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The Moviegoer Library Binding – Oct 1 1999


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Product Details

  • Library Binding
  • Publisher: Bt Bound (October 1999)
  • Language: English
  • ISBN-10: 0613173872
  • ISBN-13: 978-0613173872
  • Product Dimensions: 21 x 13.3 x 1.3 cm
  • Shipping Weight: 340 g
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (69 customer reviews)


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This morning I got a note from my aunt asking me to come for lunch. Read the first page
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1 of 1 people found the following review helpful By J.Jones on Feb. 11 2005
Format: Paperback
The Moviegoer strikes the perfect balance between ideas and people. He succeeds in writing a book about loneliness and isolation without ever seeming sappy or sentimental; he creates a whole cast of fully developed characters who are deeply flawed but always sympathetic. And one is always struck by the strangeness of the characters. They are absolute originals. I haven't met anyone like Kate in the pages of a novel before or since, but one still somehow relates to every one of them, and can feel connections with their longing for . . . in any case, all of that is irrelevant. It is a great book, I encourage everyone to read it. Also try Jackson McCrae's "Children's Corner" or his "Bark of the Dogwood" for equally great southern reads-intricate and haunting all of these.
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By A Customer on June 18 2004
Format: Paperback
Subtle, well-crafted, and entertaining, certainly this multifaceted and edifying story is well worth the reading. The fuel that propels this story is Percy's unique narrative style in using both present and past tenses. Perhaps his medical training or his three years spent in psychoanalysis during his residency had had an influence. At any rate, as the first-person narrator, Binx Bolling's present tense narration draws the reader close in "real time" and be intimate with the former in thought and action. When Bolling finds it necessary to digress or to fill-in the reader on the particulars of the past, he tells it in past tense. But Percy's writing is so good, the two tenses blurred as one. Aspiring writers who struggle with writing in present or past tense should take note. Would also recommend another stellar read, full of psychological and emotional intrigue, that is suspenseful yet well-written---THE BARK OF THE DOGWOOD--A Tour of Southern Homes and Gardens. Enjoy!
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Format: Paperback
If a novelist, any novelist, could put down on paper an exact representation of human thought, he or she would automatically be elevated to the very pinnacle of the literary world. But because language has limitations, this very desirable circumstance is, unfortunately, not possible. Walker Percy has nonetheless tried valiantly to do this very thing. In The Moviegoer, the reader is made privy to the articulated thoughts of Binx Bolling, a young New Orleans stockbroker. Binx explicitly tells us he is on a search. A search for something outside the everyday things that make up his life. Something that will ultimately give his life meaning and thereby fill the emptiness in his heart.
Of course, there really isn't anything outside everyday existence that can measure up to what he is seeking. The meaning of life, if indeed there is any, can only be found in the everyday things Binx regards as completely unfulfilling. This existentialist outlook is the underlying theme of The Moviegoer.
The plot (if that's even the right word) is a minimalistic one that very much suits this novel of the mind. Binx himself provides the narration. In doing so he affects a very formal, unnatural manner of speech, in which words like "thenceforward" and "eschatological" can and do appear.
The Moviegoer is a challenging work of fiction which gives the reader an authentic, nuanced description of life among New Orlean's upper class. Many readers, if not most, are likely to be turned off by its slow pace and seeming wordiness. A thoughtful, thought filled novel, not for everyone.
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Format: Paperback
The Moviegoer, ranked the #60 book of the 20th Century by the Modern Library, is definitely worth reading -- yet not as profound or intense as I had hoped it would be. It is, without a doubt, not on the same incomparable level of supremacy as A Confederacy of Dunces. It is, however, entertaining and provocative. You follow a New Orleans stockbroker, Binx Bolling, as he lives his life vicariously through movies and their stars.
Binx finds himself at a veritable crossroads at the age of 30 as he has become incredibly disillusioned in a mundane world replete with phoniness and mediocrity. As he attempts to escape from this banality via movies and women, he finds that he is, along with his neurotic cousin Kate, searching for meaning in an otherwise fruitless life. As he duly states, "I have discovered that most people have no one to talk to, no one, that is, who really wants to listen." I recommend this book...just don't expect A Confederacy of Dunces, though.
"Where Happiness Costs So Little"
- The marquee's message at the theater in Gentilly
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Format: Paperback
Percy's book is astonishingly brilliant! This book is the purest and best example of American Existentialism I have ever read. Not only is the conceptual basis of the book and the mental processes of the protagonist incredibly articulated, but the author's ability to use metaphor is one of the most poignant and accomplished abilities that Percy displays in this book.
The true essence of the book is the journey through life that the protagonist takes, in search of avoiding the worst possible state, the "malaise of Everydayness." And even more so, the fight to not become "Anyone" exhibits the basic tenets of the characters focus and philosophy of life. He seeks to find newness that does not exist in the regular day to day vicissitudes of life, but something transcendent. And to fill the time in between, he searches constantly for pleasure, usually in the form of sex with his secretaries.
But as the book proceeds, it gets more and more personal, as well as, more and more complex. Examples of life experiences that the author often calls "rotations" or "duplications" are given. The concept of the "genie-soul" of each location in the world is explored. And the fight against the ordinary goes on.
As in life and existentialism, many of the questions posed are unanswerable, and the author does not really answer them, as any good existentialist writer would not answer them, because they are unanswerable. But it is the way the author portrays these unanswerable questions, that is so elegant and incisive. The reader understands the nebulous state the author is describing and asks himself these questions, but of course, does not have answers either, because, there are no answers, no definitive answers, to those questions.
The interplay of ennui and distinctiveness define the book.
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