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The Moorchild
 
 

The Moorchild [Large Print] [Hardcover]

Eloise Jarvis McGraw , Eloise McGraw
4.7 out of 5 stars  See all reviews (37 customer reviews)

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Product Description

From Publishers Weekly

Incorporating some classic fantasy motifs and icons, McGraw (A Really Weird Summer) conjures up an appreciably familiar world that, as evidence of her storytelling power, still strikes an original chord. Elves, an invented vocabulary with Anglo-Nordic roots, medieval folk elements, herbalism, gypsies-all contribute to the atmosphere of mysticism and magic that suffuses the story of the changeling Saaski. The misbegotten offspring of a moorfolk (small, elf-like beings) and a human, Saaski is secretly switched with a human baby when the moorfolk discover she lacks certain powers. But she is not an ordinary mortal, either; her eyes, for example, change color with her mood, and, as she gets older, the local villagers view her as an outsider. Rather than a typical fantasy adventure, this is a saga of self-discovery as Saaski learns to cope with the pain, often physical, of not fitting in and as she learns her true heritage. Transcending genre, these themes will likely resonate with a wide audience. Ages 9-12.
Copyright 1996 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

From School Library Journal

Grade 4-6?This well-written novel incorporates elements of folklore into an examination of society's response to those who are perceived as different. The plot centers on the experiences of Saaski, a changeling who was cast out by the "Folk" because of her human father. While she does not initially recall her past life, persecution by the villagers eventually rekindles her memories and fires her resolve to rescue the human child for whom she was exchanged. Aided in her quest by Tam, an orphan who accepts her oddness and cherishes her friendship, Saaski is ultimately successful and thus repays the kindness of her "foster" family by returning their daughter to them. Some readers may find Saaski's cruel treatment by the villagers upsetting and her future with Tam unsettlingly vague, but both are consistent with McGraw's clear intention of using her novel to expose peoples' prejudices and emphasize the importance of being true to oneself. While this unusual blend of fantasy and contemporary concerns may not find a wide audience, the quality of McGraw's writing ensures that for those, like Tam, who can appreciate the unusual, The Moorchild will truly be a magical find.?Lisa Dennis, The Carnegie Library of Pittsburgh
Copyright 1996 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

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Customer Reviews

37 Reviews
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Average Customer Review
4.7 out of 5 stars (37 customer reviews)
 
 
 
 
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4.0 out of 5 stars We daren't go a-hunting for fear of little men, Jun 25 2004
By 
E. R. Bird "Ramseelbird" (Manhattan, NY) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: The Moorchild (Paperback)
Books about fairies, Old Ones, ferishers, etc. are as common as the day is long. There seems to be an insatiable need on the part of children to read about the mythical creatures that live within and yet not within our midst. Changelings are some of the oldest of these creatures and have been used to excellent use in a wide variety of literature. As you may know, a changeling is an object or creature exchanged for an unchristened baby. The changeling may at first look just like the baby it has replaced, but over time definite differences will come out. Most stories about changelings concentrate on the effort to locate the exchanged child. In the case of Eloise McGraw's, "The Moorchild", the author has cleverly written a tale of what it means to be different from everyone around you.

Old Bess knows something has gone wrong with the baby Saaski. Where once the child was docile and contained, now it cries and screams continually day and night. Old Bess suspects, rightly, that her grandchild has been exchanged for a changeling, an idea her daughter and son-in-law won't even consider. For her own part, Saaski is livid. A fairy, yes, she has been ousted from her home and fellows for the crime of not being able to do simple fairy tricks. It turns out that she is half human, and belongs neither in the fairy world nor in the human. As the baby Saaski grows up, she forgets her former life in the mystical Mound and thinks of herself as fully human, if a little odd. Certainly the village distrusts her, a feeling that becomes far more malignant and violent as time goes on. On her own, Saaski only feels truly free when she can wander the Moors, piping a tune on her grandfather's bagpipes. As time goes by, however, Saaski must rediscover who she is and solve the mystery of the child she replaced.

On the surface, the tale is a straightforward look at how difference breeds unnecessary hatred. Delving a little deeper into the text, this is a story about biracial children and the prejudices they face in society. In her dedication McGraw writes, "To all children who have ever felt different", giving her readers the chance to identify with this strange but beautiful creature. I was amazed at how well the author researched the classic fairy stories too. Saaski is afraid of salt, iron, rowan wood, St. John's Wart flowers, and other items as well. The fairies steal mostly food items and are lacking in such human emotions as love and hate. As a changeling, Saaski is similar to the boy Troy in Michael Chabon's recent fairy tale, "Summerland". She bears little resemblance to dangerous or evil changelings found in tales like Maurice Sendak's, "Outside Over There", (the melting baby changeling is particularly frightening) or the creature in John Crowley's, "Little Big" that crawls to the fireplace and starts eating the hot coals there like popcorn. The book is careful to admit that in some cases, changelings are enchanted sticks of wood or inanimate objects. Saaski's case is special because she is a halfling of sorts with a fairy mother and a human pa.

There are a lot of great fairy stories out there that don't give a whoopty-doo about the laws governing the Fair Folk and their kin. In a way, it's a great relief to read an accomplished writer like Eloise McGraw and her "Moorchild" book. The plot is enchanting, the characters lively and well written, and the story a fabulous metaphor for those people that must create their own worlds when the one around them becomes too intolerant. A delightful addition to any public or private library.
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4.0 out of 5 stars Wonderful Story, Nov 27 2003
By 
"bluefire_pegasus" (Palm Harbor, FL USA) - See all my reviews
This review is from: The Moorchild (Paperback)
This is a beautifully written book that I read several years ago, and have recently re-read. My one complaint is that, while I enjoyed reading the book both times, a younger audience might miss a few things in the story, and an older audience won't be as affected by it as a younger one. I think that this story's projected audience was written for older children or preteen females, though an older audience would enjoy it as well. Beware, though: some of the scenes where the villagers are after Saaski are pretty disturbing and heart-wrenching. This book, while simple, isn't just a flaky fairy tale- it's an intense and often sweet fantasy that combines olden lore with the emotional traumas that all of us must face at some time in our lives. A very enjoyable read- I recommend it enthusiastically.
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5.0 out of 5 stars A strange, but excelent book, Nov 6 2003
By A Customer
This review is from: The Moorchild (Paperback)
This is a great book.

Liturature at its finest

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