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5.0 out of 5 stars
An intriguing, well-constructed novel, July 18 2004
I'll skip the plot synopsis of 'The Mirror of Diana', as it has already been covered by other reviewers. But I just finished this book and found the plot of this novel refreshingly straightforward. Not that it's lacking in suspense - there's a lot of surprise in this book; in fact, most of the novel's chapters end with a cliffhanger that makes you keep breaking your resolution to "read only one more chapter before going to bed." The difference is that 'The Mirror of Diana' has no gerrymandered plot configurations used by some authors who didn't quite know where they were headed but who felt the need to add some pizzazz, but leave loose ends dangling at the end of the book - you know, the ones that always leave you with a sort of literary indigestion. But this book is a feast - a fascinating and beautiful tale told with the eloquent simplicity of a competent and confident author. I enjoyed this book immensely. You should read it.
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1 of 1 people found the following review helpful
5.0 out of 5 stars
If You Liked Corellis Mandolin, You Will Love This Book, July 3 2004
Just as I enjoyed Corelli's Mandolin, I adored The Mirror of Diana. The Mirror of Diana, like De Bernieres's fine book, takes place in a Mediterranean country (Italy in this case) and is rich in historical detail and redolent of its wartime setting. But what really propels the plot of The Mirror of Diana is the tender but injudicious love between Klaus, a German officer (it's OK - he's not a Nazi), and Rosanna, an Italian woman; since this takes place in 1943, a time when the two countries are no longer allies, their relationship is fraught with danger. But the Mirror of Diana is far from a clone of Corelli's Mandolin, or any other book for that matter. It involves the fascinating real historical mystery of how the emperor Caligula's fabulous ancient ships, for which Rosanna's father is the caretaker, came to be destroyed in 1944. From the outset, you know the great ships are doomed. But when you discover how, you get the greatest surprise of all - not surprise for its own sake, but surprise because of what the larger-than-life characters are driven to feel, to choose, and to do. Throughout, this book asks the single most important question of all human interaction: when there are conflicting choices, do you listen to your heart or do you listen to your head? And what if your head is telling you more than one thing, and so is your heart? The development of this theme begins on a gentle, sweet note and builds to a searing double climax. The Mirror of Diana will keep you captivated from the first to the last page. I look forward to seeing the movie version of this book some day.
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1 of 1 people found the following review helpful
5.0 out of 5 stars
A Book that Breaks the Rules, Jun 28 2004
To paraphrase Hemingway, people in war are different from the rest of us: they have more troubles. Which is to say that, down deep, they are largely the same as us, regardless of which side they fight on - they laugh, they get hungry, they make love, they make mistakes. Much has been written about war's ability to transform ordinary humans into brute beasts or superhuman heroes. But The Mirror of Diana moves us with its story of how simple kindness, decency, friendship, and love between a good (yes, good) German officer and an Italian and his daughter set off a chain reaction of catastrophe and horror that culminate in one of the greatest archaeological disasters of World War II - the destruction of the monumental ancient ships of Caligula. And this event, in turn, irrevocably changes all the characters' lives. I will leave it to you to see whether the love that brings these compounded tragedies ultimately triumphs. This novel is impressive in that it sets a compelling story inside a well-researched and vivid tableau of occupied Italy during the Second World War. But it also weaves in the ancient legends of the area in which the action takes place, a lake south of Rome that was sacred to the goddess Diana in ancient Roman times. Without resorting to any unseemly spiritualism, the author ingeniously uses the legends as metaphors for the drama taking place in 1943 and 1944. This book causes the palms to sweat and the stomach to lurch. But it also stirs the soul and touches the heart. The Mirror of Diana is a stunner.
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