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The Memoirs of Helen of Troy: A Novel [Hardcover]

Amanda Elyot
5.0 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

Nov 8 2005
In this lush, compelling novel of passion and loss, Helen of Troy, a true survivor, tells the truth about her life, her lovers, and the Trojan War. This is the memoir that she has written—her legendary beauty still undimmed by age.

Gossips began whispering about Princess Helen from the moment of her birth. A daughter of the royal house of Sparta, she was not truly the progeny of King Tyndareus, they murmured, but of Zeus, king of the gods. Her mother, Queen Leda, a powerful priestess, was branded an adulteress, with tragic consequences. To complicate matters, as Helen grew to adulthood her beauty was so breathtaking that it overshadowed even that of her jealous sister, Clytemnestra, making her even more of an outcast within her own family. So it came as something of a relief to her when she was kidnapped by Theseus, king of Athens, in a gambit to replenish his kingdom’s coffers.

But Helen fell in love with the much older Theseus, and to his surprise, he found himself enamored of her as well. On her forced return to Sparta, Helen was hastily married off to the tepid Menelaus for the sake of an advantageous political alliance. Yet even after years of marriage, the spirited, passionate Helen never became the docile wife King Menelaus desired, and when she fell in love with another man—Paris Alexandros, the prodigal son of King Priam of Troy—Helen unwittingly set the stage for the ultimate conflict: a war that would destroy nearly all she held dear.



I learned that I was different when I was a very small girl: when the golden curls, which barely reached my shoulders at the time, began to turn the color of burnished vermeil. Your grandmother Leda, whom you never knew, told me that I was a child of Zeus. Since I thought my father’s name was Tyndareus, her words upset me. Seeing my pink cheeks marred by tears of confusion, my mother handed me a mirror of polished bronze and asked me to study my reflection.

“Do you look like me?” she asked.

I nodded, noting in my own skin the exquisite fairness of her complexion, and her hair the same shade as mine that tumbled like flowing honey past the hollow of her back.

“And do you resemble my husband Tyndareus?” she said to me.

I looked in the mirror and then looked again. For several minutes I remember expecting the mirror to show me my father’s face, but Tyndareus was olive complected where I was not, his nose like the beak of a falcon where my own was straight and fine-boned, and his cheekbones were hollow and slack where, even then, beneath a child’s rosy plumpness, mine were high and prominent.

“It’s time for me to tell you everything,” my mother said . . .

—From The Memoirs of Helen of Troy

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From Publishers Weekly

Actress and author Leslie Carroll (Miss Match) checks in under an assumed name for her debut historical. Writing for her abandoned daughter, Hermione, in a rich but sometimes overwrought prose, Helen of Troy recalls her girlhood as a Spartan princess. Her stepfather, Tyndareus, doesn't love her (Helen is the daughter of Leda and Zeus); her sister, Clytemnestra, is jealous of her; her mother introduces her to the old ways of "the Goddess" and then kills herself. Helen grows into a lovely young woman; at 14, she's kidnapped by Theseus. At first miffed he has done so for ransom (she fancies herself the prize), she later falls in love with him, and when her brothers come to save her, she's pregnant with his child. Giving her daughter to Clytemnestra and married off to Menelaus—a rocky union from the start—Helen then falls for visiting Paris. When she runs away with him, it's almost convenient for Menelaus and his brother, Agamemnon—the perfect reason to attack Troy. Though divinely conceived, this Helen is skeptical of those she calls "the sky gods"; she's a study in contrasts generally, all cool analysis and white-hot passion. The problem is that she's not quite convincing as either one or the other, though the story is engrossing. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

"Men do not go to war over an abducted woman," states Theseus, king of Athens, after kidnapping young Helen of Sparta. His words are both prophetic and true. Helen, in middle age, writes her autobiography for her daughter, Hermione, revealing how she became the notorious Helen of Troy. The half-immortal daughter of Zeus by Leda, queen of Sparta, Helen grows up nearly friendless, for her looks arouse women's jealousy. Her youthful sexuality awakened by Theseus, Helen quickly learns that her beauty is both a source of power and a curse. When she abandons her dull husband, Menelaus, for handsome Paris Alexandros of Troy, Menelaus' brother, Agamemnon, finds his excuse to conquer that faraway city. Intelligent yet occasionally vain, Helen lives out her greatest dream only to lose nearly everything she cherishes when Troy falls. Blending mythology with history, Elyot (pseudonym of actress-novelist Leslie Carroll) details Helen's unforgettable journey from innocence to tragedy and, finally, happiness. Fans of historical women's fiction will savor this engrossing novel about the rewards and dangers of following one's heart. Sarah Johnson
Copyright © American Library Association. All rights reserved

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5.0 out of 5 stars Excellent! Sep 9 2007
Format:Paperback
It was very difficult to put this book down. It was excellent - it made you feel for her, be angry with her, and root for her all at the same time. A wonderful read
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5.0 out of 5 stars Rave Sep 5 2006
Format:Paperback
I absolutely loved it.

