Many years ago, when the first volume of Tales of the City
was going to press, Christopher Isherwood compared its author's narrative gifts to those of Charles Dickens. This has proven to be the blurb of a lifetime, an ever-renewable currency appearing on almost all of Armistead Maupin's subsequent books. Yet it has held up well--Dickens's gentle satire and broad good humor live on in Maupin more than in any other English-speaking writer. The Night Listener
is his most ambitious work to date. While not strictly autobiographical, the story does teasingly suggest correspondences to the author's own life in a way that will delight and frustrate his many fans. The main character, Gabriel Noone, is a professional storyteller who broadcasts roughly autobiographical sketches for a long-running PBS series, "Noone at Night," stories about people "caught in the supreme joke of modern life who were forced to survive by making families of their friends." When the novel opens, Gabriel is still reeling from the announcement that his much younger, longtime partner Jess (a.k.a. Jamie in the "Noone at Night" stories, and a.k.a. Terry Anderson, Maupin's real-life, much-younger partner, for those who like to track associations) wants to move into his own apartment and start dating other men. With the success of his HIV cocktail, Jess has exceeded his own life expectancy. Having prepared himself so well to die, he now needs to learn how to live again. To Gabriel's distress, Jess's new life involves leather, multiple piercings, and books on men's drumming circles.
When an editor sends Gabriel yet another book to blurb, he reluctantly opens the package to find a long, rending memoir by Pete Lomax, an HIV-positive 13-year-old survivor of incest, rape, and sexual slavery. The book is called The Blacking Factory, after the miserable London bottling factory where Dickens spent part of his poverty-stricken childhood. As Gabriel reflects:
Pete thinks we all have a blacking factory, some awful moment, early on, when we surrender our childish hearts as surely as we lose our baby teeth. And the outcome can't be called. Some of us end up like Dickens; others like Jeffrey Dahmer. It's not a question of good or evil, Pete believes. Just the random brutality of the universe and our native ability to withstand it.
After Pete escaped from his parents and was adopted by a therapist named Donna Lomax, his slow recovery was helped along by his memoir-writing and by frequent doses of "Noone at Night."
Touched by Pete's devotion to his stories, as well as the boy's obvious need for a father figure, Gabriel finds himself drawn into an intense relationship with his young fan, involving long, late-night phone calls that begin to worry Gabriel's friends. And, other than their mutual need, how much does he really know about Pete, anyway? As Gabriel begins to question his own motives, as well as those of the boy, The Night Listener transforms itself from an absorbing but quotidian story of loss and midlife angst into a dark and suspenseful page-turner with a playful metaphysical aspect and an un-Dickensian sexual candor. --Regina Marler
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From Publishers Weekly
The lines between reality and illusion are intriguingly blurred in this novel from the author of the Tales of the City series. Maupin also takes on various questions about how art imitates life, since there are many similarities here between author and protagonist. The deceptively simple story line concerns Gabriel Noone, a San Francisco radio personality whose "grabby little armchair yarns" have developed a cult following; indeed, the books based on these weekly NPR broadcasts "have never stopped selling." But Gabriel is experiencing severe writer's block as he endures an emotional crisis triggered by the decision of Jess, his longtime male companion, to separate: "I lost a vital engine I never even knew I had." When a manuscript sent to Gabriel for an endorsement turns out to be a harrowing memoir of sexual abuse written by a 13-year-old, he is moved to contact the precocious youngster. It seems that Gabriel has been an on-the-air lifeline for Peter Lomax, who has been adopted by a female doctor with some pressing problems of her own. This vulnerable threesome embark on a pas de trois that envelops the reader in an increasingly absorbing puzzle. Providing a moving counterpoint to Gabriel's growing attachment toAeven dependence onAPete is his inability to cope with his estrangement from Jess. As in his earlier works, reading Maupin's prose is like meeting up with a beloved old friend; it's an easy, uncomplicated encounter filled with warmth, wisdom and familiar touches of humor. But there's pathos here as well, and sharp-edged drama with a few hairpin turns. As Gabriel cautions, "I'm a fabulist by trade, so be forewarned: I've spent years looting my life for fiction." And what splendid booty GabrielAand MaupinAhave compiled for readers' enjoyment. 100,000 first printing; 16-city author tour. (Oct.)
Copyright 2000 Reed Business Information, Inc.
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