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The Mind's Eye: Writings on Photography and Photographers
 
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The Mind's Eye: Writings on Photography and Photographers [Hardcover]

Henri Cartier-Bresson
3.8 out of 5 stars  See all reviews (4 customer reviews)
List Price: CDN$ 27.95
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Product Description

From Library Journal

Supremely accomplished and influential French photographer Cartier-Bresson guided the evolution of the photographic medium while creating an enormous body of work. His photographs of people, famous and obscure, always contain a strong psychological component deriving from formally perfect compositions and a temporal ambivalence that characterizes only the most powerful static images. This slight book contains short essays by Cartier-Bresson along with some less interesting aesthetic epigrams and tributes to fellow artists. This is the first published collection of his writings, though large chunks are taken from books he published in the 1950s and 1960s. And while there's not a great deal of his writings to be collected, what's here is pithy and laconic without being sententious. His artistic philosophy is well captured by his landmark 1952 essay "The Decisive Moment," contained here, probably the most poetically instructive evocation of the field photographer's art yet written. This is a useful and important title from one of the defining sets of eyes in the cumulative visual record of the 20th century. Recommended for academic and large public libraries.DDouglas F. Smith, Oakland P.L., CA
Copyright 2000 Reed Business Information, Inc.

Book Description

The first compilation of writings by a master of photography.

One of the leading lights in photography of the twentieth century, Henri Cartier-Bresson is also a shrewd observer and critic. His writings on photography and photographers, which have appeared sporadically over the past forty-five years, are gathered here for the first time. Several have never before appeared in English.

The Mind's Eye features Cartier-Bresson's famous text on "the decisive moment" as well as his observations on Moscow, Cuba, and China during turbulent times, which ring with the same immediacy and visual intensity that he brings to his photography.

Cartier-Bresson remains as direct and insightful as ever in his writings. His commentary on photographer friends he has known-including Robert Capa, André Kertész, Ernst Haas, and Sarah Moon-reveal the impassioned and compassionate vision for which Cartier-Bresson is beloved.

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Customer Reviews

4 Reviews
5 star:
 (1)
4 star:
 (1)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (4 customer reviews)
 
 
 
 
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4.0 out of 5 stars A small book with a lot of insight, Dec 18 2003
By 
Uday Khambadkone (Euless, Texas) - See all my reviews
(REAL NAME)   
This review is from: The Mind's Eye: Writings on Photography and Photographers (Hardcover)
I got HCB's book from the library this week and couldn't stop reading it since I started.
Mind you this book has its pluses and minuses:
Pluses:
It is gives good insight in HCB's style of thinking and in general photography in his own words. He talks about his little experiences in China, Cuba, Russia and also about his friends.
Minuses:
The book is very brief and u yearn for more of his stories and experience. It has very less photographs, so if you are looking for that you might get disappointed.

With all that said, I would definitely recommend all of u Photography fans to read it at least once if your local library carries it.

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3.0 out of 5 stars It is not what I expected, Mar 29 2001
By 
Jorge L. Perez (Temecula, CA USA) - See all my reviews
(REAL NAME)   
This review is from: The Mind's Eye: Writings on Photography and Photographers (Hardcover)
I bought this book thinking that I was going to receive more insight of Cartier-Bresson style. There is something but I expected more about the thinking of this master of Photography.
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3.0 out of 5 stars You won't find what you want here, May 15 2000
This review is from: The Mind's Eye: Writings on Photography and Photographers (Hardcover)
This book is certainly looks interesting for anybody wanting to learn a bit more about the art and thinking of Cartier-Bresson, and indeed it is beautifully designed and produced. Unfortunatly the the little scraps of information that it contains seem as if they have been published just beacause they have indeed come from the great masters mouth. I mean its all kind of throw away stuff obviously never intended to be published with perhaps a couple of interesting paragraphs -but you probably knew those ones anyway-. So if you really want to study his work get "the artless art" if you want to learn from his experience, look at his pictures, you won't get much from this one.
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