Read it on the plane. Finished it in 2 hours. Absolutely fabulous. 5 Stars.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.1 out of 5 stars  29 reviews
20 of 24 people found the following review helpful
1.0 out of 5 stars Chick-Lit in a Chiton Feb 16 2006
By Xena - Published on Amazon.com
Format:Hardcover
This novel fails at every level. Let's begin with the facts. It's easier to count the few things right than to enumerate the multitude of mistakes. To take just one example, when Helen is thinking of her old home in Sparta, she says, "There were days when my heart ached for the familiar scent of eucalyptus. How I longed to revisit the sacred grove." Since eucalyptus grew only in Australia, which was thousands of years away from being discovered, this is quite a feat of memory on her part. The author is unaware that only in the 19th century was eucalyptus exported and planted all over the world. Other 'facts' are just as haywire.

The information on the gods is incorrect and muddled, starting with the premise that Helen, being a daughter of Zeus, is immortal and cannot die, when everyone knows the offspring of a god and a mortal is always mortal. Otherwise Achilles could not die. But this does not bother the author, who wants to have it both ways. She also contends that the gods are just made up by humans, as if this did not negate the possibility that Helen was the daughter of Zeus, and...you see the problem.

Then, there is the anachronistic thinking and the numerous tired old cliche/tropes, the foremost being the women worshipping the Great Goddess (in secret) while being repressed by the Male Establishment, who promote Male God (here called 'the sky gods') worship. This was a new idea back in the early 1980s in "The Mists of Avalon" but since then has gotten moldy and is trotted out tiresomely in books such as "The Red Tent" and even the recent laughable Hercules miniseries. Enough already with this---for which serious historians admit there isn't a shred of evidence.

Another silly trope is that Paris is a Sensitive New Age Guy. He doesn't like to kill, see, except for food. This makes everyone look down on him and he don't get no respect.

All this might be forgiven if it worked as a novel, but it flunks this test, too. Helen is a conceited airhead, who by my count tells the reader 80 times how beautiful she is (about once every three pages, in case you forget). When she isn't trumpeting her charms, ("I had always known that no woman could compete with my immortal beauty and my desirability"), she's wallowing in self-pity. Everyone is jealous of her. Her family in Sparta is mean to her. The Trojan women don't like her---and you can certainly see why. A really repulsive character, except that she's so unreal she's just a cartoon. In spite of the feminist trappings, she has no life of her own and is totally passive and dependent on men for all her emotions, although the men are interchangable to her, like a teenager with serial crushes. Her many children are only names and she seems unaware of them.

Paris is a sort of lounge lizard (in spite of being a SNAG) and he and Helen make love every night for 15 years (!) and that's the extent of their relationship.

The Trojan War is made boring, and the author paints no picture of any landscapes or settings, so you have no sense of time or place. Since this is what a historical novel is supposed to do, this is a massive failure. The rest of the famous cast of characters---Achilles, Odysseus, Hector, and Priam---fare even worse than Helen and Paris in depiction.

So, missing factual and entertainment value, what does this novel offer? The one thing this Romance novel has in abundance is the usual generic array of props for this genre: lots of alabaster bottles of perfume, ("Then I anointed my body and hair with fragrant oils, perfuming my skin with an irresistably aromatic elixir and artfully applying my cosmetics"---she does this a lot), silken gowns of every color, 'exquisite' jewelry, padded gilded couches, heaps of sensuous food on bejeweled platters---in short, you have a 'Sex and Shopping' novel transported to the ancient world.

Stay away from this mess, or Zeus will punish you!
9 of 11 people found the following review helpful
5.0 out of 5 stars Luminously intelligent indeed Nov 10 2005
By Danny D - Published on Amazon.com
Format:Hardcover
One reviewer referred to this book as "luminously intelligent", and it's easy to see why. Amanda Elyot gives one of history's most celebrated women a voice that is not only aptly passionate but distinctively perceptive as well. Her Helen is keenly aware of both her mortality and the divinity she feels in her blood, and Elyot narrates her loves and adventures with a deft, entertaining writing style and a powerful sense of both irony and desire. The author's deep respect for the historical universe she evokes is palpable and impressive; both the tone and the content of the research reflect a love of her subject and a desire to share it with vivacious pleasure. Those who are familiar with classic historical fiction (such as that of Mary Renault and others) about the heroes and heroines of Greek myth will welcome this witty, sexy entry into those Aegean literary waters. Those who may be slower to recognize how beautifully observed are the nuanced details of this mythic period are likely to enjoy this fascinating feminist account in any case, both because the story itself is as sensational as ever after all these centuries, and because this particular telling of it has such verve and style.
4 of 4 people found the following review helpful
3.0 out of 5 stars Good story, little bit of bad writing Dec 30 2005
By Andrea Lovelace - Published on Amazon.com
Format:Hardcover
I was really excited about this book. I thought she did a good job on the research and painted the story very well. But the writing was pretty bad in some places, either stilted with a lot of parentheticals or just awkward. She also has Helen making wordplay on English words while she speaks ancient Greek. A good story, but I think could have been made a lot more readable with a few more rounds of editing.
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