering where everyone else was; brightening the cobblestone side streets that led downhill to the polluted river, the sun was shining on every brass doorknob, insect wing, and blade of grass. And, in concert with the suddenly flooding light, like a starting gun for all the activity, the doorbell in Madeleine’s fourth- floor apartment began, clamorously, insistently, to ring.
 
The pulse reached her less as a sound than as a sensation, an electric shock shooting up her spine. In one motion Madeleine tore the pillow off her head and sat up in bed. She knew who was ringing the buzzer. It was her parents. She’d agreed to meet Alton and Phyllida for breakfast at 7:30. She’d made this plan with them two months ago, in April, and now here they were, at the appointed time, in their eager, dependable way. That Alton and Phyllida had driven up from New Jersey to see her graduate, that what they were here to celebrate today wasn’t only her achievement but their own as parents, had nothing wrong or unexpected about it. The problem was that Madeleine, for the first time in her life, wanted no part of it. She wasn’t proud of herself. She was in no mood to celebrate. She’d lost faith in the significance of the day and what the day represented.
 
She considered not answering. But she knew that if she didn’t answer, one of her roommates would, and then she’d have to explain where she’d disappeared to last night, and with whom. Therefore, Madeleine slid out of the bed and reluctantly stood up.
 
This seemed to go well for a moment, standing up. Her head felt curiously light, as if hollowed out. But then the blood, draining from her skull like sand from an hourglass, hit a bottleneck, and the back of her head exploded in pain.
 
In the midst of this barrage, like the furious core from which it emanated, the buzzer erupted again.
 
She came out of her bedroom and stumbled in bare feet to the intercom in the hall, slapping the speak button to silence the buzzer.
 
“Hello?”
 
“What’s the matter? Didn’t you hear the bell?” It was Alton’s voice, as deep and commanding as ever, despite the fact that it was issuing from a tiny speaker.
 
“Sorry,” Madeleine said. “I was in the shower.”
 
“Likely story. Will you let us in, please?”
 
Madeleine didn’t want to. She needed to wash up first.
 
“I’m coming down,” she said.
 
This time, she held down the speak button too long, cutting off Alton’s response. She pressed it again and said, “Daddy?” but while she was speaking, Alton must have been speaking, too, because when she pressed listen all that came through was static.
 
Madeleine took this pause in communications to lean her forehead against the door frame. The wood felt nice and cool. The thought struck her that, if she could keep her face pressed against the soothing wood, she might be able to cure her headache, and if she could keep her forehead pressed against the door frame for the rest of the day, while somehow still being able to leave the apartment, she might make it through breakfast with her parents, march in the commencement procession, get a diploma, and graduate.
 
She lifted her face and pressed speak again.
 
“Daddy?”
 
But it was Phyllida’s voice that answered. “Maddy? What’s the matter? Let us in.”
 
“My roommates are still asleep. I’m coming down. Don’t ring the bell anymore.”
 
“We want to see your apartment!”
 
“Not now. I’m coming down. Don’t ring.”
 
She took her hand from the buttons and stood back, glaring at the intercom as if daring it to make a sound. When it didn’t, she started back down the hall. She was halfway to the bathroom when her roommate Abby emerged, blocking the way. She yawned, running a hand through her big hair, and then, noticing Madeleine, smiled knowingly.
 
“So,” Abby said, “where did you sneak off to last night?”
 
“My parents are here,” Madeleine said. “I have to go to breakfast.”
 
“Come on. Tell me.”
 
“There’s nothing to tell. I’m late.”
 
“How come you’re wearing the same clothes, then?”
 
Instead of replying, Madeleine looked down at herself. Ten hours earlier, when she’d borrowed the black Betsey Johnson dress from Olivia, Madeleine had thought it looked good on her. But now the dress felt hot and sticky, the fat leather belt looked like an S&M restraint, and there was a stain near the hem that she didn’t want to identify.
 
Abby, meanwhile, had knocked on Olivia’s door and entered. “So much for Maddy’s broken heart,” she said. “Wake up! You’ve got to see this.” The path to the bathroom was clear. Madeleine’s need for a shower was extreme, almost medical. At a minimum, she had to brush her teeth.
 
But Olivia’s voice was audible now. Soon Madeleine would have two roommates interrogating her. Her parents were liable to start ringing again any minute. As quietly as possible, she inched back down the hall. She stepped into a pair of loafers left by the front door, crushing the heels fl at as she caught her balance, and escaped into the outer corridor.
 
The elevator was waiting at the end of the fl oral runner. Waiting, Madeleine realized, because she’d failed to close the sliding gate when she’d staggered out of the thing a few hours earlier. Now she shut the gate s...
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