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The Namesake: A Novel
 
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The Namesake: A Novel [Hardcover]

Jhumpa Lahiri
3.9 out of 5 stars  See all reviews (180 customer reviews)
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Hardcover, Aug 19 2003 CDN $20.44  
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Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks.

Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, ore expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. --Claire Dederer

From Publishers Weekly

One of the most anticipated books of the year, Lahiri's first novel (after 1999's Pulitzer Prize-winning Interpreter of Maladies) amounts to less than the sum of its parts. Hopscotching across 25 years, it begins when newlyweds Ashoke and Ashima Ganguli emigrate to Cambridge, Mass., in 1968, where Ashima immediately gives birth to a son, Gogol-a pet name that becomes permanent when his formal name, traditionally bestowed by the maternal grandmother, is posted in a letter from India, but lost in transit. Ashoke becomes a professor of engineering, but Ashima has a harder time assimilating, unwilling to give up her ties to India. A leap ahead to the '80s finds the teenage Gogol ashamed of his Indian heritage and his unusual name, which he sheds as he moves on to college at Yale and graduate school at Columbia, legally changing it to Nikhil. In one of the most telling chapters, Gogol moves into the home of a family of wealthy Manhattan WASPs and is initiated into a lifestyle idealized in Ralph Lauren ads. Here, Lahiri demonstrates her considerable powers of perception and her ability to convey the discomfort of feeling "other" in a world many would aspire to inhabit. After the death of Gogol's father interrupts this interlude, Lahiri again jumps ahead a year, quickly moving Gogol into marriage, divorce and a role as a dutiful if a bit guilt-stricken son. This small summary demonstrates what is most flawed about the novel: jarring pacing that leaves too many emotional voids between chapters. Lahiri offers a number of beautiful and moving tableaus, but these fail to coalesce into something more than a modest family saga. By any other writer, this would be hailed as a promising debut, but it fails to clear the exceedingly high bar set by her previous work.
Copyright 2003 Reed Business Information, Inc.

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Customer Reviews

180 Reviews
5 star:
 (80)
4 star:
 (43)
3 star:
 (27)
2 star:
 (19)
1 star:
 (11)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (180 customer reviews)
 
 
 
 
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5.0 out of 5 stars A wonderful read!, Jan 13 2012
By 
Reading in Winter (Edmonton, AB CANADA) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: Namesake (Paperback)
I can't remember what movie I must constantly watch that has the trailer for the movie The Namesake, which is based upon Jhumpa Lahiri's book of the same name, but every single time I saw the trailer, I wanted to see the movie. Naturally, I waited a few years, took the book out from the library, waited a few weeks, and now have finally finished the book.

Seems like the natural progression, don't you think?

In the past, I never used to be one of those people who ensured they read the book before watching the movie, but now I make myself. I was quite pleased with Lahiri's novel and couldn't put it down'over 24 hours I had finished the whole thing; naturally, stopping to eat and sleep, and to get a tire fixed (which has nothing to do with anything'it was just an annoyance that took me away from reading this!).

I don't know what it is about books set in different places, or books that showcase a different culture, but I find them to be such an escape. Something so different than what I'm accustomed to in my everyday life. Though, don't be fooled! The Namesake takes place mostly in America, but the smatterings of India throughout the novel as well as the culture the family tries to preserve in America is breathtaking. At just under 300 pages, Lahiri covers so much ground, which I'm impressed with; too many times I pick up a huge novel that is trying to do just the same thing Lahiri is and I find myself getting bored, putting it down, and reading something else in the interim. I'm happy to say I didn't have that problem with this book.

There may be a lot of narrative in this book, it is quite simple (though still beautiful and unpretentious), which makes for a very quick pace and I found I was swept into the story instantly'Lahiri has a great flow in this novel. I wouldn't say there's any main character of the book'the closest is probably Gogol'but, rather, the main 'character' is the Ganguli family. It only seems natural because the Ganguli's immediately gravitate towards more Bengalis in the neighbourhood in which they move, everyone being dubbed an honorary aunt, uncle, or cousin.

