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The Mill on the Floss Paperback – Apr 29 2003

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Product Details

  • Paperback: 704 pages
  • Publisher: Penguin Classics; Reissue edition (April 29 2003)
  • Language: English
  • ISBN-10: 0141439629
  • ISBN-13: 978-0141439624
  • Product Dimensions: 12.9 x 2.9 x 19.7 cm
  • Shipping Weight: 440 g
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (34 customer reviews)
  • Amazon Bestsellers Rank: #417,117 in Books (See Top 100 in Books)

Product Description


"As one comes back to [Eliot's] books after years of absence they pour out, even against our expectations, the same store of energy and heat, so that we want more than anything to idle in the warmth."
--Virginia Woolf

From the Publisher

Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards. --This text refers to an alternate Paperback edition.

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First Sentence
A wide plain, where the broadening Floss hurries on between its green banks to the sea,a and the loving tide, rushing to meet it, checks its passage with an impetuous embrace. Read the first page
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Customer Reviews

4.1 out of 5 stars

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2 of 2 people found the following review helpful By frumiousb on April 3 2004
Format: Mass Market Paperback
_The Mill on the Floss_ (1860) was George Eliot's third published book (after Scenes from Clerical Life and Adam Bede)and tells the story of Maggie and Tom Tulliver, two children who grow up in the middle-class rural community of St. Ogg's.
It's been a while since I've read Mill on the Floss, I think that the last time I did I was in my early 20s, just graduated from school. I got a lot more out of the read this time, I think it's probably a book that profits both with re-reading and age. The first time I read it I identified so strongly with Maggie that I practically skipped over everything dealing with the other characters. I found Tom loathesome and the ending of the book appalling.
As a slightly more adult human, I was able to read it for more than just Maggie's story and enjoy it even more. I was surprised by how compulsively I read it. I'd had every intention of stretching it out over several days, but I literally found that I couldn't stop reading it and carried it with me from room to room in the house. I was able to laugh more at Eliot's sly humor and more able to see people like the Gleggs as people and not simply stock appendages of the story.
I think what makes Mill On the Floss such a powerful book (aside from the writing style, which is excellent) is this notion of the divided self which is being worked out both through Tom and Maggie. Tom has a firm clear sense of right and wrong and is always being forced to question or do injury to that sense because of his very difficult sister. On the other hand, Maggie can't seem to find the right balance between self-indulgence and renunciation. She can't ever manage a way to negotiate between the sharp emotions that she feels and her desire not to inflict the consequences of those emotions on her family and friends.
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By atanali TOP 100 REVIEWER on Dec 20 2010
Format: Paperback
*NOTE* This review may contain spoilers at the end.
The Mill on the Floss is one of those rare, rare gems that haunts you long after your finished. I read it this past summer, and am still dwelling upon it.
Many people read this book as a novel, and it is- in a way. The story is of Maggie Tulliver from her childhood to her adulthood, and the events of her family.
But more importantly, this work is one of the clearest insights into human nature I have ever read. Elliot creates numerous characters, yet these characters are not flat, but filled with depth. Throughout the pages, Elliot truly reveals their souls- their intents, thoughts, desires, etc. and you will be surprised (and maybe a little convicted) to see yourself mirrored in them. So many aspects of the soul are revealed here- our true motives, how we deceive ourselves, how we truly feel. She completely bares these people- her people, with all their faults, trivialities, and loves. It is an over-powering work of brilliance, and one that I am proud to have on my shelf.
The ending, I feel, is appropriate. No other ending could have been written- this ending is the true consequence to the passions and drives of Maggie's heart, as well as Tom's. It was fitting, and it leaves you wondering if it was possible for Maggie to change her nature, wrong though it was. Highly recommended.
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Format: Paperback
This is Eliot's somewhat autobiographical novel, and tells the story of Maggie Tulliver and her brother Tom. The story takes place in the village of St. Ogg, and at the Mill on The Floss that's been in the Tulliver family for generations. I thoroughly enjoyed the way Eliot depicted the sibling relationship between Maggie and Tom with all of those ups and downs that we all have experienced with our siblings, and culminating in the final finish of the story that thoroughly blew me away. I think I just sat for a good ten minutes just saying Oh Wow over and over again, and then felt the need to seek out my brothers and give them both a big hug.

The joy of reading this novel or any other by Eliot is her gorgeous prose and brilliant characterizations, even with the minor characters. Just be warned, this is not an action packed, sit on the edge of your seat, can't put it down until it's finished type of novel. This is a story to savor and enjoy the multi-faceted characters and the author's glorious prose like a fine red wine or a box of chocolates (or both). If you are looking for high action and adventure, this is not the book for you. Highly recommended for any lover of 19th century English literature, not as dark and brooding as Hardy can be, but the prose is just as lovely, if not better.
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Format: Mass Market Paperback
There is nothing like an obtuse, clotted introduction to impede a good book. For George Eliot's "The Mill on the Floss," The introduction contributes nearly 50 pages of dense literary criticism that numbs the head, darkens the spirit, and creates grave doubts that this book is worth reading for anyone with less than a doctorate in English literature. There is nothing better than reading a good novel. Likewise, there is nothing worse than reading literary criticism that employs the obscurantist principles of the type that infect this introduction. After threading a path through these paragraphs that loom like mountains of iron, it is presumed one is ready to embark on Eliot's novel.
George Eliot, a.k.a Mary Ann Evans, wrote several novels in the mid 19th century. "The Mill on the Floss," written in 1859-60, is not considered one of her better novels. That distinction falls to "Middlemarch," a book that is often referred to as "the best English language novel ever written." Others compare Eliot to Dickens, with the astute observation that Eliot's prose is loftier and her plots are composed with a greater intellectual ability. Wherever your preferences may lie in regards to 19th century English literature, Eliot's novels will find their way to your bookshelf. She's an important enough figure in the English literary canon that an opinion on her writings is an absolute necessity.
Eliot's writing is a large tapestry woven with biblical, classical, and English literary threads, as paragraph after paragraph, page after page, unfurls into a beautifully formed whole. Characters and atmosphere are masterfully etched in ink and paper as Eliot constructs a story exposing the contradictions and capriciousness of English provincial life in the 19th century.
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