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The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain Hardcover – Jan 6 2004


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Product Details

  • Hardcover: 320 pages
  • Publisher: Mariner Books (Jan. 6 2004)
  • Language: English
  • ISBN-10: 0618230653
  • ISBN-13: 978-0618230655
  • Product Dimensions: 21 x 14.7 x 2.6 cm
  • Shipping Weight: 476 g
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: #793,603 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful By Delia M. Turner on March 20 2004
Format: Hardcover
This book is a hybrid of memoir, neurology, essay, confessional, and anxious monologue. It veers between rationalism and passionate loquacity, itself intensely hypergraphic. I read it all the way through and decided, after I had finished, that I hadn't learned much more about the neurological basis of writing but I had learned a great deal about the innards of Flaherty's interestingly informed but manic consciousness. Fortunately, it's not badly written, and the anecdotes, quotations, and summaries of current research are informative and interesting.
The Justice poem, which I looked up because it seemed so apt, is only quoted in part and isn't nearly as striking in the original.
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Format: Hardcover
The introduction tells you what the book will be about on pages 14 - 16: Chap 1 is brain conditions that increase desire to write; Chap 2 is about how the temporal lobes drive both writing and writers block; Chap 3 is writers block psychology; Chap 4 is biochemical explanations and treatments of block; Chap 5 is the new science brought to bear on 'normal' desire to write, and writerly things like metaphor; Chap 6 is about how the drive to communicate pushes writing (oh, sure); and Chap 7 argues that metaphoric thinking is a temporal lobe function and mediates most types of establishing meaning.

Chapter two transmits a good understanding of the neurobiological base of the desire to write, along with some pretty darn good quotes. It covers epilepsy, temporal lobes, and a brief run through of the major brain functions involved in writing (p20 - 23). But I agree with the other reviewer that her understanding of one of her own breakdowns seems so superficial (the Cap'n Crunch 'scene' for instance) that you wonder if the rest of the stuff is so also. Here's one more and I will quit carping Flaherty says that in, In Search Of Lost Time, Proust's smell of the much-quoted madeleine spurs him to huge output of associated memories because smell is processed in the temporal lobe. She is a neurobiologist and missed the main point: smell is the only sense that passes first into the subconscious brain - dreams, memories, feelings, emotions, etc., - and then is shunted up into the temporal lobes.
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By A Customer on April 27 2005
Format: Paperback
As you may or may not know, Hypergraphia is the neurological term describing the brain state of a person with an overwhelming desire to write. (hyperlexic people have the overwhelming desire to read, which seems to be my brain's minor).
Edgar Alan Poe described this experience now called "hypergraphia" as "the midnight disease." This term lends its use to the title of my new bible "The Midnight Disease: the drive to write, writer's block, and the creative brain." I was hesitant upon reading the book as reviews were mixed about its faults being "filled with medical jargon and bias." I found the opposite, the author, Alice W. Flaherty admits her bias' from the beginning chapter and her background in the neuro field but uses them as tools in combination with descriptions of her own experience of "hypergraphia."
The term 'hypergraphia' is not meant to be synonymous with 'disorder' but her interest is in isolating the parts of the brain as contributing factors. Flaherty attempts to dispel the myth that "right brained people are the creative ones" and focusing on the frontal lobes' role as well. She considers how historically diagnosed as "mentally ill" with one disease or another, authors have utilized this to create. As a diagnosed bi-polar patient (manic depression), her exploration of the way "manic" phases contribute to this state were of particular interest to me. The book also delves into hypergraphia's antithesis, writer's block, as a component to this state.
I am always skeptical to reward theories and anatomy as explanations for creativity but she doesn't dismiss it, in the process of the book. Flaherty merely attempts to provide a definition to people inherently "hypergraphic.
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Format: Hardcover
Hypergraphia, about which I knew nothing prior to reading this book, is the medical term for an over-powering desire to write. Writing, Dr. Flaherty tell us, is the domain of the cerebral cortex, but the desire to write is the domain of the limbic system -- the hypothalamus and the structures of the temporal lobe. It is altered temporal lobe activity that is associated with creativity. On the other hand, frontal lobe processes are involved in writer's block. This area, as science, struck me as new and very much evolving. The most interesting section of the book, even more speculative than the location of writing proclivities, is her commentary on the inner voice and its role in writing. This is an area where strands fuse -- religion, creativity, psychosis. For Dr. Flaherty it was one morning "that bristled with significance. The way a crow flapped its wings as it rose heavily off the ground was a semaphore, signalling something just past my understanding." And not long after she heard, "the opposite of writer's block," her signal to write about hypergraphia. This internal/external presence of a voice became manifest to her following a depression brought on by the death of twin infants. Remarkably, if not miraculously, she later gave birth to another set of twins, thriving at the time of her writing. This is an unusual book. She interweaves her personal history and her clinical training. Coupled with a wide and diverse reading, Dr. Flaherty demonstrates in this book an intense mind; reading her is like riding with a mind in over-drive. I look forward to her next book, and she has all but assured us that one is in the making.
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