Leaving the novel, I was left to think about what's in a name? I think people take their names for granted'or even the naming of a child can be so frivolously done. The Namesake reminds us that the naming of a child is a big thing, that parents should pick a name that the child will be proud of, a name that tells a story, a name that brings them back to their history. It tells us that even though we may be so quick to try and run away from our heritage, after a few trips and life struggles, we might just want to come back to it.
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3 of 3 people found the following review helpful
5.0 out of 5 stars Exotic and Insightful, Jun 7 2005
By 
Laura Hansen (Little Falls, MN) - See all my reviews
This review is from: Namesake (Paperback)
What's in a name? Ashoke and Ashima Ganguli understand the importance of naming. As Bengalis, they rarely use each other's "good names," the formal first name that appears on birth certificates, diplomas, and marriage licenses. Instead, they use the pet name bestowed upon each Bengali shortly after birth, the one that is used exclusively by family and friends (which may be a real name or a silly, onomatopoeic nickname). The good name is too momentous, too significant to be used, or chosen, lightly. So, when Ashoke and Ashima, newly transplanted to the United States, learn that they are expecting a child, they ask the family matriarch to select a name for their baby and send it to them in a letter. Nobody else will know the chosen name until afterward.

Months pass, and the letter fails to appear; it seems it's been lost in the mail. Initially, the Gangulis aren't too worried, because Bengalis often aren't officially named for months or even years; but the American system demands a name immediately. Meanwhile, the great-grandmother has fallen severely ill, and is in no state to reveal baby names. Running out of time, Ashoke names his son "Gogol," after his favorite Russian writer, a name that has immense personal significance to him. But to young Gogol, the name is a burden, a disfigurement, an ugly reminder of the many differences between him and his peers. As he grows up, Gogol embarks on a bitter love-hate relationship with his name; he loathes it, he denies it, he tries to escape it. Only when Gogol has made peace with his ethnic background and his family's traditions can he learn to accept his identity.

Lahiri, known for her critically adored short-story collection The Interpreter of Maladies, makes her debut as a novelist with this work. Her writing is understated and simple, but beautifully evocative and filled with sensory detail. Though much is necessarily omitted in a story that covers several decades in under three hundred pages, Lahiri chooses her words deftly, focusing on quotidian scenes of startling intimacy to make the reader feel close to the characters. Which is not to say her characters are incomplete or undeveloped; though more development would be welcome, the characters still feel well-thought-out and complex, and their relationships with each other are believable and sympathetic.

Focusing on themes of displacement and foreignness, and the bewildering and alienating process of assimilating into a new society, The Namesake is powerful and genuine, blending humor and drama into a realistic portrait of a family. Given their struggle to retain their heritage while becoming fully integrated into their new country, and the resulting confusion of identity that trickles down the generations, what is, perhaps, most surprising in the end is how all-American the Gangulis really are. I truly enjoyed this novel, and I think you will, too. In addition, I'd like to recommend another recent Amazon purchase, 'The Losers' Club: Complete Restored Edition' by Richard Perez, an unconventional and highly entertaining little novel I can't stop thinking about.

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2 of 2 people found the following review helpful
5.0 out of 5 stars Conflict in the soul, Feb 14 2005
By 
Sancho Mahle (Charlotte, USA) - See all my reviews
This review is from: Namesake (Paperback)
I really enjoyed The Namesake, just as much as I enjoyed Interpreter of Maladies. 'The Namesake' is a very entertaining novel that sheds light on the experiences of first generation Americans, whose parents are immigrants. It is one of the very few novels that have dealt with this subject and it certainly came out at its best in doing so.

It has got all the ingredients of conflict in a person's soul, conflict in a family and conflict in a community trying to stick together in another land. In this novel, the conflict in culture between Eastern vs. Western, The Old World vs. The New World, Father vs. Son is brilliant exposed. I could easily relate to the story as someone who is caught in the same situation himself. I was certainly disappointed by certain parts of the story, but on the whole it was marvelous. I was impressed by the positive reaction to it.
The characters are marvelously depicted and made to interact with so much fluidity, tenderness and love. The setting involving India and the USA is genuine. Brilliantly told, Namesake vividly brought out a clash of two cultures and of a boy realizing his father's life. In the end, we come to understand the enormous prize immigrants pay as they abandon their ethnic or national identities in their quests to be accepted in their new countries.

Also recommended: DISCIPLES OF FORTUNE, FATHERS AND SONS

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