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The Name of the Rose
 
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The Name of the Rose [Abridged, Audiobook] [Audio Cassette]

Umberto Eco , Theodore Bikel
4.6 out of 5 stars  See all reviews (201 customer reviews)

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From Publishers Weekly

This edition includes Eco's illuminating commentary, Postscript to the Name of the Rose.
Copyright 1994 Reed Business Information, Inc. --This text refers to the Paperback edition.

From Library Journal

Eco, an Italian philosopher and best-selling novelist, is a great polymathic fabulist in the tradition of Swift, Voltaire, Joyce, and Borges. The Name of the Rose, which sold 50 million copies worldwide, is an experimental medieval whodunit set in a monastic library. In 1327, Brother William of Baskerville arrives to investigate heresy among the monks in an Italian abbey; a series of bizarre murders overshadows the mission. Within the mystery is a tale of books, librarians, patrons, censorship, and the search for truth in a period of tension between the Papacy and the Holy Roman Empire. The book became a hit despite some obscure passages and allusions. This deftly abridged version, ably performed by Theodore Bikel, retains the genius of the original but is far more accessible. Foucault's Pendulum, Eco's second novel, is a bit irritating. The plot consists of three Milan editors who concoct a series on the occult for an unscrupulous publishing house that Eco ridicules mercilessly. The work details medieval phenomena including the Knights Templar, an ancient order with a scheme to dominate the world. Unfortunately, few listeners will make sense of this failed thriller. The Island of the Day Before is an ingenious tale that begins with a shipwreck in 1643. Roberta della Griva survives and boards another ship only to find himself trapped. Flashbacks give us Renaissance battles, the French court, spies, intriguing love affairs, and the attempt to solve the problem of longitude. It's a world of metaphors and paradoxes created by an entertaining scholar. Tim Curry, who also narrates Foucault's Pendulum, provides a spirited narration. Ultimately, libraries should avoid Foucault's Pendulum, but educated patrons will form an eager audience for both The Name of the Rose and The Island of the Day Before.
James Dudley, Copiague, N.Y.
Copyright 1996 Reed Business Information, Inc.

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201 Reviews
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4.6 out of 5 stars (201 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful
5.0 out of 5 stars NOBODY expects the Spanish Inquisition !, Feb 28 2007
By 
Craobh Rua "Craobh Rua" (N. Ireland) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: The Name of the Rose (Paperback)
Umberto Eco is internationally renowned as an author, a philosopher, a literary critic and a historian. He is also a professor of Semiotics at the University of Bologna and lives in Milan. "The Name of the Rose", his debut novel, was first published in Italy in 1980 and became a bestseller throughout the world. It was also adapted for the big screen in 1986, a version that starred Sean Connery and Christian Slater.

"The Name of the Rose" is set in the fourteenth century and is told by Adso of Melk - an aged Benedictine Abbot looking back to a journey he took as a novice. Adso's father was a German nobleman loyal to Louis the Bavarian and arranged for the young Adso to travel with him to Italy - there, he hoped to see Louis crowned Holy Roman Emperor. However, with his father's time subsequently taken up with the Siege of Pisa, Adso was placed in the care of William of Baskerville - not only a shrewd, learned and wise Franciscan, but also a former Inquisitor. Together, the pair travel to a Benedictine abbey in the northern Italian mountains.

The arena in which William and Adso operate is at least as political as it is religious. There are great differences of opinion between the orders on a number of topics - the most relevant to the story involves a difference in opinion about poverty between the Franciscan Order and the Pope. Since the Pope and the Emperor don't see eye-to-eye either, Louis has obviously sided with the Franciscans. The Order's Head, Michael of Cesena, has been summoned several times to Avignon - where the Papal Court was held at the time - officially to deal conclusively with the matter. However, since many suspect this would actually involve Michael being charged with heresy, the Emperor feels it best if Michael travels as part of an official Imperial delegation. As the whole matter is proving increasingly difficult to deal with, a preliminary meeting has been arranged to lay out the opposing points of view. William has been appointed the Emperor's representative, and the meeting is taking place at the abbey to which he and Adso are travelling.

As it happens, the pair are given much more to think about than just the meeting. Not long before William and Adso arrived, one of the abbey's most skilled illuminators - Adelmo of Otranto - had been found dead at the foot of some cliffs beneath the abbey. The Abbot suspects the young monk was murdered, and asks William to investigate. Things are not made entirely easy for the pair : although Adelmo may have been pushed to his death from the upper floor of the library, they are forbidden from entering that area. Nevertheless, with the meeting imminent, they know it's vital to have everything cleared up as soon as possible - preferably with out any more deaths...

This is a hugely enjoyable book - the only real flaw is that it's occasionally a little over-descriptive. However, it makes a nice change to read a murder-mystery than relies solely on the skills of the investigator - particularly one as likeable as William - without any help from forensics, fingerprinting or DNA sampling. The 'back-story', relating to the meeting, added a nice political spin to things. It also added a certain amount of panic for some of the characters, as the Pope's representative is also a practising Inquisitor . Very highly recommended.
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5.0 out of 5 stars One of Eco's best novels, Jan 15 2012
By 
OpenMind "R Granger" (Edmonton, Alberta, Canada) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: The Name of the Rose (Paperback)
Umberto Eco doesn't just tell a story; this much is obvious from all of his novels, not the least of which is The Name of the Rose. He has crafted a wonderfully intriguing medieval murder mystery (at heart) and fleshed it out with splendid characters (especially the protagonist, who must rely on good ol'-fashioned detective work to crack the case), a well-realized backdrop of history and location, and incorporated cyptology and theology for good measure. Smart without being overwhelming, taut without being heavy-handed, historical without being boring, The Name of the Rose is not just one of Eco's best books, but one of the most enjoyable reads I've ever had.
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4.0 out of 5 stars Tedious but worth reading, May 13 2004
By 
Matthew Krichman (Durango, CO) - See all my reviews
(REAL NAME)   
This review is from: The Name of the Rose (Paperback)
Though at times painfully tedious in its detail of 14th century Catholic theology and annoyingly esoteric in its numerous passages in Latin, I feel I must give this book a positive recommendation. Its grand scope of chronicling such an obscure period, its depth of research, and its feeling of authenticity give this book the right to be considered an epic of modern fiction. As far as mysteries go, this one certainly is not the most intriguing. It drags at times, and the final revelations are neither startling nor intricate in their conception. But as a period piece, this is a 500-pound gorilla. It's amazing to think of the amount of scholarly research that went into the making of this novel. How many hours did Eco have to spend studying the writings of Aristotle, Aquinas, and who knows how many Franciscan and Benedictine theologians?

I have to admit I came close to putting this book down after 100 pages. I'm glad I didn't, though it was a struggle the whole way through. There were a few too many characters, and at times I couldn't keep track of all the different monks, but fortunately they start to get killed off pretty quickly so there are fewer to remember.

The underlying theme is an important one to me. The book explores the medieval notion that religious faith and intellectual pursuits should be mutually exclusive. Imagine living your life as a monk, working in a library surrounded by thousands of scholarly works, and spending your days copying texts that you don't understand. The preservation of knowledge is a noble goal, but so is the advancement of our understanding of the universe.

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