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The Martian Chronicles Hardcover – Deckle Edge, Feb 1 1997

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Product Details

  • Hardcover: 288 pages
  • Publisher: William Morrow; Subsequent edition (Feb. 1 1997)
  • Language: English
  • ISBN-10: 0380973839
  • ISBN-13: 978-0380973835
  • Product Dimensions: 13 x 2.5 x 17.8 cm
  • Shipping Weight: 386 g
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (259 customer reviews)
  • Amazon Bestsellers Rank: #241,451 in Books (See Top 100 in Books)
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Product Description

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From "Rocket Summer" to "The Million-Year Picnic," Ray Bradbury's stories of the colonization of Mars form an eerie mesh of past and future. Written in the 1940s, the chronicles drip with nostalgic atmosphere--shady porches with tinkling pitchers of lemonade, grandfather clocks, chintz-covered sofas. But longing for this comfortable past proves dangerous in every way to Bradbury's characters--the golden-eyed Martians as well as the humans. Starting in the far-flung future of 1999, expedition after expedition leaves Earth to investigate Mars. The Martians guard their mysteries well, but they are decimated by the diseases that arrive with the rockets. Colonists appear, most with ideas no more lofty than starting a hot-dog stand, and with no respect for the culture they've displaced.

Bradbury's quiet exploration of a future that looks so much like the past is sprinkled with lighter material. In "The Silent Towns," the last man on Mars hears the phone ring and ends up on a comical blind date. But in most of these stories, Bradbury holds up a mirror to humanity that reflects a shameful treatment of "the other," yielding, time after time, a harvest of loneliness and isolation. Yet the collection ends with hope for renewal, as a colonist family turns away from the demise of the Earth towards a new future on Mars. Bradbury is a master fantasist and The Martian Chronicles are an unforgettable work of art. --Blaise Selby --This text refers to the Mass Market Paperback edition.


“A modern classic” —The Washington Post

“A giant…One of the country’s most popular and prolific authors.” —Los Angeles Times

“One of the greats of twentieth century American fantasy.” —Newsday

“There is no simpler, yet deeper, stylist than Bradbury. Out of the plainest of words he creates images and moods that readers seem to carry with them forever.” —San Francisco Chronicle

“A wonderful storyteller….Nearly everything he has written is sheer poetry.” —St. Louis Post-Dispatch --This text refers to the Mass Market Paperback edition.

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One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets. Read the first page
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Customer Reviews

4.2 out of 5 stars

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By Mark Nenadov on Aug. 19 2012
Format: Mass Market Paperback
This was Ray Bradbury’s first novel, from 1949 when he and his wife were expecting their first child. That said, it isn’t a true novel, but rather collection of short stories that are tied together. It well-written, compelling, and I really enjoyed it.

Other than Fahrenheit 451, I haven’t previously read anything by Bradbury. In terms of science fiction, I’m more used to the science fiction of Robert Heinlein, a man who Bradbury looked up to and considered a major influence.
Heinlein was clearly a pioneer in world of science fiction. He lead the pack in terms of the technique of indirection, describing far out worlds not through a lot of explicit description, but rather subtely through the eyes of his characters enabling the readers mind to fill in the details. According to Eric Raymond, he got that from Kipling.

That said, I believe there is an area in which Bradbury excels far beyond Heinlein, that is in the lyrical/poetic power of his writing. Bradbury’s writing is beautiful in a way that Heinlein’s is not. And that beauty shines forth even in this, his earliest published book.

Bradbury once said “Libraries raised me. I don’t believe in colleges and universities. I believe in libraries”. It’s very clear that as an author, Bradbury loved reading and that he drank very deeply from the works of the best poets.
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Format: Mass Market Paperback
As the paranoia and fear of the early stages of the Cold War escalated and the prospect of global destruction in an atomic war crystallized into a terrifying possibility, a pioneering trip to a more placid Mars must have seemed welcoming. As early successes with the development of technology such as "Sputnik" made a an exploration of this magnitude a likely technological achievement within the next few decades, manned exploration and the colonization of Mars no doubt evolved into a sexy and exciting dream, indeed.

Bradbury's series of loosely connected vignettes set against the backdrop of America's first landing on Mars, the false starts and failures of several expeditions and the spread of disease resulting in the elimination of a planet's entire population, actually constitute a scathing critique of what he saw as the worst failings of the social fabric of 1950s America - imperialism, bigotry and racial prejudice, xenophobia, guns, environmental pollution, waste, foreign policy, censorship, and the untrammeled growth of technology all wrapped up in the unfailing smug sense of superiority that the American way is the only way!

"The Martian Chronicles" is not a straightforward read. In the opening chapters, a light and fluffy approach borders on inane as the reader is left wondering precisely what is happening. It's only perseverance that will lead the reader to a more profound understanding and appreciation of Bradbury's intention. "Way in the Middle of the Air", for instance, is perhaps the most moving single piece of writing I have ever experienced - extraordinary in its simplicity and yet blistering in its condemnation of the treatment of blacks in the American south in the 50s.
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Format: Mass Market Paperback
Bradbury came up with a totally original idea of instead of having the aliens the ones who come to our planet and explore, it is instead the humans who are the curious ones and search mars for life. Bradbury mixes the old and the new by having the humans and aliens switch roles when it comes to alien abductions.
I, personally, like how Bradbury gave all the Martians telepathy, which enabled them to speak in all languages. But since all the aliens are telepathic they all know what everyone else does which makes the story much more interesting and a lot more difficult to write. That¡¯s why I admire Bradbury¡¯s work. I also enjoy how Bradbury doesn't follow the other books in the alien genre. This new idea has discovered a new form of Martian science fiction.
Although Bradbury didn't give much thought to creating the characters' names, he did a wonderful job on creating an exciting page-turner that has an interesting new twist at every page. Bradbury can always find away to make each page unique and exciting, whether it¡¯s sending the humans to a Martian insane asylum or having the Martians move to the planet earth. I believe that this book will be the start of a whole new way of writing alien books.
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By Travis on May 20 2004
Format: Mass Market Paperback
Ray Bradbury's Martian Chronicles is a story the holds many things true today even if the story itself is not a reality, and probably never will be. Bradbury once again takes a cynic's position to writing as he has in other works (Fahrenheit 451) and includes many of the problems that man faced during his day and that man faces in ours. Bradbury's style of writing is very unique in this book as well, in that rather then focusing on one specific set of characters, he jumps around with different characters all the time. The Book could be considered more a interconnected collection of short stories as opposed to a novel.
The short stories in the book are all well written each including their own set of characters. Some chapters do include some of the same characters, giving it the feeling that one part of the novel was connected to another.
I especially enjoyed the chapter titled "Usher II". In this chapter a man is fighting the system that he will no longer be a part of. In this chapter Bradbury does a few interesting things. First, it seems that he connects this book to his one of his other books, Fahrenheit 451 from the quote, " 'Of course.' Stendahl snorted delicately, a combination of dismay and contempt. 'How could I expect you to know blessed Mr. Poe? He died long ago, before Lincoln. All of his books were burned in the Great Fire. That's thirty years ago-1975.'" (Page 134). I have read Fahrenheit 451 and immediately picked up the connection, whether intentional or not by Bradbury I do not know, but it interested me that he connected his books together. If you have not read Fahrenheit 451 I suggest you do as it is another of Bradbury's great contributions to literature. Bradbury also pokes a little bit of fun a fellow author, Ernest Hemingway, in this chapter.
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