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Heinlein wrote this book right after recovering from a carotid bypass. Those of us who had been reading his stuff for a while were thrilled to see it (I remember lapping it up when it was serialized in _Omni_ magazine), largely because it meant he hadn't been permanently rendered unable to write.
And there's certainly stuff here for Heinlein readers to appreciate. Some readers don't like Heinlein's dialogue, but I like it just fine and I enjoy the interplay among the four main characters in this one. (Nor do I have any trouble telling which of the characters is narrating at which point.)
This is also the novel in which Heinlein sets up the concept of the World-As-Myth. Apparently tired of listening to his characters invite one another to 'have a go at solipsism', he finally has a go at it himself -- and comes up with a 'multiperson' version of it, in which various 'real' universes are 'fictional' relative to one another, yet accessible via six-dimensional rotation using a nifty device invented by protagonist Jake Burroughs. (At the very least, this clever trick allows Heinlein to bring together lots of his characters from his various fictional worlds and let them all have free-love open relationships with each other.)
The downside is that it's somewhat self-indulgent. First we visit some of the fictional worlds created by several of Heinlein's own favorite writers. On top of that, the name of every one of the 'bad guys' is an anagram of some variant of Heinlein's own name, or Virginia's, or one of his several early noms de plume. Then, in a very confusing ending, we're sort of given to understand, more or less, that all of them are Heinlein himself, somehow, maybe. My, what a powerful fabulist he must therefore be.
Back to the plus side. Readers of _Time Enough For Love_ -- those who liked it, anyway -- will cheer the return of Lazarus Long, as this novel not only brings him back (together with some new members of the Long family) but sets up two further novels in which he appears (_The Cat Who Walks Through Walls_ and _To Sail Beyond the Sunset_; don't start with _those_ either). Of course this is a plus only for those of us who _did_ like _TEFL_; those who didn't won't care for this book either.
Interesting late-period Heinlein, then, filled with what Heinlein fans will regard as great characters and great character interaction -- but somewhat bloated with some stuff that doesn't make very good sense and shot through with some extremely trivial intellectual puzzles. (Most of the anagrams aren't very hard; even the one or two comparatively difficult ones won't pose major problems for anyone who knows anything about Heinlein's [and Ginny's] naval service.) The casual Heinlein reader probably won't like it and won't grok it.
It's not my favorite either, but I don't think Heinlein wrote any _bad_ fiction. (His nonfiction is another story.) He _was_ a powerful fabulist, and I don't mind indulging him while he celebrates the return of his power in this novel.
The four protaganists of this book undertake to explore the many universes after they are nearly killed because of an invention of one of the protaganists who is a scientist. The first part of the book consists of the four members of the team meeting, almost being killed, getting married, building a time ship and undertaking to find out the various universes out there.
The second part gets a bit tedious as these four adventurers argue and bicker and take turns voting each other Captain. Heinlein decided, for some reason, to make these four charachters variations on the witty, sarcastic, opinionated, genious sort which tend to be annoying in his stories, but can add a lot to the stories in moderation. Four charachters bantering about and arguing just got old, fourtunatly this section of the book isn't too long.
The third part is in which they discover Lazurus Long, who to them is a fictional charachter and they undertake to form the beginings of an orgainisation which will be more fully explored in "The Cat Who Walks Through Walls"(you should read this book before reading that one).
All in all a good story which enriches the fullenss of the Heinlein universe.
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